Song Review – Jason Aldean’s “The Only Way I Know”
I know a lot of folks are going to roll up on this review hoping to see a crime scene unfold, hoping that I show no mercy and draw blood on this embarrassment of American country music. But the truth is, I don’t have much to say about it. I’ve got no dry powder here. What could be said that hasn’t been said many times before to the point of being redundant, or that isn’t obvious to the clear-minded listener? And the truth is this song is bad, but it’s not awful. There’s nothing really offensive here. It’s more par for the course for today’s country music. It’s this, or Taylor Swift. That is what passes for variety for mainstream country music fans these days.
“The Only Way I Know” is the self-coronation of Jason Aldean, Eric Church, and Luke Bryan as the new male country music superstar triumvirate. Not entirely off base considering popularity, influence, and commercial success (though Blake Shelton might have something to say about that), this songs and these artists are a fairly spot-on illustration of where corporate country music is today. It’s hard to think that Jason Aldean could loosen his standards any more, but that’s the way his decision feels to include Luke Bryan in this collaboration. Meanwhile what happened to Eric Church being an Outlaw and a rebel? Wasn’t it folks like Jason Aldean and Luke Bryan he was calling out in his song “Lotta Boot Left To Fill?”
Get-ups, gimmicks… Pretty boys acting tough… And if it looks good on TV. It’ll look good on a CD. Shape it up, trim it down. Who gives a damn ’bout how it sounds? You say you’re the real deal. But you play what nobody feels.
Yep, pretty much sounds like what we’ve got here.
Some have been accusing this of being a country rap song. I’m inclined to respectfully disagree. The verses feature talking and not singing, but they don’t feature the type of cadence that usually connotes rap. As I’ve pointed out before, spoken word and rap are not always the same. You also don’t hear the same hip-hop references to things like booming speakers, or the Ebonic/urban jargon or purposeful mis-speaking like in Tim McGraw’s “Truck Yeah,” Blake Shelton’s “Sure Be Cool If You Did,” or Florida-Georgia Line’s “Cruise.” This song is simply the generic arena rock approach to popular country music that happens to include speaking parts, possibly to benefit from the popularity of the country rap trend, but technically not part of it.
It’s not really a typical “laundry list” country song either, where countryisms are rattled off like rounds from a Howitzer. It has some of those elements, and make no mistake, the lyric “full throttle” is no less cliché these days than “pickup trucks” and “ice cold beer.”
Some critics have tried to glean a message from this song and Jason Aldean’s music as a whole, but they’re missing the point. Aldean isn’t trying to say anything here, he’s simply trying to release a song that will be commercially successful. It happens to be that the message of the song itself is a pretty straightforward story of people from the country working hard and pushing themselves. Aldean doesn’t deserve praise for this because he didn’t write the song. Nonetheless, the lyrics are not terrible.
Jason Aldean has been successful enough now that he doesn’t have to chase the trends, the trends chase him. He’s been making the same generic arena rock and calling it country for many years now, and just happens to find himself as the beneficiary of the flight from substance in popular country music. He’s a shallow man, and this appeals to a shallow world. But “The Only Way I Know” is not Jason Aldean’s worst, nor is it country’s.
1 1/2 of 2 guns down.
– – – – – – – – – – – – – – – – – – – –
John
February 18, 2013 @ 1:15 pm
The Eric Church “I’m not mainstream” act has run it’s course. “Drink In My Hand and “Springsteen” were too of the most Mainstream radio fodder songs I’ve ever heard.
Dan
February 18, 2013 @ 2:54 pm
Although I agree with your thoughts on “Drink in my hand”, I have to disagree about “Springsteen”. I think that’s a well written song that paints a great picture about something a lot of us have experienced.
ReinstateHank
February 19, 2013 @ 6:47 pm
They played “Drink in my Hand” so much here in Missouri I was literally trying to get a hold of the radio station to tell them to stop playing it. So yeah it’s mainstream big time!!!! “Springstein” is just annoying. What’s the deal with the mumbling?
