The media loves a good feud story, but Taylor Swift’s speech wasn’t just meant for one person. Kanye West may have been the inspiration for Swift’s speech, but it wasn’t the target. The target was young women all across the world who are forced or coerced to having all their accomplishments measured by the men who also happened to be involved.
It’s all R&B. Like, all of it. If it’s American and mainstream, chances are it’s better categorized as R&B than anything else. It doesn’t matter what genre of music you’re talking about. Of course R&B sounds like R&B, but so does hip-hop these days. Modern rock? Yeah, it’s pretty much just R&B. Country music? That may be the most convincing case.
Adele, Alabama Shakes, Brett Eldredge, Bruno Mars, Carrie Underwood, Chris Stapleton, Coldplay, Country Music Gold, Eli Young Band, Gary Allan, Jason Aldean, Justin Timberlake, Leon Bridges, Luke Bryan, mono-genre, Old Dominion, Prophets and Outlaws, Sam Hunt, The Weeknd, Thomas Rhett
If you’re looking for an act that is still virtually unknown, one that is buried deep in the underground and that embodies the raw energy of the roots movement and not just a commercially-viable watered-down derivative, one whose active ingredient still works on even the most hardened of roots addicts, then Jayke Orvis and The Broken Band might be your drug.
.357 String Band, Alabama Shakes, Bless This Mess, Bob Wayne, Farmageddon Records, Hank Williams, Hellbound Glory, James Hunnicutt, Jared McGovern, Jayke Orvis, Jayke Orvis & The Broken Band, Jello Biafra, Joe Perreze, Liz Sloan, Punch Brothers, Ralph Stanley, Shovels & Rope, Sturgill Simpson, Weary Boys
With the appeal for roots music on the rise throughout the music landscape, it’s no wonder Southern rock is making a resurgence. Where a few years ago Southern rock seemed to be all about nostalgia and/or rehashing the same old tired twangy rock guitar riffs, the sub-genre now finds itself flush with a new crop of talent bringing creativity and a fresh, more progressive approach to the format.
Alabama Shakes, American Aquarium, Austin Lucas, Blackberry Smoke, Bottle Rockets, Dexateens, Drive By Truckers, Fifth on the Floor, Glossary, Jason Isbell, Jimbo Mathus, Lee Bains III and the Glory Fires, Leroy Powell, new Southern rock, North Mississippi All Stars, Old 97's, Shooter Jennings, Sons of Bill, Southern rock, Truth & Salvage, Wrinkle Neck Mules, Zac Brown Band
Wednesday night (9-12-2012) country music’s mother church The Ryman Auditorium was alive with the sounds of The 2012 Americana Music Awards that saw an always talented, eclectic (and sometimes confusing) flock of musicians, songwriters, and performers amass to give credit to the best and brightest of the year.
Alabama Pines, Alabama Shakes, Bonnie Raitt, Booker T Jones, Buddy Miller, Cary Ann Hearst, David Hood, David Rawlings, Deep Dark Woods, Doc Watson, Don Was, Drive By Truckers, Earl Scruggs, Gillian Welch, Hayes Carll, Jason Isbell, Jim Lauderdale, John Hiatt, Levon Helm, Muscle Shoals Rhythm Section, Patterson Hood, Richard Thompson, Scott Borchetta, Shovels and Rope, The Band, The Civil Wars, Traci Thomas
This is an explosively-energetic album with influences and styles pulling from a wide range of American music. Lee Bains is well-versed in Southern modes from both sides of the tracks, and shows tremendous versatility in being able to conjure up the smoky mood of a blues singer, and the sweaty twang of a Southern rocker in the space of a breath, with The Glory Fires right on his heels with their authentic interpretations.
The current landscape of hip American music is like a lyric out of a classic Bob Dylan song about the changing times. Old is new, and nerdy is cool. It is in this environment that the Alabama Shakes have flourished like the imperceptible germs on the tips of your fingers when rubbed into a Petri dish and left to fester. The Alabama Shakes are not for everyone, but I struggle to find a wart to point at.