In peep show fashion over the last few days, Hank Williams Jr. has revealed he’ll be releasing his latest album called “It’s About Time.” It will be Hank Jr.’s first album on Big Machine Records’ NASH Icon imprint. He signed to the label meant to give new life to older artists in late April.
The summer concert season in country music has only just begun, and already were beginning to see concerning stories about how this year could be just as bad or worse than last year for concert behavior. The 91 arrests beg the question if we are truly seeing worse behavior than previous years at country concerts, or if it is a symptom of better reporting, and more aggressive enforcement at concerts.
According to sources, a deal is in process for iTunes to purchase the Big Machine Label Group for $250 million. Big Machine’s current distribution deal with UMG is up, and Taylor Swift has one more album left on the label before her contract expires, leading to speculation Big Machine wants to sell before they risk losing their superstar.
On Monday, November 17th when Garth Brooks appeared on Access Hollywood promoting his upcoming tour dates and the release of his new album Man Against Machine, he was pretty loose lipped about his hatred for certain elements of music technology, and how it has taken a lot of the power out of the hands of artists.
Have you ever wondered who actually listens to those awful songs they play on pop country radio? Here are the six primary Archetypes, or as Music Row refers to them, the “target demographics” that make up the audience of the pop country world.The new version takes into consideration country music’s changing demographics.
On Monday, Jason Aldean pulled his latest record Old Boots, New Dirt from Spotify—a big loss for the company from one of country’s biggest stars, and one who has set streaming records. Subsequently, Brantley Gilbert, whose 2014 release Just As I Am has been receiving surprising sales numbers, has also been pulled from Spotify. So has Justin Moore’s “Off The Beaten Path.”
Nashville’s and country music’s most influential record label is reportedly getting ready to be put up for sale according to a new report, and Taylor Swift’s 1989 album release and pending contract situation could have a big impact on it. Despite being a big label with many famous artist and significant subsidiaries, the Big Machine Label Group remains independently owned, operating through distribution deals.
1989, Big Machine Label Group, Big Machine Records, Florida Georgia Line, Justin Moore, Rascal Flatts, Reba McEntire, Red, Scott Borchetta, Sony, Taylor Swift, The Band Perry, Tim McGraw, Toby Keith, Universal Music Group
One of the things that can be so frustrating for distinguishing country music fans is knowing many of country music’s current stars can do so much better. Many of them have sensational voices, and can write great songs when they set their mind to it. And many times you can hear examples of this when listening to their albums.
This Nashville Outlaws tribute is the country music equivalent to the 1982 flick The Toy, with Mötley Crüe as Richard Pryor, and Scott Borchetta as Jackie Gleason. Still left wanting after his own hair metal band Burning Hearts went down in a blaze of glory, Borchetta has wrangled his Big Machine roster into living out his spandex and aqua-net dream for him…
In the vacuum of true choice, Music Row is attempting to appeal to both sides of the “bro-country” issue so they’re insured to not lose anyone’s business. Whether you’re for or against “bro-country”, someone mentions it and your country music world is immediately polarized, attentive, and ready to pounce. This is why Scott Borchetta is an evil genius; he gets you coming and going.
Southern twang is back in a big way baby, as bro-country dominates the format, and female performers try and turn up the sass to compete. As opposed to trying to apologize for their Southern roots, today’s country artists can’t shut the hell up about them, regularly reinforcing all things country in laundry list form with elongated drawls. This has seen the rise of the Southern accent once again.
At Sunday night’s 49th Annual Academy of Country Music Awards held in Las Vegas, Big Machine Records recording artist Justin Moore walked away with the night’s coveted “New Artist of the Year” prize, despite being clearly ineligible according to the ACM’s stated rules. Moore’s nomination and win calls into question the legitimacy of the ACM Awards…
One of the big stories leading up to the Academy of Country Music Awards on Sunday April 6th has been the ineligibility of Justin Moore for the New Artist of the Year award that he’s nominated for, and is considered a front runner to win. Now Justin Moore has responded to the concerns, and the issue has gone all the way to making the front page of Fox News.
Why would any fan vote for the ACM New Artist or Entertainer of the Year this year? Their votes didn’t count for the Entertainer award last year, and this year, the front runner for New Artist of the Year isn’t new, and isn’t qualified to receive votes by the ACM’s rules. The whole fan voted element seems to be more about creating attention for the awards, and generating traffic for ACM’s web properties.
Academy of Country Music Awards, ACM, ACM Awards, ACM's rigged, Blake Shelton, Brett Eldridge, Carrie Underwood, Entertainer of the Year, Justin Moore, Kenny Chesney, Kip Moore, Luke Bryan, New Artist of the Year, rigged, Taylor Swift, voting rigged
Not since the second installment of the Waylon – The Music Inside series was released with the names of Colt Ford and Justin Moore making their way on the track list have we had such a quizzical collection of artists for a tribute album. As cool as it is to see any attention paid to Merle these days from the mainstream establishment, it is not what’s going to get your average Merle fan’s motor running.
ACM, Ben Haggard, Broken Bow Records, Colt Ford, Crystal Milestone Award, Dierks Bentley, Dustin Lynch, Garth Brooks, Jason Aldean, Justin Moore, Kristy Lee Cook, Luke Bryan, Merle Haggard, Paul Franklin, Randy Houser, Suzy Bogguss, Thompson Square, Toby Keith, Vince Gill, Working Man's Poet: A Tribute to Merle Haggard
Dear Bob Romero, It is in the spirit of wanting to keep the viability and the storied nature of the ACM’s in tact that I write you to address a concern that I, as well as other country music writers and fans have voiced over the eligibility of Big Machine Records artist Justin Moore for the New Artist of the Year award at the 49th Annual awards set to transpire in a month from now.
This week in Nashville is the annual CRS or Country Radio Seminar where executives and personalities in country radio gather with executives and artists in the country music industry to hobnob, network, and attend workshops and presentations about the direction and future of radio and country music. This year the backdrop of CRS most certainly will be the Country Music Media Arms Race…
Today the Academy of Country Music announced the finalists for their “New Artist of the Year” award to be given out an the ACM Awards on April 6th. By the results of fan voting, the eight-name list of nominees was narrowed down to three performers: Brett Eldredge, Kip Moore, and Justin Moore. The announcement comes as questions continue to loom around the eligibility of Justin Moore’s nomination.
Valory Music and the ACM’s may hope that this issue just blows over, but the removal of the Windmills Country audio has arguably exacerbated it, and fed the suspicion some country fans have surrounding the awards process. If there is an explanation for the discrepancy between Justin Moore’s eligibility and his nomination, the fans of country music have yet to hear it.
Forget that Justin Moore signed to Big Machine’s Valory Music imprint in 2008, that he had a #1 single in 2009, and a #1 album in 2011; as first pointed out by Windmills Country, according to the Academy of Country Music’s specifically-stated rules of eligibility for the “New Artist” category, Justin Moore should be disqualified because he’s had not one, but two albums certified gold.