- Gladys Flatt, wife of bluegrass legend Lester Flatt, dies at 98
- ACM's to Be At Dallas Cowboys Stadium Next Year
- CMT to Air a Series of Classic Country Documentaries
- The Washington Post Features Sturgill Simpson
- Hear Mary Sarah And Merle Haggard Sing "Fightin' Side Of Me"
- NPR: Folk Singer Willie Watson Previews His New Album
- World's Largest Banjo Public Sculpture "Banjo of the East" Announced
- LA Times Reviews The Mavericks 25th Anniversary Tour
- Watch Gregg Allman Scorch 'Midnight Rider' With Vince Gill, Zac Brown
- New Radney Foster "Who's Heart You Wreck"
- 20 Charges Added in South By Southwest Fatal Crash
- Leon Russell Shares His Favorite Musical Memories
- Watch Nickel Creek Perform on Fallon
- Why Bro-Country and Nu-Metal are the exact same thing
- Stream Carlene Carter's Album "Carter Girl"
- The Infamous Stringdusters Release "Let It Go"
- A letter to a young songwriter, from Mary Gauthier
- Jon Langford Releases New Album "Here Be Monsters"
- 11 mainstream country artists worth listening to
- Listen to New Bobby Bare Jr. Song "Big Time"
- Willie Watson Performs "Mexican Cowboy" on Prarie Home Companion
The heavyweight fight between Curb Records and and Scott Borchetta of Big Machine over the rights to Tim McGraw and his music continues, on the airwaves in the form of competing singles, and in the courtroom in the form of legal briefs by both parties in an ongoing legal battle. McGraw, who just announced a Las Vegas residency with wife Faith Hill, has been in a battle with Curb Records for years over the length of his contract.
Earlier this year, the courts ruled McGraw could begin recording new music while the court hashed out whether McGraw had actually been in violation of his Curb contract for recording his last album Emotional Traffic too early, and if he was, what the penalty should be. Meanwhile, McGraw signed with Big Machine and now has released a competing single “Truck Yeah” to the singles Curb has been releasing from Emotional Traffic.
Now the legal situation has created another potential problem from Scott Borchetta and Big Machine. In late June, Curb asked and received from the court a delay in the legal process to evaluate Tim McGraw’s new relationship with Big Machine, and asked to receive a wide range of documents and access to Big Machine materials, including McGraw’s current contract, his distributor deal with Universal Music, the ability to directly question Scott Borchetta and top Big Machine brass, as well as emails, press materials, etc. that involve Tim McGraw’s signing.
But more than just shedding light on Big Machine’s relationship with Tim McGraw, these documents and interviews could also unlock reams of Big Machine business secrets that could give Curb new strategic advantage over the much-younger Big Machine who is steadily gaining market share from Music Row’s old guard.
“Curb, having lost in its effort to stop McGraw from making music now sees the ability to use the power of this Court to gain access to the inner-most workings and financial documents of a primary competitor,” said Big Machine lawyer John Day in a legal filing.
One of the primary reasons Curb wants to see the Big Machine documents, and one reason the court may allow it, is to determine just exactly when Big Machine began to reach out to Tim McGraw to join the label. If it was while Tim was still under contract with Curb (and according to Curb, he still is under contract with them), then Big Machine could be held liable.
Just because Curb requests the documents though, doesn’t mean they will receive them. They must prove the documents are relevant, will contain evidence pertinent to the case, and that there’s no other way the evidence or information can be obtained. Also, the Big Machine documents may only be made partially available, or only available to Curb attorneys in a closed-room situation.
And the stakes couldn’t be higher. Curb insists that Tim McGraw is still theirs, and that his first Big Machine single “Truck Yeah” along with 30 other songs Tim has recorded for Scott Borchetta are Curb intellectual property.
Both parties return to the court August 17th to decide what documents Big Machine must produce.
- – - – - – - – - – - – - – - -
In my opinion, Curb is dreaming if they think that they will come into possession of the new Tim McGraw material and then get yet another album out of him before he fulfills his contract as they are asking for. But Scott Borchetta’s aggressive moves, signing Tim and released an unprecedented competing single before the court has decided the status of McGraw’s Curb contract opened up the possibility for Curb to receive reparations from Tim McGraw and/or Big Machine, and apparently so does the court when they ruled to delay the trial in late June. As irrational as Curb was being when they released one Tim McGraw Greatest Hits album after another to extend his contract, Big Machine was being irrational by not waiting a few more weeks for the court to make some key rulings before moving forward with McGraw.
Tim McGraw had Curb right where he wanted them–in the rear view mirror–when the court ruled he could begin recording new music. Now, it may be vice versa.
For more information on the case, check out The Tennessean: Tim McGraw, Curb Records battle now ensnares Big Machine
Support SCM and start
your Amazon shopping here