- The Real Reason Music's Gotten So Loud
- Artist Chris King Talks Building Relationships Between Bands and Fans
- Chris Shiflett Interviews Dwight Yoakam
- 'Whispering Bill' Anderson Gets Help From War Veteran in Naming His New Album
- Old State House Museum honors Johnny Cash's daughter, Rosanne
- The Tennessean's Peter Cooper Talks New Country HOF John Prine Exhibit
- Download Free Sample from Sturgill Simpson on NoiseTrade
- Norah Jones and Billy Joe Release Tribute "Foreverly"
- Galleywinter Reviews Cody Canada's New Live Acoustic Album
- Kacey Musgraves On Writing Her Follow Up to "Same Trailer, Different Park"
- Chuck Ragan In The Studio for Upcoming Album "Till Midnight"
- Zac Brown Band and Dave Grohl to Release Songs in December
- CMT Edge Chats with the CEO of Martin Guitars
- If You Missed It: Nikki Bluhm on Conan
- Kellie Pickler Debuts in Top Five On Top Country Albums Chart
- Garth Brooks and Trisha Yearwood New Song 'After The Fire Is Gone'
- NPR - 'Foreverly' Yours: Billie Joe Armstrong And Norah Jones Get Close
- New Video From The Tedeschi Trucks Band
- New Video: Ashley Monroe "Live At The Ryman"
- Ry Cooder Featured In The New Yorker, New Live Album
- Is Facebook Overdoing It With Ads?
For months, Leroy Virgil of the infamous Hellbound Glory has been dropping little tidbits about a potential triple album coming out in the future to be called MericA. As Virgil told SCM at the beginning of the year, “Gonna come out in chapters or volumes, haven’t decided. Songs about real ‘merica.” Virgil is a virtual songwriting machine, and when you see him live expect to be regaled by brand new songs throughout the set. At some point the man will need to narrow the gap between what he’s written and what he’s recorded, and a triple album may be the only way to accomplish this.
A couple of weeks ago Hellbound Glory was in Nashville, in a studio session that included former Waylon Jennings’ drummer and right hand man Ritchie Albright, as well as Amanda Shires and Shooter Jennings among others. This was the first step in making what may become a landmark triple album of independent country a reality.
For the holiday, Leroy has released the lyrics to the upcoming title track, and in true Virgil fashion, they work just fine without the musical accompaniment.”MericA” plays off the broad theme Leroy has adopted of depicting rural America, one that is filled with broken dreams and bad habits; a more subversive view than corporate country likes to portray, but also one that is more accurate.
Stay tuned for more info on the album Merica.
The MericA Song (4 Bocephus)
(by Leroy Virgil of Hellbound Glory)
“There aint nothin like a gun to make you feel real tall
Like some alcohol, adderol,
Hey are you ready for some football?
You buy this truck rust and all
Its like a broke down American made
Suped up old Chevrolet
It aint our Government that makes us Great
And as long as we can make it
I think we got it made
In the good ole USA
Firing bottlerockets at the Ghetto Bird
Piss drunk July Third
Thats freedom honey aint you heard
It ain’t fun unless someone gets hurt
God bless the NRA through hard times and holidays
Sometimes we all just got to pull and pray
And as long as we can make it I think we got it made
In the good ole USA
I love pretty girls in shitty cars
High times in old divebars
Pissin beneath the moon and stars
God bless this land of ours
Its like a broke down American made
Suped up old Chevrolet and though it sound a little cliche
As long as we can make it I think we got it made
In the good ole USA”
Really Tim McGraw? Really? After 20 years of slaving under the oppressive control of puppetmaster Mike Curb, this is what you do with your new found freedom? Wow.
With the first single from the Big Machine Records-era of Tim McGraw, the country music mega-star pulls off the biggest sellout move of his career, and one of the biggest sellout moves ever seen from an established country music franchise name. Yes friends and neighbors, Tim McGraw has fallen prey to the hyper-trend of the country music laundry list truck song. “Truck Yeah” is such an overt outcry for relevancy and commercial acceptance, I feel embarrassed for McGraw simply from writing about it.
When you boil this song down, it’s a rap song, and a bad one at that, just like so many of these country checklist songs. There’s no story. Instead the song just spews out stereotypical artifacts of culture while hanging on one single monotone vocal note with minor variations. This song is a product of the mono-genre. It’s a club dance song. Countryisms and urbanisms are belted out by McGraw with no delineation between the two. He talks about crew cabs and clubs downtown. DJ’s and rednecks. And then there’s the line, “Got Lil’ Wayne Pumpin’ on my iPod.” And add on top of all of that the stupid cornpone title lyric and the fact that it’s yet another mainstream song about trucks and you have a super-fecta of pop country suckitude.
And I hate to be a hypocrite and cite the morality of the situation, but since this song is being put out on the public airwaves, why not ask the question of where the line is? Kids aren’t stupid, despite the best efforts of public schools and popular media. Kids know what McGraw is implying here. And in the live version, he even thrusts his fist in the air like he’s flipping the bird at the crowd. Most people see the country station as a refuge when the kiddos are in the car. Or at least they used to. It’s bad enough most of the music young brains are being barraged with is in such poor taste. Now we have to worry if it’s morally straight.
The worst part about this song is Tim McGraw knows better. We expect this dumb shit from the Justin Moore’s and Brantley Gilbert’s of the world, but from Tim McGraw? Say what you want about his music, that it’s boring or country’s version of adult contemporary, but aside from his idiotic “Indian Outlaw” song, his career has been marked with depth. And in McGraw’s defense, we haven’t heard all of the new material he’s been recording for Big Machine, and this may be the worst of the lot. But man, I just can’t see how anybody can look at this song and not say “sellout”.
This is an embarrassment for country music, this is an embarrassment for Tim McGraw, this is an insult to all the folks fighting for creative freedom for country artists on Music Row, and this is even more validation that Scott Borchetta of Big Machine Records is indeed the Country Music Anti-Christ.
Somewhere Mike Curb is sitting behind a desk, maniacally stroking a cat sitting on his lap and cackling. There’s a reason country labels see it necessary to hold such a heavy thumb on artists. This song could perform like Kip Moore’s “Something About a Truck” which became a #1, or it could be like Track Adkin’s “Brown Chicken, Brown Cow” or Craig Morgan’s awful “Corn Star” and bomb. I think there will be high initial curiosity about this song, but it also runs a big risk from both being controversial and polarizing, and for venturing so far out of McGraw’s established demographic.
And why? Why this? Why now? Tim McGraw is selling out arenas and has songs climbing the charts on country radio. Does he not have enough money or attention? Why risk being labeled a bit singer like Trace Adkins or a douche like Brantley Gilbert?
Just be yourself Tim.
Two guns down!
- Mike on Billie Joe & Norah Jones Tribute The Everlys in “Foreverly”
- Thomas J. on Jamie Lynn Spears Surprises w/ “How Could I Want More”
- Jack Williams on Billie Joe & Norah Jones Tribute The Everlys in “Foreverly”
- Kevin on Jamie Lynn Spears Surprises w/ “How Could I Want More”
- Jordan on There’s Bigger Problems Than Justin Timberlake “Going Country”