In a move that is so patently and unflinchingly Garth, the recently-unretired superstar says he might lip sync at Sunday night’s 50th Anniversary ACM Awards show in Dallas at Cowboys (AT&T) Stadium. There’s so many different ways this missive from Mr. Brooks can be taken. So Garth Brooks is a lip syncer?
A cultural institution of the country music world and the second longest-running radio show only to The Grand Ole Opry is in serious trouble. The Midnite Jamboree, a Saturday evening staple for over 68 years started by Ernest Tubb is in danger of shuttering after its historic run due to a lack of funds, and folks are banding together in attempt to rescue the show.
Even though Taylor Swift has 86’d country and said she wants nothing to do with the awards specifically, the ACM’s have minted a special 50th Anniversary “Milestone Award” crafted by noted jewelry designer David Yurman to be handed out to Swift and a few select others. The Milestone Award trophy is made up of more than 1,010 grams of sterling silver, with the top edged with 4.16 carats of black diamonds.
ACM Awards, Brooks & Dunn, Buck Owens, Dolly Parton, Garth Brooks, George Jones, George Strait, Hank Williams Jr., Merle Haggard, Milestone Award, Miranda Lambert, Reba McEnitre, Taylor Swift, Willie Nelson
Well the saga of Sony Nashville CEO Gary Overton’s comments to The Tennessean of “If you’re not on country radio, you don’t exist” uttered in late February just took another interesting turn. Gary Overton is out at one of Music Row’s very top executive spots. Announced Tuesday morning (3-17), Gary Overton is stepping down from his position as Sony Nashville’s top executive at the end of March.
Move over Sheryl Crow and Darius Rucker, apparently Steven Tyler and his size 14 lips will be belting out “country” tunes as early as this November according to a report from Billboard. Sources say the Aerosmith lead singer is getting ready to sign with Scott Borchetta’s Big Machine Records.
Garth Brooks is causing a stir in the Chicago suburb of Rosemont and beyond after it was revealed the town shuttled $1 million dollars to the country superstar to secure the right to host his very first comeback concerts in September of 2014 at the city-owned Allstate Arena. Brooks also received discounted rental rates for the venue as part of his Rosemont deal.
As Tippin says, country music appears to be shifting away from so-called “Bro-Country” to music of a little more substance lately, and though there still seems to be much more work to be done and a few more Bro-Country hits could still materialize (or something even worse to take its place), positive signs that country is moving in a more positive direction are appearing.
Luke Bryan, you officially have a rival for the clumsiest entertainer in country music. When we first heard of the return of Garth Brooks, we all wondered if he would ring up the score on the younger Bro-Country pups, but we didn’t know it would be from how many times he’s waxed on stage. Garth experienced a pretty serious fall during his Saturday, January 10th show.
Boyd’s “My Baby’s Got A Smile On Her Face” became only the second single to debut at #1 on Billboard’s Hot Country Songs chart ever. The other #1 debut was Garth Brooks’ “More Than A Memory” from 2007. This development had the media going crazy, ready to annoint Craig as the genre’s next superstar. this week it has completely dropped out of the Top 25. Poof, it’s gone. Sales of the song dropped a whopping 94%.
Remember when members of Luke Bryan’s camp started crying when George Strait won the Academy of Country Music Entertainer of the Year in 2014? They said it was just a parting gift at the farewell of his career, and that he wasn’t an “Entertainer.” But once again we get validation that George Strait’s Entertainer win at both the CMA’s in 2013, and the ACM’s in 2014, were well deserved.
2014 was a year of great flux in country music. Where 2013 was dominated by public feuds and outcries by many country performers about the direction of the music, 2014 became the year things began to be done about many of the problems plaguing the genre. With Bro-Country as the battleground, the fight to return some balance to the country format began to make headway.
