Right now, Texas and Oklahoma is being robbed of its female talent from Nashville and the two coasts. And these women are regularly sucked up into a system that absconds with their creative freedom, sexualizes their image, and drops them unceremoniously whenever their commercial viability is perceived to be spent.
On Monday, the official lineup for the 2016 Houston Livestock Show and Rodeo was “announced” by astronaut Scott Kelly from the International Space Station. Perhaps the aeronautical histrionics were a bid to distract everyone back on Earth from the fact that this year’s lineup is the most mundane, most mainstream-centric and generic pop tart Kellogg’s cereal assemblage of plastic talent ever accrued on this beautiful blue planet.
Abbi Walker, Billy Currington, Bri Bagwell, Cole Swindell, Cooper Wade, Houston Livestock Show and Rodeo, Houston Rodeo, Jamie Richards, Jason James, JB and the Moonshine Band, Josh Ward, Justin van Sant, Little Big Town, Max Stalling, MIke and the Moonpies, Miranda Lambert, Randy Rogers, Sam Riggs, The Band Perry, Trent Willmon, Wade Bowen, Zane Williams
As for the music, the Red Fest lineup was built on good intentions. Big names like Florida Georgia Line, Tim McGraw, Kellie Pickler, and Lynyrd Skynyrd were billed alongside lesser-known bands from the local and national landscape like Hellbound Glory, The Whiskey Sisters, and Bri Bagwell. Instead of segregating independent and mainstream music, integrating it.
Bri Bagwell, Colt Ford, Earl Dibbles Jr., Florida Georgia Line, Granger Smith, Hellbound Glory, Imagine Dragons, Jeff Foxworthy, Kellie Pickler, Lynyrd Skynyrd, Parmalee, Red Fest, Review, Sundy Best, The Derailers, The Whiskey Sisters, Tim McGraw