Jason Aldean Songs
November 4, 2013 @ 6:52 pm
This is such a great song from Jason Aldean!
Tim
February 18, 2013 @ 1:54 pm
You have the full title of the song wrong,
“(Looking like a douche bag is) The only way I know”
Noah Eaton
February 18, 2013 @ 2:40 pm
We’re in agreement that this is actually more painfully mediocre than anything.
That said, I’m sure we’ll reconvene here soon enough when “1994” is inevitably released as a subsequent single. THAT truly resembles both the worst of Jason Aldean and the worst of country radio! =X
Trigger
February 18, 2013 @ 2:45 pm
I’ve got plenty of dry powder for that one. 😉
Noah Eaton
February 18, 2013 @ 2:52 pm
Bruce Cockburn’s “If I Had A Rocket Launcher” immediately cues up in my mind when I hear that malady: in that I think we’re going to need more than gunpowder to silence “1994”! 😉
Jon D.
February 19, 2013 @ 2:40 pm
Well it has been made official that 1994 is the next single… http://www.countrymusicrocks.net/2013/02/jason-aldean-to-release-new-single-1994-to-country-radio.html
SyntheticPaper
February 18, 2013 @ 3:16 pm
Oh holy crap!
Why did I have to look that song up? My ears will never be the same.
Noah Eaton
February 18, 2013 @ 3:25 pm
(promptly refers to the closest chapel in his vicinity)
Me: “Forgive me, father………for I have sinned!”
Father: “Care to share the source of your transgression?”
Me: “………..I REFERENCED “1994” IN A SAVING COUNTRY MUSIC SINGLE REVIEW AND, CONSEQUENTIALLY, SCARRED AN INNOCENT LISTENER’S EARDRUMS FOR LIFE! ; __ ; ” (starts bawling uncontrollably)
Father: “YOU WILL BE CORRECTED THIS INSTANT, YOU INCONSIDERATE EAR-ASSAULTER!!! >=( ”
*
-__-
Luke000
February 18, 2013 @ 7:07 pm
OH GOD, I saw this and still looked it up….my ears had unwanted sonic penetration (raped)
AND this guy just ruined the year of my birth for me….bastard
Boondock
February 18, 2013 @ 8:00 pm
Oh my GOD! Why… oh why did I not just take the context from you guys and avoid it?! Reference of grey goose.. Oh my God… o_o What the hell is this?!
Urban Country News
February 22, 2013 @ 11:05 am
Indeed. A reference in ‘1994’ to Grey Goose, a company founded in 1997… 🙂
HRL/GLG
February 18, 2013 @ 4:05 pm
You even reviewing this just shows how Irrelevant and out of touch you(and the site) are becoming. I’m sure you followed this song up with something just as bad like some Hellbound Glory and Kellie Pickler. Awful!
Trigger
February 18, 2013 @ 4:40 pm
Yet your inability to stay away from here, and your decision to put the energy out to leave a comment despite your unprovoked anger towards me (and this site) proves how flush with “relevancy” it is. That, and the fact that the BBC called me up this morning to be on the radio.
But you’re probably right.
I don’t expect everyone to agree with me all of the time, but browbeating rage is probably not the way to influence future events on this site.
I’m glad I’ve become irrelevant to your world.
Andrew
February 18, 2013 @ 5:27 pm
My main complaint with this song is that I’m tired of the implication that only people who grew up “country” know how to work hard, be honest, etc. It’s only made worse by the fact that what’s country has become so narrowly defined that even though I live in a small town (population about 6,000) I would be considered a city boy by the definition of mainstream country.
Trainwreck92
February 18, 2013 @ 6:18 pm
The funny thing is that Aldean is from Macon, Georgia, one of the biggest cities in the state. Not exactly a country boy.
