You’re Dreaming will be blood brothers Jack Torrey and Page Burkum’s third album, complimenting their self-titled debut release from 2011, and Live at the Turb Club from 2013. The new record will include ten original compositions, and will be produced by JD McPherson—an old-school throwback rock and roll-inspired artist himself.
Some independent country fans love to harp on whose name is in the biggest font in the headliner positions, but the names Stagecoach invites each year to fill out the roster gives you great hope for the future of country, and tells you who to look out for in the coming months and years, this year especially.
Aaron Watson, Amanda Shires, Billy Joe Shaver, Chris Stapleton, Cody Jinks, Dale Watson, Emi Sunshine, Emmylou Harris, Jamestown Revival, Jason Boland and the Stragglers, Langhorne Slim and the Law, Luke Bell, Marty Stuart, Mo Pitney, Robert Earl Keen, Sam Outlaw, Stagecoach, Stagecoach 2015, The Deslodes, The Malpass Brothers, The Turnpike Troubadours, Whitey Morgan, William Elliot Whitmore
The songwriter, singer, guitar player, and frontman for the legendary Western Swing and classic country band Asleep At The Wheel had some harsh things to say about today’s country music in a recent interview, and specifically about the reigning CMA and ACM Entertainer of the Year, Luke Bryan.
It’s the combination of Strickland’s songwriting, and his amazing North Carolina-bred country voice that give you that tingle only true country music knows how to evoke. His frequent collaborator Gary Braddy also pens some of this album’s best songs, while the ‘B’ Sides continue to be one of the coolest backing bands in country music.
I know you probably receive dozens of these types of letters, and they all make strong cases for who the author wishes you select for the next season. But in the case of Ray Wylie Hubbard, I really think it would not only mean a tremendous amount to Ray, but it would mean a tremendous amount to Austin City Limits to finally and formally recognize one of Austin’s most important performers, and help preserve his place in Austin music.
Written solely by Carlson, the 5-song Release Me EP is a throwback, honky-tonkin, foot-stompin’ true country affair that lays full throttle on the twang and layers in the steel guitar hard and heavy. But this isn’t just all about styling and posturing to prove how country it is. Darci crafts some really smart songs and has an understanding of chords and arrangement and songwriting that separates her from the crowd.
Over the last few years, David Letterman and The Late Show have become tireless supporters of many of the older country artists and up-and-comers that mainstream country so unfortunately pays little to no attention to. To giving artists like Ray Wylie Hubbard, Dale Watson, and Sturgill Simpson their first network debut, to being one of the few shows regularly willing to book Willie Nelson and other legends…
Amos Lee, Asleep at the Wheel, Band of Horses, Ben Bridwell, Brandi Carlile, Chris Stapleton, Dale Watson, Dave Matthews Band, David Letterman, Elizabeth Cook, Elvis Costello, Emmylou Harris, Iron & Wine, Mumford and Sons, Norah Jones, Ralph Stanley, Ray Wylie Hubbard, The Avett Brothers, The Late Show, Tom Waits, Tracy Chapman, Willie Nelson
Dale Watson has been slaving away at his Ameripolitan Studios in Austin, TX, working on his followup to 2014’s Truckin’ Session Vol. 3, and 2013’s El Rancho Azul, and just announced Wednesday (3-18) he’ll release his latest record Call Me Insane on June 9th. The news comes as Dale will make an appearance on Wednesday’s Jimmy Kimmel LIVE from SXSW sitting in with Kimmel’s band.
With a win for Best Picture and Best Director at the 2015 Golden Globes, and considered by many movie pundits as the favorite for Best Picture at the 2015 Oscars, it was a shock to many that Boyhood did not walk away with Sunday night’s top prize. Nonetheless, the independent and low-budget Boyhood arguably defines the grandest achievement of the great Austin, TX creative experiment.
Tuesday, February 17th, 2015 was the time, and the beautiful Paramount Theatre in downtown Austin was the place for the 2nd Annual Ameripolitan Music Awards. Socialites and artists from all over the United States, and a few from foreign lands made their way to the Texas capitol for the festivities.
