Preserving the roots of country is not always just about paying homage. Sometimes it is about sowing disharmony or speaking out in protest to help force country music back on the right path. Music Row and the country music industry will always be about money first. The artists are the ones who must take the lead and reign the business in.
There was nobody else like Mr. Bandana. And now that he’s gone, there will never be anyone like him again. He was a true last of the breed, and one of the few remaining authentic Outlaws who lived his own way, spoke his mind no matter the outcome or insult taken, and you will never find a more dedicated and loyal supporter of the music.
There’s not much worse than having a hankering for some new music from one of your favorite artists, but feeling like you’ve been waiting forever for it to happen. There are many reasons an artist or band may have a delay in output. But dammit, sometimes you feel like you just can’t wait. Here’s a few folks that it feels like are past due for new projects.
Believe it or not, you can draw a straight line between underground roots music, and Chris Stapleton becoming the most successful country music artist in the last two years in regards to awards and album sales. Let me explain how:
The new Hank Williams biopic I Saw The Light finally opened in select theaters in New York, Los Angeles, and Nashville on Friday, March 25th, and will be released nationwide on April 1st, and the controversy and criticism of the film continues. I Saw The Light originally debuted at the Toronto International Film Festival on […]
Time is the ultimate judge and critic of music. 10 year anniversaries don’t always fall favorably for legendary records. They’re still too young to be considered vintage or retro, but are just old enough to be out of style. But unfolding the flaps of “Straight to Hell” today, re-living the music, it’s hard to not feel the same magic you heard when you listened to the record for the first time.
“Been having to rebuild camp,” Hank3 said as he co-hosted a segment with Alamo from Jack Clement’s famous Cowboy Arms Hotel and Recording Spa in Nashville. The show aired last Saturday (1-16) on Outlaw Country Channel 60. “No camp, no war. So once the camp is officially taken care of, we’ll be back in the trenches.”
Comprised of two very astute and formally educated musicians, Stump Tail Dolly is not necessarily the screaming bloody mess some might expect when scrunching the terms “country” and “metal” together, especially considering the lineage of the discipline. There’s plenty of blood and guts mind you, but there’s a lot more going on beneath the surface than just Cookie Monster vocals and braying power riffs.
On Saturday evening (10-17), the highly-anticipated, yet much-maligned movie covering the life of Hank Williams called ‘I Saw The Light’ made its big star-studded Nashville debut at the Belcourt Theater just south of the city’s Music Row district. After the red carpet ceremony and screening of the film at the Belcourt, festivities moved to Acme Feed & Seed on lower Broadway for an afterparty.
Like a slow moving thunder roll, Whitey Morgan continues to tour, night in and night out, delivering crisp, throbbing performances every time that leave crowds embedded with Whitey passion in every town they tackle until the crowds are swelling, and the word is spreading about this bearded guy from Flint who refuses to compromise, who has his heart in the right place, and who puts on amazing shows.
We’ve heard Hank Williams III’s thoughts on the biopic about his grandfather I Saw The Light starring the British-born Tom Hiddleston as Hank set to be released on November 27th, and we’ve heard from critics who attended the premier screenings of the film at the Toronto International Film Festival. Now another blood relative of Hank, his granddaughter Holly Williams has sounded off on the film.
The highly-anticipated Hank Williams biopic ‘I Saw The Light’ starring Tom Hiddleston made its debut at the Toronto International Film Festival Friday, September 11th. And the only way to describe the degree disappointment, displeasure, and at times vitriol towards this movie from the select few who were allowed into the screening can only spell one thing: ‘I Saw The Light’ is a gargantuan letdown.
No more waiting, no more hypothesizing what the British-born Tom Hiddleston will look and sound like attempting to evoke the likeness and sound of the great Hank Williams. Ahead of the world premier of the Hank Williams biopic “I Saw The Light” at the Toronto Film Festival this weekend, we now get to see the very first clip of the movie.
The autopsy report for Randy Howard has just been released. The Tennessee Bureau of Investigation is handling the case, and told Saving Country Music Thursday (9-2) that the findings of the investigation had been turned over to the District Attorney General’s office for further review and consideration.
The first two weeks in June 2015 were some of the darkest moments the greater independent country world has experienced in quite some time. After Jon Hensley passed away on June 1st, so did Randy Howard and a newborn of Texas artist Randy Rogers on June 9th. Then just two days later, Jim Ed Brown died. It has made the month of June a time of deep sorrow, and July as a month to pay tribute.
Like a wild animal pacing restlessly in a cage all day and then suddenly let free, Lindsey’s presence was an immediate burst of energy spilled on stage as he feverishly fulfilled his role as the Damn Band’s and Assjack’s screamer/singer. But if that’s all you knew of Gary Lindsey, you may hardly recognize him in a black sport coat and fedora, fronting Black Eyed Vermillion or The Pleasure Tide…
Outlaw Country Artist Randy Howard, a major label recording artist best known for his humorous and explicit anthem “All American Redneck,” was shot and killed by a bounty hunter in his home in Lynchburg, Tennessee on Tuesday night (6-9), and some are wondering why the songwriter had to die over a bench warrant.
Written solely by Carlson, the 5-song Release Me EP is a throwback, honky-tonkin, foot-stompin’ true country affair that lays full throttle on the twang and layers in the steel guitar hard and heavy. But this isn’t just all about styling and posturing to prove how country it is. Darci crafts some really smart songs and has an understanding of chords and arrangement and songwriting that separates her from the crowd.
The highly-anticipated biopic film on the life of Hank Williams that is set to be released later this year has announced who will compose the music score. San Diego native Aaron Zigman, most noted for his work on films such as The Notebook and Sex and the City will be in charge of the score for I Saw The Light, a film based off the Hank Williams biography by Colin Escott.
Navy Buddies Take on Nashville and Advocate for Hank Williams Jr.’s HOF Induction — “I enlisted in the Navy when I was 17. That choice, and September 11, 2001, has kept me often deployed abroad and moving around throughout the United States over the last 17 years. Hank’s music is one way I’ve found to stay connected to rural American culture.”