Seth
February 22, 2013 @ 11:54 am
And dresses like a d-bag version of a cowboy, which, I don’t think there a lot of in Georgia, since that is more of a western thing.
esfoster
February 18, 2013 @ 5:32 pm
I’m conflicted as to whether the spoken verses should be considered country rap. Judged by the standards of the rap genre, of course not. It’d be laughed out of the room. But the lyrics have the same flaccid, effortless flow that’s Colt Ford’s trademark, so I can’t dismiss it as country rap.
I think I’m looking at this as a continuum. On a scale of 1 to 10, if 1 was spoken word and 10 was rap, this song is a 3 and Colt Ford is a 4.
The lack of skill of the rappers in country rap is the problem, because I don’t really have an issue with rap cadences over country instrumentation. Someday, someone actual talent is going to waste it on the country rap genre and finally lay this Colt Ford/Big Smo shit to bed.
Trigger
February 18, 2013 @ 6:21 pm
“I think I”™m looking at this as a continuum. On a scale of 1 to 10, if 1 was spoken word and 10 was rap, this song is a 3 and Colt Ford is a 4. ”
That’s probably a good way of putting it. Though “Dirt Road Anthem” was the most commercially-successful song in 2011, radio was real reluctant to play it because of the rapping. I think with this song, they wanted to have a “rapping” element, but they soft peddled it so it could be written off as spoken word so radio wouldn’t be so afraid of it.
Noah Eaton
February 18, 2013 @ 7:57 pm
Is that really true, though?
From what I recall, “Dirt Road Anthem” had already charted from unsolicited airplay weeks before it was officially minted the third single from “My Kinda Party”. Then, when it was officially declared a single in April 2011, it only needed seventeen weeks to reach #1 from there.
I will admit, after the re-mix featuring Ludacris was released, I thought it possible there would be radio backlash toward the single before reaching the summit. However, not even a live televised Jason Aldean/Ludacris pairing adversely affected its ascent.
*
The other reason I can’t necessarily agree with your assessment is because I don’t even view “Dirt Road Anthem” as the origin of Aldean’s tinkering with freestyle sensibilities. “She’s Country”, in my view, was. Even though we clearly can’t deduce Aldean’s vocal style as “rapping” based on the fact there is a sing-songy flow to his delivery, what is clear is that this was the first time he flat-out experimented with rhythmic-like vocal delivery: replete with internal rhymes and onomatopoeia.
In fact, it can even be argued his debut single “Hicktown”, in some vague ways, forecasted his more rhythmic influences in a way Florida Georgia Line have kicked up a notch ever since. He doesn’t even necessarily “talk” in that song, but his vague use of Ebonics in lyrical sections and use of cadence kind of foreshadows his later forays into this facet of his musical influences and target audience. Then, he backtracked from it after “Hicktown” barely went Top Ten and Aldean wasn’t yet a top-tier format artist and relied on safer material like “Why” and “Amarillo Sky”………until he decided to revisit them with “She’s Country”.
*
I see your point, but I simply don’t ever recall “Dirt Road Anthem” struggling at radio, or even necessarily polarizing listeners to the extent “We Are Never Ever Getting Back Together”, “Truck Yeah” and “Kick It In The Sticks” have.
Trigger
February 18, 2013 @ 8:37 pm
Let me stand corrected, and clarify a bit. Radio was very receptive to “Dirt Road Anthem” eventually. But I think initially there was some reservation. That comes from articles I read at the time that articulated as much.
Either way, my bigger point is that by soft peddling the “rapping” you make the song more receptive to a wider audience. I could be wrong. This is just a theory.
Noah Eaton
February 18, 2013 @ 9:48 pm
I see. Thanks for the clarification!
As far as your theory is concerned, I can definitely see where you’re coming from. I guess it will either be confirmed or contested depending on whether “1994” eyes a release to radio or not.