Amber Digby, Ameripolitan, Big Sandy, Chris Casello, Dale Watson, Elana James, Hot Club of Cowtown, James Burton, James Hand, James White, Joe Ely, Johnny Bush, Paramount Theatre, Paul Pigat, Ray Benson, Redd Volkaert, Rosie Flores, Sarah Gayle Meech, The Broken Spoke, The Cactus Blossoms, The Derailers, Wayne Hancock
Once again the Ameripolitan Awards, founded by Dale Watson, and championed by many hard working individuals and artists wanting to shine a spotlight on under-appreciated but highly-deserving roots music, was a rousing success. However one oversight that was completely predictable, and highly inappropriate was the appointment once again of SiriusXM DJ Mojo Nixon as the Master of Ceremonies.
I’ve received more requests to comment on Cody Johnson’s music in 2014 than any other artist. Meanwhile my status of staying mum on him has caused some to question whether I actually care about country music, others to question the legitimacy of of flying the “Saving Country Music” banner, and still others have come out saying point blank Saving Country Music must be a fraud for not discussing the Texas singer.
Astounding and acclaimed country music vocalist Dawn Sears, known for being one of the members of the Western Swing outfit The Time Jumpers, a frequent collaborator and backup singer for fellow Time Jumper Vince Gill, and a noted solo artist releasing multiple albums on her own, died of lung Cancer on Thursday, December 11th. She was 53-years-old.
This isn’t some beer league bar band made up of 2nd shifters from the machinist union out on a Friday night to give the jukebox a spell, this is Whitey Morgan & the 78’s dammit—the most wild-eyed honky tonk hard-stomping band ever to put their boots through a bass drum head. And to have a high quality rig on site recording it all in their home confines of The Machine Shop of Flint, Michigan…
Fans of the hard driving, honky tonkin’ throwback country band of the new generation known as Whitey Morgan & the 78’s have been waiting a very long time to hear something new since the release of their self-titled Bloodshot Records debut in 2010, and the floodgates are about to open, beginning with the long-awaited release of “Born, Raised & LIVE from Flint.”
If you’re looking for a brand of country music that is country and country only, not country rock, country punk, “evolved” country, alt-country or Americana, then J.P. Harris & The Tough Choices just might be right in your wheelhouse. J.P. lets it be known he’d rather you leave your hyphenated country labels and long-winded qualifiers clear of what he does.
Ameripolitan, Bandit Brand, Bandit Town, Buck Owens, Chance McCoy, Dale Watson, Home Is Where The Hurt Is, Joe Fletcher, Junior Brown, Keep It Country Festival, Merle Haggard, Miss Lonely Hearts, Nikki Lane, Old Crow Medicine Show, Red Simpson, Sam Outlaw, Whitey Morgan & The 78's
This isn’t an album of truckin’ songs that you sit back and listen to nostalgically, this thing takes a big arm cocked at a 90-degree angle like it’s about to give a hearty yank of the air horn, and instead grabs you by the gruff of your neck and pulls you right up into the cab of a serious diesel machine for one sensational ride. It might be one of the best Dale Watson albums to date.
Dale Watson released his first album of exclusively truckin’-inspired songs in 1998 called The Truckin’ Sessions. The album became a favorite amongst devoted Dale Watson fans over the years, which inspired Dale to release a second installment The Truckin’ Sessions, Vol. 2 in 2009. Now Dale aims to make it a perfect three by releasing yet another 14-song volume of truckin’ songs…
No matter how much they attempt to exile the spirit of true country music or how much it’s denied shelter by the gatekeepers of mainstream music, it will always find a home and a harbor in the hearts of real country fans, no matter who they are, or where they dwell. It may be people from the American South, born and raised in the same dirt that the sound originated from.
Mike and the Moonpies, a staple of the Austin Honky Tonk circuit, had their van , trailer, instruments, and gear all stolen sometime Sunday morning, May 11th in Dallas. Folks are being asked to keep a lookout for the gear (list & pictures below), and a fund has been set up for folks who want to help the band get back on their feet.