The Country Music Association sent out the initial ballots for the 50th Annual CMA Awards on July 5th, and with them came a new system that hopes to stop some of the campaigning for artists to win certain awards. It’s called “Nominee Showcase,” and gives voters a centralized location to find verified and fairly-presented stats on all the nominees.
Ripcord is a synthy, shallow, rhythmic-centric gaggle of immediately forgettable efforts that is obsessed with the doings of early adulthood in an unhealthy manner for a 49-year-old perfomrer, and offers absolutely no type of statement or expression either sonically, lyrically, creatively, or otherwise.
A big issue with the Grand Ole Opry in recent years has been trying to get standing members to meet their performance obligations. Though the Opry loves to add high-profile names from country’s current radio stars, these performers tend to sign on to receive the distinction of being Opry members, but don’t actually want to play the appointed number of slots for membership.
"Cousin" Kenny Vaughan, Brandy Clark, Carrie Underwood, Chris Janson, Chris Scruggs, Chris Stapleton, Daryle Singletary, Elizabeth Cook, EmiSunshine, Gene Watson, Grand Ole Opry, Holly Williams, Jamey Johnson, Jim Lauderdale, Kacey Musgraves, Kellie Pickler, Mark Chesnutt, Miranda Lambert, Mo Pitney, Radney Foster, Rhonda Vincent, Rodney Crowell, Rosanne Cash, Sam Bush, William Michael Morgan
The CMA has officially released the Nissan Stadium lineup for the CMA Music Festival coming up the 2nd week in June, and despite all of the talk of diversity and the inclusion of female acts in country, the lineup remains painfully lacking in female representation once again. Carrie Underwood thinks she knows why.
When they compile a highlight (or lowlight) reel of Luke Bryan’s career, along with his Greatest Hits, they’ll have to include his greatest falls. There was a reason that at the CMA Awards in November, co-host Carrie Underwood referred to the Georgia son and spitting image of Gomer Pyle as “Luke Stagefaller” in their opening Star Wars skit.
During the 48th Annual Grammy Awards pre-telecast Monday afternoon, the rising country star and Kentucky born songwriter walked away with the Grammy for “Best Country Solo Performance” for his fine work on the title track to his debut solo album, Traveller. Stapleton beat out Keith Urban, Carrie Underwood, Cam, and Lee Ann Womack for the distinction.
“They send out a letter that says you know, â€˜We are kind of demanding that you must be here so many times a year to continue your membership.’ Because it’s just not fair,” Lorrie Morgan explains. “People want to say, â€˜Hey I’m a member of the Opry,’ and not want to come back. The Opry takes dedication and it takes love. It takes love.”
The feature film American Saturday Night: Live From The Grand Ole Opry has just announced that after a limited run of shows at select theaters in December, it is expanding to various Carmike Cinemas and North American theaters across the United States on February 12th. However the film’s top three stars are Opry members who regularly don’t pay their proper dues.
American Saturday Night: Live From The Grand Ole Opry, Blake Shelton, Brad Paisley, Brett Eldredge, Carrie Underwood, Chris Janson, Darius Rucker, EmiSunshine, Holly Williams, Jean Sheppard, Jim Ed Brown, Little Big Town, Love & Theft, Mo Pitney, The Band Perry, The Grand Ole Opry
The original lineup of the once massive (and soon to be again) hard rock band Guns N’ Roses is apparently back on speaking terms, and has just been announced as one of the headliners of California’s Coachella Festival in April, with a potential stadium tour brewing according to sources sleeping with the band.
“Faint of Heart” is a pleasurable listen that you can see gaining some traction with country fans, possibly by walking through the door opened by Kacey Musgraves and Maddie & Tae recently. Call it “Merry Go ‘Round” mixed with “Girl in a Country Song” if you must, but with a sweeter vocal track than either.
It’s all R&B. Like, all of it. If it’s American and mainstream, chances are it’s better categorized as R&B than anything else. It doesn’t matter what genre of music you’re talking about. Of course R&B sounds like R&B, but so does hip-hop these days. Modern rock? Yeah, it’s pretty much just R&B. Country music? That may be the most convincing case.
Adele, Alabama Shakes, Brett Eldredge, Bruno Mars, Carrie Underwood, Chris Stapleton, Coldplay, Country Music Gold, Eli Young Band, Gary Allan, Jason Aldean, Justin Timberlake, Leon Bridges, Luke Bryan, mono-genre, Old Dominion, Prophets and Outlaws, Sam Hunt, The Weeknd, Thomas Rhett
Heading into the final couple of months of 2015, there may not be a hotter name in country music among critics and distinguished listeners than Chris Stapleton. The long wait for his often-rumored and much-delayed debut album was finally rewarded on May 5th with the release of the Dave Cobb-produced “Traveller,” and fans were not let down.
Carrie Underwood is not the problem in country music, and neither is Storyteller. Like the title alludes to, it is full of fiction and fantasy, primarily for adult females. It’s the escapism of a Grisham novel. It’s the seduction of a soap opera. It’s also not really country, at all, despite Underwood’s reassurances before this release that she would keep it tied to her roots.
Adding to the ongoing discussion about the dearth of female representation in mainstream country today, country superstar Jason Aldean contributed some curious comments to The Washington Post ahead of a show at Jiffy Lube Live in Bristow, VA on Saturday, September 12th.
On Wednesday morning (9-9), the nominees for the 49th Annual Country Music Association Awards were announced on ABC’s Good Morning America, with decidedly non-country personalities of Steven Tyler and Kelsea Ballerini helping to make the announcements. The 2014 CMA Awards will happen on Wednesday November 4th on ABC, and will be hosted once again by Brad Paisley and Carrie Underwood.
Blake Shelton, Carrie Underwood, Chris Stapleton, CMA Awards, Eric Church, Kacey Musgraves, Kelsea Ballerini, Kenny Chesney, Little Big Town, Luke Bryan, Maddie & Tae, Miranda Lambert, Nominees, predicitions, Sam Hunt
Festivals are an efficient and enjoyable way for music consumers to see many different acts in the short time span, and they look to continue to become one of the best meal tickets and opportunities for exposure for country music artists. But too much of a good thing has lead to the bursting of the country music festival bubble in 2015.
Gone are the days of Loretta Lynn singing “One’s On The Way.” Gone are the days of adult issues like divorce, resonating with mature audiences. Gone are the days of originality, not only in style but in songwriting. In that classic era you could tell the difference between Johnny Cash and Waylon Jennings. Artists were easily discernible and legends arose because of their unique qualities…
Is this really the substantive victory we were looking for that would symbolize inroads into the sausage fest at the top of the country music charts? Unfortunately the story about the “Love Me Like You Mean It” #1 is more about radio politics, a specific and calculated push by connected people, and frankly, a pop song on country radio. Though the diversity is welcomed, the result is circumspect.
We hypothesize often that the lyrics of popular country songs and other popular hits are slowly becoming more simplified and dumbed down, but now there is a study that puts data behind this hypothesis. Andrew Powell-Morse of Seat Smart recently took 225 different songs compiled in 4 separate genre datasets from 2005 to 2014, and analyzed them according to Readability Score.
Earlier this year, the news came out about Love & Theft really getting the shaft from their RCA label in Nashville. The story was they got dropped because they weren’t Bro-Country. They were told that in as many words. And even worse, it happened when they had masters sitting on a shelf with the label, so they were left in a lurch like so many major label acts are when the ax falls.