Broken Bow can very well prove to go the auto-pilot route and rely on decidedly safe cuts for much the remainder of this era. Almost everything from “Night Train” is notably inoffensive and is readymade for mass consumption among complacent radio listeners. The only notable exceptions are “1994” for reasons already hinted, and “Black Tears”, a ballad about a stripper which country radio may not yet be ready for.
I just don’t see “Black Tears” being a single. However, I can see “1994” being given the radio treatment. Why? Because of the temptation to make lightning strike twice. They already got away with it with “Dirt Road Anthem”, so why not try again?
Also, when you look at digital sales for “The Only Way I Know”, they are actually relatively poor compared to the rest of his track record. It’s not going to be certified Platinum for a while: which is remarkable considering all of the star power backing this release and the fact it was one of the most hyped album tracks preceding the release of “Night Train”. So Broken Bow may be concluding enthusiasm among Aldean’s base may be waning due to adhering to a familiar formula, and may be tempted to try and catch the attention of listeners by releasing what is essentially a countrified dance pop song with country-rap sensibilities with lyrics that are much more novelty-leaning for an Aldean release.
It all comes down to whether they have the audacity to do this or not. They may very well flinch and go with a surefire safer release like the title track or “Talk” for an obligatory ballad.
Big A
February 18, 2013 @ 6:04 pm
Pretty sure the guitar lick at the end of the first chorus is lifted straight from Earl Dibbles, Jr. (not joking). I wanted to yell, “Dip!” as soon as I heard it. Just a bunch of city boys running they mouths as far as I’m concerned!
Holy hell “1994” is bad. That is right up there with the worst songs I’ve ever heard. The verses sound like they asked a very white middle aged person to freestyle on camera for the first time. I like how referencing Joe Diffie is somehow supposed to rescue the whole thing. The end is nigh!
Noah Eaton
February 18, 2013 @ 6:36 pm
“1994” can’t even be considered merely an embarrassing attempt at (more or less) “country rap”. It’s equally as much an embarrassing attempt at chicken-fried dance-pop.
Aldean & Associates aren’t oblivious of the cultural trendlines. They know electronic dance music maintains plenty of clout on mainstream airwaves, even though it has surrendered some of the landscape to “indie rock” and “folk” as of the latter half of 2012. So they purposefully pander to this constituency with lines like “How about a night to remember and a fifth of Goose!”, “Whatever you’re sippin’, I’ll mix it up!” and “Let’s get out of this town, let’s get out of this club!”
“1994” is like the sonic, public relations equivalent of how many targets you can directly hit on a firing range. Hey, there’s Country Rap! Look, Laundry List Country Radio Signifiers! Don’t forget EDM!
The only singular aspect of “1994” I can even credit enjoying are the surf-like guitars at the very beginning. I’m an admitted sucker for surf guitar. And I GUESS the (more or less) jam session toward the end may translate much better in a live setting. My crediting stops there though, as it is a lyrical sulfur mine and Aldean’s vocals are painful to listen to. In fact, I can easily envision his designer jeans friends patenting a new “baggy pant jeans” prototype for him to specially feature in the inevitable music video for “1994”, as well as slip into during live performances of this track! -__-
Richard
February 19, 2013 @ 12:22 am
I’ve been reading the blog for months now and have never commented. Today is my 30th birthday. Thank you for ruining it with the 1994 reference. I really enjoy this blog. I’ve learned a lot about underground country on here.
Trigger
February 19, 2013 @ 12:25 am
Thanks for reading Richard!
Pat
February 19, 2013 @ 7:07 am
First of all, I’m actually a fan of Eric Church’s music, but THANK YOU for referencing “Lotta Boot Left To Fill” in exposing how hypocritical his involvement in this is. Whether he is able to be considered “country” or not, and as mainstream as his music is, I really enjoy the majority of it. I was devastated when I found out he contributed to this song. If he wasn’t referring to these “artists” in that song then who the hell was he talking about? And if he was, why the hell is he making this generic a$$ song with them?
