There’s just a cool factor about Dwight that appears will never wear off, regardless if the hips don’t shake and the knees don’t knock as much as they used to, or even if he’s the perfect specimen for male pattern baldness under the low brim of that cowboy hat. He’s still Dwight, and that caramel voice and cutting yodel will never be deprecated.
Jason & the Scorchers
Of course country music must evolve, just as at times certain buildings must go if they have completely lost their functionality and the cost of preservation is not in accordance with the historic value. But there always has to be that measure, that attention and reverence paid to the past to where we don’t allow unchecked “evolution” to result in remorse of what was lost along the way.
When looking at the historical timeline of country music, many times it is big events that set the wheels of change in motion, for the good and the bad. Whether it is intrusion of pop or rap into country, or the ill-treatment of country music greats, here are some of the most embarrassing moments in country music history.
Alan Jackson, Bob Dylan, Chris Gains, CMA Awards, Darius Rucker, DeFord Bailey. Jason Aldean, Dirt Road Anthem, Garth Brooks, George Jones, Grand Ole Opry, Hank Williams, Jakob Dylan, Jason & the Scorchers, Jessica Simpson, John Denver, John Hartford, Keith Urban, Lost Notebooks of Hank Williams, Ludacris, Olivia Newton John, rap, Rascal Flatts, Reinstate Hank, Ryman Auditorium, Sheryl Crow, Stonewall Jackson, Struggle, Taylor Swift, Waylon Jennings
Yesterday Hank Williams III whose preparing for an East Coast tour in March participated in a live chat on Yowie.com where he dropped some interesting tidbits about some upcoming plans and projects, including that he’s planning to tour Europe again June 15th through July 15th, and will be releasing an unspecified collaboration with David Allan Coe in a couple of months.
This short and simple 9-song album is an absolute gem. Some albums employ simplicity because of restrictions put on the artist. But Slow Drunken Waltz’s simplicity is purposeful, and with songs this powerful, there’s no need for fleshing them out; this might endanger the suppleness of the songwriting that is emphasized by the space and the sincerity highlighted by the void of excessive instrumentation.
“I want to walk down the street someday and see young people coming here, writing good songs, proud to be here again. When I first came here, a lot of people were proud to be here. It was a good feeling. It gave you pride. You didn’t give a shit whether the rest of the […]