The annual Muddy Roots Festival held over Labor Day weekend announced their initial lineup last week (see below) and at the top of the list was the name of legendary Bakersfield Sound songwriter Red Simpson. In a strange turn of events, Bob Wayne found himself sitting in Red Simpson’s trailer at 6 AM, swapping songs and stories with a man he considered a hero.
Where 2011 felt like a high water mark year for live performances and an average year for recorded projects, 2012 feels vice versa. When I look back on 2011, it seemed like there were moments I experienced that I will never top the rest of my life. 2012 is the year that some albums and songs were released that may never be topped. Still there were a quite a few memorable performances worth noting.
.357 String Band, Anderson Family Bluegrass, Austin Lucas, Bob Wayne, Don Maddox, Glossary, Goddamn Gallows, Jayke Orvis, JB Beverley, Joe Buck, Lake Street Dive, LC Ulmer, Lucky Tubb, Muddy Roots, Pickathon, Rachel Brooke, Ralph Stanley, Restavrant, Reverend Peyton's Big Damn Band, Robert Belfour, Slim Cessna's Auto Club, Sturgill Simpson, Th' Legendary Shack Shakers, The Calamity Cubes, Thee Oh Sees, XSXSW
By request, here is my list of the greatest underground country albums of all time. The underground country movement started roughly in the mid 90’s on lower Broadway in Nashville that at the time was a run down part of town. Young musicians from around the country, some from punk backgrounds, came together from their mutual love of authentic country music.
.357 String Band, Andy Gibson, Bob Wayne, BR549, Dale Watson, Donnie Herron, Hank Williams, Hank3, Hellbound Glory, Jayke Orvis, JB Beverley, Joe Buck, Justin Townes Earle, Legendary Shack Shakers, Leroy Virgil, Lonesome Wyatt, Lucky Tubb, Rachel Brooke, Slackeye Slim, The Boomswagglers, Those Poor bastards, Wayne Hancock
I have been struggling to write this article for almost two years, but have been putting it off because there’s some hard things to say, and I didn’t want to “talk down” a movement that was already trying to deal with pretty alarming trends. But I think that especially now, zooming out and trying to be honest and critical in a constructive way is important, because there is positively no doubt that underground country is dying.
.357 String Band, Bob Wayne, Dale Watson, Hank3, Hellbound Glory, Larry & His Flask, Leroy Virgil, Muddy Roots, Pickathon, Rachel Brooke, Reinstate Hank, Reverend Horton Heat, Reverend Peyton's Big Damn Band, Shooter Jennings, Sturgill Simpson, Th' Legendary Shack Shakers, The Goddamn Gallows, Those Poor bastards, Underground country, unknown hinson
Lower Broadway in Nashville has a new songstress haunting the streets, and she’s a good one. If you want to know how to put out one badass independent/underground country album in Nashville, you could use One Good Thing as a template. With impeccable country taste and instincts, Sarah assembles 12 original and authentic honky-tonk hard country songs for your listening enjoyment.
The Shivering Denizens and frontman Ron E. Banner epitomize gonzo-style West Coast country. Not as salacious as Bob Wayne & The Outlaw Carnies, and more solidly country than what the Supersuckers usually serve up during their “country” set, The Shivering Denizens are like Ken Kesey meets Merle Haggard.
I bet when you saw Bob Wayne’s name in the title of this article, you had some sort of immediate emotional reaction, didn’t you? You either thought, “That foul mouthed punk, I can’t even stand to see his ugly face,” and you blame him for perpetuating a perversion of country music. Or you said “Hell yeah.” Like him or not, Bob Wayne has arrived. One way you can tell this is by the polarization that precedes his name.
On Friday August 3rd Hank3 played his 4th Happy Tails concert benefit at the Marathon Music Works in Nashville, a newer venue who donated the space for the event. Dubbed “One Big Wag,” Hank3 and his fans raised a whopping $18,000 for Happy Tails, the most money Hank3 has pulled in for a Happy Tails event so far.
Not everybody will be able to make the trek to The Farmageddon Music Festival going down on July 20th-22nd in West Yellowstone, Montana at Hebgen Lake. But if you’re sitting on the fence, hemming and hawing, sweating because you only have two days left before you have to ask off for that extra day of work, here’s 12 random reasons to pull the trigger.
Aran Buzzas, Bob Wayne, Dead Tree String Band, Farmageddon Fest, Farmageddon Records, Graham Lindsey, Husky Burnette, McDougall, Slackeye Slim, Slim Cessna's Auto Club, Soda Gardocki, Southern Culture on the Skids, Stevie Tombstone, The Calamity Cubes, The Goddamn Gallows, Tom VandenAvond, Ugly Valley Boys
There’s never been a question in anyone’s mind if Johnny Cash actually shot a man in Reno just to watch him die. But that lyric, and Johnny’s song “Folsom Prison Blues” have gone on to become an iconic piece of country music history. This language was nothing new in 1955. Murder ballads and gunslinger tales trace back to the very roots of country music and America’s Gothic, violent identity.
Over the years I’ve been a big Bob Wayne proponent, and to some folks he’s been a very hard sell. I’ve always counseled to look beyond the persona to the songwriting. With his new album Till The Wheels Fall Off, Bob Wayne frankly makes that task much harder. At the same time, he’s put out his most enjoyable album yet.