Secondly, this song ranks right up there with that Kenny Chesney/Tim McGraw train wreck “Rockstar”. Generic and dispassionate. The lack of passion alone surprises me that you didn’t give it two full guns down. They sound like they’re reading it off a sheet of paper. The generic 80s keyboard preset beat is what makes this song bad. The lack of energy, effort and passion makes it an insult.
And “1994”, I thought that was a joke when I found out about it. It makes me physically sick. If you were to review it, I’m not even sure I could read it because like you said in this article, what can be said? If they drop it as a single…c’mon, they’re not really going to drop this as a single are they?…I wouldn’t even give it the satisfaction of a devastating review. Like they say, there’s no such things as bad press. So I say that travesty should just be disregarded altogether.
Wes
February 19, 2013 @ 7:17 am
Joe! Joe! Joe Diffffiiiieeeeee…..
(the newer) Rick
February 19, 2013 @ 8:30 am
I guess I’m in the minority about this, but I don’t think it’s all that bad.
It reminds me of something I could have easily heard in the 80’s from some Classic/Southern Rock band.
Keeping in mind, of course, that I always changed the station back then when that type of stuff started playing.
Led Zeppelin, sure. Johnny Cash, of course. Southern Rock, not so much.
(the newer) Rick
February 19, 2013 @ 8:34 am
P.S. Aldean’s singing is downright painful. If forced to make a choice, I’d rather hear him talk 😉
Bo Dean
February 19, 2013 @ 8:55 am
“I guess I”™m in the minority about this, but I don”™t think it”™s all that bad.
It reminds me of something I could have easily heard in the 80”²s from some Classic/Southern Rock band.”
Which is why Trigger said, “This song is simply the generic arena rock approach to popular country music…”
(the newer) Rick
February 19, 2013 @ 11:25 am
If they called this Southern Rock, no one would blink. It’s simply the “Country” label that makes it (especially) irritating to people.
illinhawk
February 19, 2013 @ 10:12 am
Thought this was an interesting comment within an article about the state of rock music…
From:
http://www.grantland.com/story/_/id/8959105/the-winners-history-rock-roll-part-7-black-keys
“If you happen to be part of the audience that rock music used to cater to ”” if you work an unsexy job in an unsexy town in an unsexy part of the country ”” you’re not really invited to the party anymore. Which is OK, because there’s still a form of rock music that’s made for you, it’s just not called rock music ”” it’s called country. One of the best-selling country records of the last few years is Eric Church’s Chief, and one of that record’s biggest songs is “Springsteen,” which is about the ability of rock music to signify the most crucial moments of a person’s life. When was the last time a rock song talked about that? Chief is precisely the sort of heartland rock record that people like Springsteen, Tom Petty, and Bob Seger made into a viable commercial genre in the ’70s and ’80s. It’s not that people stopped wanting records like that; rock bands just lost interest in making them.
If Eric Church feels like a rocker in country clothing, so does Taylor Swift. In another time, her multi-platinum 2012 album Red would’ve been considered the epitome of mainstream rock ”” it has 1985 Bryan Adams’s guitars, 1989 John Mellencamp’s small-town populism, and 1995 Alanis Morissette’s love life.”
Trigger
February 19, 2013 @ 10:38 am
Country is the new catch-all phrase for American music made by white people, just like rock was since the 50’s until a few years ago.
Patrick C
February 20, 2013 @ 12:30 am
i agree no wonder i had to turn to even the worst country station. have you heard the rock stations lately??? rock stations essentially are playing 4 songs : 1 the emo, slow, shitty, wanna be Perfect Circle emulation. 2, the immature, 12 yr old sounding lead singer blink 182/Linkin Park emulation. 3 the also emo, i fell so sorry for myself Staind emulation.
now Arron Lewis is trying to infect country too.
and 4, the trying to sound hard, demon-esque voice crap. that tries too hard to sound “hard” but just sounds boring and gimmicky .
rock that doesn’t rock and country that isnt country.
