Preserving the roots of country is not always just about paying homage. Sometimes it is about sowing disharmony or speaking out in protest to help force country music back on the right path. Music Row and the country music industry will always be about money first. The artists are the ones who must take the lead and reign the business in.
If you’re into country music and the history of it, you’re probably used to hearing about the “King” of this, or the “Father” of that. Since the history of country music is so important to keeping the lineage of the music alive, country pays special homage to the people who helped form or popularize the genre.
Bill Monroe, Bob Wills, Carl Perkins, George Strait, Hank Williams, Jimmie Rodgers, Jimmy Martin, Kitty Wells, Lena Hughes, Loretta Lynn, Mary Padgett, Maybelle Carter, Reverend Horton Heat, Rhonda Vincent, Rose Maddox, Roy Acuff, Slim Dusty, Spade Cooley, The Carter Family, unknown hinson, Wanda Jackson, Wayne Hancock
What is so striking about the album listening back to it after nearly 35 years of perspective is not just the big hits, the #1’s, and the now country standards that it contains. It’s the variety in Strait From The Heart that makes it the perfect study of where country music had been, where it was in the present tense, and where it would be going.
“I thought Tom Hiddleston did a superb job. I thought he captured the physical resemblance, the mannerisms,” Jett Williams says. “But I would have liked to see a lot more focus on the music, and why did he write those songs? … They did not ask anyone in the family anything.
The final chapter has been written on the highly-anticipated and much maligned movie on the life of country music icon Hank Williams, at least until the DVD is released. “I Saw The Light”—starring Tom Hiddleston as Hank, written and directed by Marc Abraham, and based off of the Hank biography written by Colin Escott—is a commercial flop. This is on top of receiving terrible reviews…
A natural phenomenon that has been baffling scientists at the University of Alabama for years has taken yet another strange “turn” over the past few months and days. At the grave site of Hank Williams—the legendary country singer who is eternally entombed at the Oakwood Cemetery in Montgomery, Alabama—unexplained seismic activity has been occurring for many years.
Saving Country Music posted a total of 27 articles about I Saw The Light before it’s release. This will make #28. The reason such dedicated interest was shown to the film was because of the potential it carried for exposing the music and the legacy of Hank Williams to an entirely new generation, and to preserve and promote his legacy for generations to come.
It was nearly five years ago now that Saving Country Music first delved into the subject of whether there was indeed a legitimate fourth generation member of the most legendary name in country music history: Hank Williams. Of course we all know about the original Hank Williams, whose birth name was actually Hiram King Williams, and who was country music’s first superstar.
Roy Acuff may have been the model of good clean family fun and old-fashioned entertainment for the majority of his country music career, but at the beginning of his legendary, Hall of Fame-caliber run was an era of music that was quite the opposite of the accepted Acuff character, or the wholesome nature of his performance home of the family-friendly Grand Ole Opry.
The release has been delayed and the early reviews have been lackluster, but that won’t stop the creators of the Hank Williams biopic I Saw The Light starring Tom Hiddleston from releasing a soundtrack album for the upcoming movie. Set to arrive on March 25th—the same date the long-anticipated film will finally arrive in theaters—I Saw The Light…
If you’re wondering what the Dave Cobb-influenced mainstream country world might sound like after the success of Chris Stapleton, take a good sniff at “My Church.” The arrangement and grainy production quality could very well be that of Lindi Ortega or Nikki Lane, but this is a major label artist looking to gain the attention of the fickle mainstream country music fan.
Camayo, Charles Kelley, Chris Stapleton, Dave Cobb, Hank Williams, iHeartMedia, Jamie Lin Spears, Johnny Cash, Kacey Musgraves, Keith Urban, Kelsea Ballerini, Lindi Ortega, Maren Morris, Mickey Guyton, My Church, Old Dominion, On The Verge, Review, Taylor Swift
Just like Dave Cobb, and just like Chris Stapleton before him, Robby Turner has been working for years behind-the-scenes, at the side of the stage, or in the studio, while others soaked up the spotlight. But the power of his efforts, and the success of the projects that he’s been a part of, has slowly but surely revealed Robby as one of those behind-the-scenes legends whose contributions should be left a secret no more.
Bernice Turner, Charlie Rich, Chips Moman, Chris Stapleton, Dave Cobb, Dixie Chicks, Doyle Turner, Hank Williams, Hargus "Pig" Robbins, Robby Turner, Shot Jackson, Sturgill Simpson, The Highwaymen, The Singing Rambos, Traveller, Waylon Jennings, Yelawolf
The Country Music Hall of Fame and Museum has partnered with Google to bring the Family Tradition exhibit to life once again, and do so online so anyone in the world with an internet device can explore the lives, legacies, and artifacts of country music’s most recognized family.
The release date for the Hank Williams biopic I Saw The Light may have been pushed back from November 27th to March 25th, 2016, but at least we finally have a proper trailer for the once highly-anticipated movie. Most of the high hopes that the film could create a resurgence in interest in the life […]
One of the big story lines in country music over the past few years has been the rehabilitation of country music from a quarter century ago that emerged during the period known colloquially as the “Class of ’89.” Despite the commercial rise of country during the era, it’s also the period people love to point […]
That’s the somewhat anecdotal, but still troubling conclusion of a recent analysis by ‘Billboard.’ Today, the more likely scenario for how a song is written is scheduled meetings in cubicle farms, or collaborations on Skype with individuals who are credited as songwriters, but are better described as producers or programmers. Ideas are thrown out in collaborative form, and then workshopped in a group setting.
On Saturday evening (10-17), the highly-anticipated, yet much-maligned movie covering the life of Hank Williams called ‘I Saw The Light’ made its big star-studded Nashville debut at the Belcourt Theater just south of the city’s Music Row district. After the red carpet ceremony and screening of the film at the Belcourt, festivities moved to Acme Feed & Seed on lower Broadway for an afterparty.
The movie about the life of Hank Williams is starting to account for as much drama as Hank did. Originally scheduled to be released on November 28th to give the film prime consideration during Oscar season, I Saw The Light starring Tom Hiddleston as Hank has now suddenly been moved back. New stills from the movie have also been made available.
Henley’s been out there outwardly criticizing the state of country music and the state of music in general, though doing so with a lot more of a thoughtful and informed tone than many others, including tracing the problem back to the disappearance of the agrarian way of life that was once prevalent throughout America, and now finds itself quickly receding.
Andrew Combs, Ashley Monroe, Bill Monroe, Cale Tyson, Cass County, Dolly Parton, Don Henley, Dottie West, George Jones, Hank Williams, J.P. Harris & the Tough Choices, Jamey Johnson, Jason Isbell, Jed Hilly, Jeffrey Foucault, Jim Reeves, Johnny Cash, Kelsey Waldon, Kitty Wells, Merle Haggard, Nathaniel Rateliff & The Night Sweats, Patsy Cline, Shovels & Rope, Striking Matches, Sturgill Simpson, The Eagles, The Milk Carton Kids
Hank Williams Jr.’s politics and boisterous attitude will always make him one of the most polarizing figures in country music history. But those who are quick to overlook his musical contributions both on and off the stage, the amazing body of work he’s amassed over his legendary career, and the mark he’s made on country music are doing Bocephus and themselves a huge disservice.