Billy Gilman, Billy Joe Shaver, Brandy Clark, Dolly Parton, Dustin Lynch, Florida Georgia Line, Garth Brooks, Hank Williams, Hank3, I Saw The Light, Jason Aldean, Johnny Cash, Kacey Musgraves, Keith Urban, Luke Bryan, Maddie & Tae, NASH Icon, Sturgill Simpson, Tim McGraw, Toby Keith, Tom Hiddleston, Ty Herndon, Wayne Mills, Willie Nelson, Zac Brown Band
It’s not every day you get trolled by a CMA Entertainer of the Year winner, but that’s what Saving Country Music found itself experiencing Sunday night (12-28) when Ronnie Dunn took to his always colorful Facebook page to post links and commentary to recent stories on SCM about his involvement (or non involvement) with the new Cumulus Media/Big Machine Records’ joint venture called NASH Icon.
Independent music fans love to say “90% of what they play on the radio is crap!” Well then it would stand to reason that 10% actually has some value. And in the interest of pragmatism and inclusiveness that is vital to the charge of Saving Country Music, it is important to not ignore when Music Row and mainstream artists get it right, but to celebrate these moments.
Brett Eldredge, Bridges, Caitlyn Smith, Carrie Underwood, Dave Grohl, Dierks Bentley, Dirt, Eric Paslay, Everything To You, Florida Georgia Line, Garth Brooks, Jon Pardi, Kellie Pickler, Maddie & Tae, Man Against Machine, Mary Sarah, Riser, Something In The Water, The Grohl Sessions Vol. 1, The Mavericks, Tim McGraw, Zac Brown Band
Spinal Tap, eat your heart out. On Eric Church’s current arena tour, there’s been a special guest making a surprise appearance at each show—a giant multi-story inflatable devil that blows up and towers over the crowd with shimmering eyes and skin on fire. It is conjured during the rendition of Eric Church’s song “Devil, Devil (Prelude: Prince of Darkness).”
2014 has been a year of great flux in country music, with some legendary successes by independent artists and new mainstream artists, and the shuffling out of other artists and the fumbling of what once were legendary, high flying careers. Here’s a run down of the five biggest winners and losers in the greater country music world in 2014.
American Idol, Big Machine Records, Blake Shelton, Brad Paisley, Brandy Clark, Brantley Gilbert, Dierks Bentley, Florida Georgia Line, Garth Brooks, IBMA, Jason Aldean, Jerrod Niemann, Kacey Musgraves, Keith Urban, Sam Hunt, Scott Borchetta, Shane McAnally, Sturgill Simpson, Taylor Swift, Zac Brown Band
The problem with “Mom” is it has that mawkish, signature-Garth over-sentimentality that just makes you want to vomit. Are the words themselves terrible? No. But the lyrical payoff’s potency is good for about one pass of the song, if you can’t see the “Mom” hook coming from a mile away, which most listeners will. Today we’re too gripped with irony and sarcasm to let something so sappy and direct resonate widely.
The feud between country music Outlaw legend Waylon Jennings and country superstar Garth Brooks has been well-documented and talked about over the years. Though a lot of rumor and conjecture tend to cloud the conversation, we do know that Waylon’s dislike for Garth, who was coming up just as Waylon’s career was hitting a sharp decline, was very real.
On Monday, November 17th when Garth Brooks appeared on Access Hollywood promoting his upcoming tour dates and the release of his new album Man Against Machine, he was pretty loose lipped about his hatred for certain elements of music technology, and how it has taken a lot of the power out of the hands of artists.
The truth is, Garth was never going to live up to the lofty expectations many were foisting upon his re-entry into the country fold. Forget the naysayers who still can’t get over his high wire act at Texas Stadium or the Chris Gaines gimmick, there was some thought that Garth may be the only one left with the star power to reignite the spark of true country music in the mainstream once again.
“This site’s called savingcountrymusic.com. Why are you talking about Taylor Swift? She’s not country. She never was. Now she’s even saying she isn’t.” Well guess what, tough titty. This is my damn website, and if I want to talk about Taylor Swift, I will. And guess what, you’ll probably read about it.
1989, Adele, Alan Jackson, Big Machine Records, Enya, Fun, Garth Brooks, Imogen Heap, Jack Antonoff, Lorde, Max Martin, Meghan Trainor, Motley Crue, Nathan Chapman, Nelly Furtado, OneRepublic, Review, Ryan Tedder, Shellback, Taylor Swift