On Tuesday (5-22-12) Bob Wayne will be releasing his brand new album through People Like You Records called Till The Wheels Fall Off, and Saving Country Music is excited to premier for you the EPK introduction video for the album. It was shot at the house of Andy Gibson, Hank Williams III’s steel guitar and dobro player, and the man who recorded Till The Wheels Fall Off and all of Bob Wayne’s albums.
The Outlaw Carnie Bob Wayne’s new album Till The Wheels Fall Off will be released May 22nd through Century Media, and Saving Country Music is excited to offer you this exclusive preview of one of the album’s featured tracks, “Get There When I Get There.” On the outside Bob Wayne presents the hellraising, hard charging part of his personality, but inside is a very deep, very poetic songwriter as well.
From the outside looking in, one may look at the lineup of The Muddy Roots Festival for example, and wonder how all these bands could all be booked right beside each other and it work seamlessly. This illustrates the dramatic sonic and geographical diversity that goes into creating what we know now as the underground country roots, or “Muddy Roots” world.
.357 String Band, Ben Prestage, Black Diamond Heavies, Bob Wayne, Bobby Bare, BR549, Calamity Cubes, Dale Watson, Deep Blues Festival, Emmylou Harris, Fat Possum Records, Greg Garing, Hank3, JB Beverley, Junior Kimbrough, Justin Townes Earle, Kris Kristofferson, Legendary Shack Shakers, Lone Wolf OMB, Loretta Lynn, Los Duggans, Mike Ness, Muddy Roots Festival, Pickathon, Rachel Brooke, Ramseur Records, Restavrant, Reverend Horton Heat, RL Burnside, Rusty Knuckles, Scott H. Biram, Slackeye Slim, Some Velvet Evening, Split Lip Rayfield, Steve Erale, Supersuckers, t Model Ford, Ten Foot Polecats, The Avett Bros, The Black Keys, The Devil Makes Three, The Everymen, The Goddamn Gallows, The Pine Box Boys, The Ryman, Those Poor bastards, Tompall Glaser, Trampled by Turtles, Waylon Jennings, Wayne Hancock, Whitey Morgan & The 78's, Willie Nelson, Yep Rock
Country music madman, the Outlaw Carnie Bob Wayne has just announced he has a new album coming out May 22nd, 2012 (April 9th in Europa) from Century Media called Till The Wheels Fall Off, and that the album will feature a duet with none other than Hank Williams III called “All My Friends” that will be released tomorrow (3-23-12).
I think at this point it is pretty much a forgone conclusion that in 2012 we’re all going to die of death. You know, that whole Mayan thing. But I thought just to be on the safe side, just in case we all don’t die, we’ll probably want to listen to some music, so wouldn’t it be cool to know what some of your favorite artists have planned for 2012.
Adam Lee, Austin Lucas, Bob Wayne, Derek Dunn, Hellbound Glory, James Hunnicutt, Jayke Orvis, JB Beverly & the Wayward Drifters, Lone Wolf, Lonesome Wyatt, McDougall, Olds Sleeper, Peewee Moore, Possessed by Paul James, Rachel Brooke, Ray Wylie Hubbard, Roger Alan Wade, Ruby Jane, Slackeye Slim, Sunday Valley, Those Poor bastards, Whitey Morgan & The 78's, Willy Tea Taylor
2012 will go down as the year that the roots music revolution went transcontinental, as the Muddy Roots Festival heads over to the Old World to storm the beaches of Europe with a ridiculous lineup of talent. Though the festival is happening in Europe, it will mostly feature American acts.
.357 String Band, Bob Wayne, Cashman, Derek Dunn, Heinrich XIII, Hillbilly Moon Explosion, Hollowbelly, Honkeyfinger, James Hunnicutt, Jayke Orvis, Lucky Tubb, Molly Gege, Muddy Roots Festival, Reverend Deadeye, Slim Cessna's Auto Club, The Buckshots, The Hackensaw Boys, Tio Gringo, Tom VandenAvond, Wayne Hancock
This is some of the best true country songwriting I have heard all year. I am floored folks. I’ll be honest with you, knowing the context of this album going in, I didn’t think it had much chance to charm my little music heart, but that is exactly what it did. Ray’s songs are just so true, honest, well-written, and authentic, it makes his adeptness at song craft absolutely undeniable.
So here it is, the list of albums Saving Country Music deems essential for 2011 listening. Please note this list only includes albums that have been reviewed so far. And as always, your feedback is encouraged. What are your essential albums? What did we miss? What was released in 2011 that deserves a review?
Bob Wayne, Coday Canada, Eilen Jewell, Gillian Welch, Hank3, Husky Burnette, Jason Boland, Jimbo Mathus, Larry & His Flask, Little Lisa Dixie, Lone Wolf, Lonesome Wyatt, Lucky Tubb, Lydia Loveless, Nick 13, Olds Sleeper, Rachel Brooke, Scott H. Biram, Slim Cessna's Auto Club, Sunday Valley, The Damn Quails, The Dirt Daubers, The Goddamn Gallows, Tom Waits, Ugly Valley Boys, William Elliot Whitmore, Willy Tea Taylor
Milwaukee, Wisconsin’s .357 String Band, one of the stalwarts and one of the first full-time bands in the underground country movement, has decided to call it quits. Their high-octane “streetgrass” approach to traditional bluegrass music made them one of the top-tier live and recorded acts in all of underground country, and afforded them a big following in Europe as well.