Fidlstyx
February 19, 2013 @ 1:17 pm
Trigger as per your usual you are pretty spot on.
I host a morning program on a country station in a small market in Nebraska. The station actually does play some stuff I enjoy, but not typically during my show. In the morning we play it safe. Safe as in I get Kenny Chesney 3 times in 4 hours.
I learned quickly that music quality is relative to any given quarter hour. Is Eric Church the best of his group of peers? I would have to say he is. Who’s better? Aldean? Bryan? gilbert? Shelton? I’m getting tired of the stuff from “Chief” but I still enjoy most of it more than what anybody else has put on the airwaves.
Do I like Eric Church’s stuff on it’s own accord. even when it isn’t surrounded by “Pirate Flag” and “rain is Good”? Sure. I wouldn’t pay money for it but it’s interesting music, not really all that country. But the guys who do sound country, like Randy Houser and Chris Young, well…. their radio stuff sucks. Houser in particular. How Country Feels and Boots on rank among the worst stuff I have to hear on a daily/weekly basis.
So I consider Church to be among the more crisp pieces of lettuce on the crap sandwich that is mainstream country music. This song, the one with Aldean and Bryan, is about as bad as it gets for church but the other two are guilty of far worse.
Trigger
February 19, 2013 @ 2:22 pm
I gave Chief a positive review, though I probably haven’t listened to the record once since I reviewed it.It is important to offer distinctions in mainstream country instead of casting it all off in one lot.
The real problem with Eric Church, is Eric Church.
Fidlstyx
February 20, 2013 @ 7:22 am
Yeah, he comes across as a massive tool, and he wears scarves.
Jack Williams
February 20, 2013 @ 8:40 am
I was surprised by how much I genuinely liked Church’s song “Creepin'”. Yeah, I know it’s really more of a rock song, but I think it’s a rare example of a mainstream country star rocking with some conviction.
His “Springsteen” song leaves me cold. Maybe the dude was a big Bruce fan, but there’s nothing about the feel of that song that that convinces me. For me, it kind of has that Kenny Chesney nostalgic vibe to it. Feels more like pandering to me. Naming the song Springsteen (too easy), name dropping one of Bruce’s most overplayed songs (Glory Days), that soulless “whoa, whoa, whoa” chant at the end. This long time Bruce and Southside Johnny fan was unmoved.
Noah Eaton
February 19, 2013 @ 1:19 pm
I loathe to be the bearer of auditory doomsday headlines, but all signs appear to be pointing to “1994” SERIOUSLY being his radio follow-up to “The Only Way I Know”!!! =X
The Nashville Flash (a recurring news bulletin aired during Sirius/XM Radio’s “The Highway”) declared “1994” Aldean’s new single today. They also mentioned Aldean & Associates are already preparing for the video treatment, and Aldean is determined to get Joe Diffie to cameo in it.
Aldean also Tweeted a picture of what he looked like in 1994 and is asking his fans to do likewise! =/
chris
February 19, 2013 @ 2:51 pm
Hey Trig,
Tried to email you this link, but for some reason it wouldn’t go through, nonetheless it’s pertinent to this story: http://www.youtube.com/watch?v=dcPLgEkxEEw&feature=share
Trigger
February 19, 2013 @ 9:16 pm
Good song!
chris edwards
February 19, 2013 @ 10:32 pm
Yessir! Richie Albright is one of our under-the-radar treasures here in the Lone Star State. Most of us in this scene don’t give two shits and a fuck about writing for a genre or trying to be this or that, just trying to do it, like Townes sang, “for the sake of the song.”
