There are those moments in music that will be forever immortalized for one reason or another, whether it’s the writing of a legendary song, a once-in-a-lifetime performance or collaboration, or the birth of a new genre or era. One such moment transpired in College Station, TX in 1976 not far from the corners of Church and Boyett streets.
For 29 years now, the annual gathering of established and up-and-coming folk, roots, country, blues, and bluegrass musicians known as Folk Alliance has been like a fulcrum of the independent music industry, offering support to artists looking for opportunities, and showcasing some of the newest talent for the industry.
You better be damn sure of your rationale when you veer so incredibly off the page believing there’s better opportunities out there. Because if you leave behind everything you were before, you’re going to leave behind all those people who followed you there, and they will turn their backs on you just like you did them.
Curb Records is once again cobbling together previously-released material from Hank Williams III in an attempt to make money off of songs many fans already have, only this time it is in a much more conventional manner. Saving Country Music can confirm that Curb Records is planning the release of a Hank Williams III Greatest Hits album.
Sturgill Simpson will perform at the 2017 Grammy Awards producers confirmed Thursday morning (2-2). Though a performance slot was pretty much assured to the upsurging country artist after his recent album A Sailor’s Guide to Earth was nominated for both Best Country Album, and the all-genre Album of the Year category…
The 83-year-old Willie Nelson certainly isn’t slowing down for anything. In fact he’s been been releasing records a a pace quicker than one per year since signing with Sony’s Legacy Recordings, but those are not always recordings of original music. That will not be the case with his newest project called ‘God’s Problem Child.’
WARNING: LANGUAGE — To release a song called “Body Like a Backroad” in the year of our Lord 2017, after we suffered through five years of embarrassment as a genre at the hands of the Bro-Country scourge, it goes so far beyond aggressively cliché, it’s just downright grotesque.
They’ve decided to divide opening duties among a total of 26 separate openers across the 65 total tour dates, as opposed to taking the usual stance with openers, which is to drag the same two or three lightweight mainstream up-and-comers around with them for six months. Even more surprising are the names selected to open.
‘Tenderheart’ is said to pick up where Angeleno left off—asserting Sam’s “SoCal country” style that mixes in the twang from nearby Bakersfield, subtle Western-swing influences, along with the singer-songwriter legacy of the desert city, inspired by the style and vastness of Los Angeles. The album comes as Sam has experienced major changes in his life.
“I really don’t even know what current country music is anymore. I am as flabbergasted as anyone and have no idea what is country and what is not anymore. I am not a fan of country today. Today’s country can’t be differentiated between pop, and you can’t tell them apart. If you are going to be in the country category and call yourself a country artist, then stick with it.”
“When there is music, nobody thinks of fighting. That’s why I came to the United States—not only to study country music in its homeland, but also to travel to the country which had been introduced to me by the media in Iran as ‘the enemy’ and ‘the great Satan’ and see the people, talk to them, and learn about their culture through them.”
Apologies to any die hard Lady Antebellum fans out there, but I just don’t see the value of them coming back from their extended hiatus. From the beginning, Lady Antebellum has felt so forgettable, so superfluous, so fleeting of impact and falling short of any serious contribution to country music or popular music in general, would anybody really miss them if they never reunited?
The story has been told for many years that The Allman Brothers initially didn’t want to record “Ramblin’ Man” or release it as a single because they were afraid it was too country. Today people take for granted that The Allman Brothers fit squarely in the Southern rock genre, but to start, they were very much a blues and jazz-based jam band.