Dear Sally Williams, To begin, let me offer my sincere congratulations to you for ascending to the position of not just the new General Manager of the most esteemed and storied institution in all of country music, but as the General Manager, and Senior Vice President of Ryman Hospitality’s new Programming and Artist Relations Division.
Hank Williams III
At Wednesday night’s (2-15) Ameripolitan Awards hosted by Dale Watson and Ray Benson, Hank Williams III, who not much has been seen or heard of for a few years now, was up for Best Outlaw Male. Also for those who can’t wait to hear Hank3’s voice again on some new music, he actually appeared on a track by Rudy Parris recently.
Curb Records is once again cobbling together previously-released material from Hank Williams III in an attempt to make money off of songs many fans already have, only this time it is in a much more conventional manner. Saving Country Music can confirm that Curb Records is planning the release of a Hank Williams III Greatest Hits album.
As the most storied institution in country, the direction of the Grand Ole Opry is always a hot topic, especially among traditional country fans. And many were unhappy with how the Opry functioned under the Pete Fisher regime. Of course the biggest question for Grand Ole Opry fans is who will be Pete Fisher’s replacement, and what direction will the new leadership take the institution?
Neotraditionalism has given way to plain old traditionalism as a trend in country music, Hank Williams III is nowhere to be found, and many of those fans from the 90’s and early 00’s now have kids and mortgages and can’t make it out to every show. But “The Train” rolls on just like he has for over 20 years now.
“I thought Tom Hiddleston did a superb job. I thought he captured the physical resemblance, the mannerisms,” Jett Williams says. “But I would have liked to see a lot more focus on the music, and why did he write those songs? … They did not ask anyone in the family anything.
There was nobody else like Mr. Bandana. And now that he’s gone, there will never be anyone like him again. He was a true last of the breed, and one of the few remaining authentic Outlaws who lived his own way, spoke his mind no matter the outcome or insult taken, and you will never find a more dedicated and loyal supporter of the music.
There’s not much worse than having a hankering for some new music from one of your favorite artists, but feeling like you’ve been waiting forever for it to happen. There are many reasons an artist or band may have a delay in output. But dammit, sometimes you feel like you just can’t wait. Here’s a few folks that it feels like are past due for new projects.
It was nearly five years ago now that Saving Country Music first delved into the subject of whether there was indeed a legitimate fourth generation member of the most legendary name in country music history: Hank Williams. Of course we all know about the original Hank Williams, whose birth name was actually Hiram King Williams, and who was country music’s first superstar.
The new Hank Williams biopic I Saw The Light finally opened in select theaters in New York, Los Angeles, and Nashville on Friday, March 25th, and will be released nationwide on April 1st, and the controversy and criticism of the film continues. I Saw The Light originally debuted at the Toronto International Film Festival on […]
Time is the ultimate judge and critic of music. 10 year anniversaries don’t always fall favorably for legendary records. They’re still too young to be considered vintage or retro, but are just old enough to be out of style. But unfolding the flaps of “Straight to Hell” today, re-living the music, it’s hard to not feel the same magic you heard when you listened to the record for the first time.
“Been having to rebuild camp,” Hank3 said as he co-hosted a segment with Alamo from Jack Clement’s famous Cowboy Arms Hotel and Recording Spa in Nashville. The show aired last Saturday (1-16) on Outlaw Country Channel 60. “No camp, no war. So once the camp is officially taken care of, we’ll be back in the trenches.”
The Country Music Hall of Fame and Museum has partnered with Google to bring the Family Tradition exhibit to life once again, and do so online so anyone in the world with an internet device can explore the lives, legacies, and artifacts of country music’s most recognized family.
On Saturday evening (10-17), the highly-anticipated, yet much-maligned movie covering the life of Hank Williams called ‘I Saw The Light’ made its big star-studded Nashville debut at the Belcourt Theater just south of the city’s Music Row district. After the red carpet ceremony and screening of the film at the Belcourt, festivities moved to Acme Feed & Seed on lower Broadway for an afterparty.
Hank Williams Jr.’s politics and boisterous attitude will always make him one of the most polarizing figures in country music history. But those who are quick to overlook his musical contributions both on and off the stage, the amazing body of work he’s amassed over his legendary career, and the mark he’s made on country music are doing Bocephus and themselves a huge disservice.
We’ve heard Hank Williams III’s thoughts on the biopic about his grandfather I Saw The Light starring the British-born Tom Hiddleston as Hank set to be released on November 27th, and we’ve heard from critics who attended the premier screenings of the film at the Toronto International Film Festival. Now another blood relative of Hank, his granddaughter Holly Williams has sounded off on the film.
Outlaw Country Artist Randy Howard, a major label recording artist best known for his humorous and explicit anthem “All American Redneck,” was shot and killed by a bounty hunter in his home in Lynchburg, Tennessee on Tuesday night (6-9), and some are wondering why the songwriter had to die over a bench warrant.
As first reported by Saving Country music in November of 2014, Curb Records is back at it, regurgitating previously-released material from Hank Williams III and trying to pass it off to consumers as new music. As many labels are announcing many of the titles from their spring catalogs, Curb this week has released the cover art and track list for “Take As Needed For Pain.”
This isn’t going to be some long form praising of Sturgill Simpson’s work in 2014, or yet another rundown of his long list of successes last year. There’s already been plenty of that, arguably too much of it, and I am just as tired of writing about it as you are of reading of it. Yeah yeah, Sturgill Simpson’s great, but his name has become the independent country version of click bait.
Let’s just start this off by drudging the big elephant right out in the middle of the room and shining a big ‘ol spotlight on it. Mike Curb, Herr Führer of Curb Records—the man who has made millions off of the indentured servitude of many of country music’s most famous names, has thrown his money behind the much-ballyhooed preservation of Music Row’s historic Studio ‘A’ in Nashville.