I’m sure I’ve made mention of some of my amigos y amigas in previous comments, so if y’all have already seen these and checked ’em out, just pretend they’re new, if not, give ’em a whirl. Guys like Jordan Minor, Forest Wayne Allen, James Pardo, Mike Ethan Messick, Matt Harlan, John Edward Baumann, Austin Mayse, etc., etc., are some of the best songwriters, singers and pickers anywhere, and they can usually be seen in some bar somewhere or at someone’s backporch or pasture jam someplace around here. I’m not saying insane levels of talent are limited only to Texas, but there are a large abundance of really, really great bands and artists around here.
Noah Eaton
February 19, 2013 @ 2:54 pm
Yep, it’s official…………..”1994″ is (cough) the next (cough) (cough) single! -__-
The single cover artwork is already out in the open now, along with two televised performances of this having been announced before the end of this month! =X
Tim
February 19, 2013 @ 3:12 pm
Oh my lord. I had to listen to 1994 after the comments (like slowing for a car wreck to look)
I don’t get the draw to Aldean, but can admit he has reached a level where he is not an amature. But 1994 has to be a fucking joke. It sounds like the fucking Jawga Boys, I actually like “Mud Jug” better, it is a joke. Aldean is serious with this stuff and he is seriously looking to get his ass kicked. Him and Gilbert think they are a gift, and Church is delusional. Luke Bryan is harmless, I just laugh at him…but Aldean needs to be punched. Not full on violence, just an old punch to the nose to drop him down a few notches. Thats the only way I know to put douche bags like him in their place.
Noah Eaton
February 19, 2013 @ 7:15 pm
Zing!
Ms Possum
February 20, 2013 @ 5:05 pm
It made my daddy’s foot tap, but he suffers from dementia.
Karen
February 20, 2013 @ 8:25 pm
Got excited for a minute, but the Devil definitely did not go down to Georgia here.
Tyler
February 21, 2013 @ 9:30 am
Is this another Scott Borchetta creation? Sounds like it and haven’t listened to 1994 yet and I was a 9-year-old kid then. I did listen to country religiously then and I guarantee you we didn’t have crap like this then. Wonder what the dj’s who play it think
GLR
February 25, 2013 @ 3:14 pm
Oh but we did have crap like this.
3rd rock from the sun was released in 94…
Seth
February 21, 2013 @ 3:52 pm
I really want to have a laundry list of reasons why I hate Aldean, but it comes down to two, his music is terrible, and he just looks like a smug turd.
Skelton
February 22, 2013 @ 6:08 pm
Luckily, when I tried to watch the vid,it says it won’t play in my country! lol…I think it’s a sign to not see/hear it.. Phew !! 🙂
cowboy 41
May 1, 2013 @ 5:04 pm
who cares about aldean? its all about Chris Knight.
Beth
March 6, 2016 @ 5:09 pm
To all the haters who must have miserable lives to be wasting your precious energy on the talents of any music legends and or stars…. I’m gonna PRAY for you that you find the light in yourselves to leave others alone!!!! As much as I love this world, I’m disappointed that mean ppl exist!!!!!!! What ever happened to “if you ain’t got nothing nice to say don’t say it at all”.?! In my opinion we should all just do that. Then this world wouldn’t be so chaotic! Personally I tend to find positive in each and every person I come in contact with or listen to on the radio. I’m dumbfounded why it’s so hard for others to do the same. 7 out of 10 ppl are ignorant and or stupid and that’s gotta be coming up to 8 out of 10 after reading some of this harsh posts. Ppl need to get lives. Although technology is amazing it is also a disgrace for ppl who have no idea how to use it properly!!! Sending all my love and hugs
Trinity
January 14, 2021 @ 2:16 pm
So true i agree
Trinity
January 14, 2021 @ 2:10 pm
Love all Jason Aldean’s songs
Trinity(aka moonlight)
January 14, 2021 @ 2:15 pm
So true Beth you are right what happened to “if you ain’t got nothing nice to say don’t say it at all?????” and stop with the harsh comments and things you say to ppl please.