Apparently while none of us were looking, Justin Townes Earle, son of alt-country hero Steve Earle, went off and got hitched. Mr. Mysterio divulged his new relationship status in some recent tweets, and according to a recent article in the Boston Globe’s Lifestyle section, the nuptials happened in mid October in Tahoe. “It was kind of an immediate thing,” Earle explained.
Tristen is not a hunter, she’s a gatherer, listening intently to any song or influence regardless of format or era, and eagerly mining the little nuggets of nostalgic, retro gold that allow the warmth of memories to flow freely from the inner mind of listeners to lovingly embellish a song. She then embeds this warmth into her completely original, modern-day compositions resulting in music that is both fresh and hauntingly familiar.
Songwriter and performer Justin Townes Earle has been on the warpath as of late through his always-entertaining Twitter account, taking to task a record label for standing in the way of a new release. On October 19th, Justin seemed to allude through Twitter that he was done writing the material for a new album…
Sturgill Simpson’s “High Top Mountain.” Jason Isbell’s “Southeastern.” Lindi Ortega’s “Tin Star.” Though these artists are from different locales, and the genres they represent are varied shades of the country music theme, they all have one thing in common: a virtually unnoticed and rarely heralded behind-the-scenes producer named Dave Cobb.
“Take It And Break It” affords nine new original tracks from Rondeau, and is produced by R.S. Field who has previously worked with folks like Billy Joe Shaver and Hayes Carll, and produced Justin Townes Earle’s first two LP’s. This album has a great spirit and is a worthy receptacle for these original songs that now get to go out into the world and find inviting hearts.
The rapping grandson of Waylon Jennings, one Will “Young Struggle” Harness, or “Struggle” as he prefers to go by now has a new album out called I Am Struggle, that doesn’t just borrow heavily from Waylon’s catalog, it is downright built from it. 7 of the 9 tracks on the country rap record directly incorporate samples and structures of Waylon tunes in an unprecedented intrusion of rap into the country music format.
Texas music is becoming hard wired and institutionalized, and this creates a few game-changing, long-term effects on the overall country music landscape. It is offering a template to the rest of the music world, and not just country music, of how to regionalize and organize a group of like-minded musicians and fans together to where they’re not dependent on corporate America’s traditional musical industrial complex.
This Saturday, April 20th is the 2013 installment of Record Store Day. 2013 has some juicy releases, including some super rare Willie Nelson demo sessions, a split with Waylon Jennings and the Old 97’s, some cool live albums from Gram Parsons and Sarah Jarosz, and a re-issue of Justin Townes Earle’s first album, the Yuma EP.
Forget all your stuffy old outmoded notions of what Nashville is. Right now Nashville is the center of the music universe in so many more ways than what is represented by the few city blocks of old houses and mini-rise office buildings on Music Row. Right here, right now, Nashville is the place to be for independent music. It’s Haight Ashbury circa 1965. It’s Guy Clark’s kitchen in the movie Heartworn Highways.
Ladies and gentlemen, Caitlin Rose has arrived. The Stand-In is frighteningly good. It’s an enterprise in the evocation of rich human emotions, interwoven with delicious hooks and intelligent riffs, stirring vocal performances delivering meaningful, elevated lyricism, and a towering production performance that may go down in the history books. Just simply… Wow.
David Letterman whose locked in a ratings tussle with Leno and the recently-rescheduled Jimmy Kimmel decides to supplant booking a musical guest the American public already knows for one they damn well should. “Mother Blues” is about the perfect song for Hubbard to play on Letterman because it is both specifically autobiographical and generally badass.
If anybody asked me point blank, who is the artist that is most saving country music right now? I would answer without hesitation, “Marty Stuart.” Marty Stuart is the man. He breathes country music, and helps preserve it and pay it forward almost as if it was an involuntary action. He doesn’t know how to do anything different.
Here is the list of 25 albums Saving Country Music deems essential for 2012 listening, and then I added an extra one I couldn’t leave off. Please note this list only includes albums that have been reviewed so far. There are a few more good and important albums in 2012 that have yet to be reviewed. The first 7 albums on the list (from Little Victories to Lee Bains) were all serious considerations for SCM’s Album of the Year.
One hard and fast rule around Saving Country Music is that I don’t review EP’s except for in “extreme cases.” There’s just too much music out there these days to consider half efforts, and in many cases, this is what EP’s are. So what is an “extreme case?” Well in 5 or so years, not once have I had an EP cross my desk that I felt qualified. Until now.
By request, here is my list of the greatest underground country albums of all time. The underground country movement started roughly in the mid 90’s on lower Broadway in Nashville that at the time was a run down part of town. Young musicians from around the country, some from punk backgrounds, came together from their mutual love of authentic country music.
2012 was a bumper crop year for great albums in the greater country music world, and that necessitates a bolstered lineup of candidates for Saving Country Music’s coveted Album of the Year. 7 total made the list, with others admittedly getting completely screwed by their absence. I already have a bead of sweat forming across my brow brought on by the impossible decision of who I’m supposed to pick off this list.
Her immeasurable influence spanning country, rockabilly, and rock and roll is undeniable. As far as I’m concerned, Wanda Jackson has no “unfinished business” to attend to. She’s given her heart and soul to the music, and the music is better off because of it. She’s got nothing to prove, but she proves it anyway in Unfinished Business. And so does producer Justin Townes Earle.
Like them or not, The Civil Wars were able to effect massive exposure onto the alternative to mainstream country. Being nominated for Vocal Duo of the Year by both the CMA and ACM Awards, and being nominated right beside Taylor Swift for their work on the Hunger Games soundtrack, were historic moments when independent music was placed right beside its mainstream counterpart.
Like most fictional characters in popular culture, the characters of ABC’s new drama Nashville are probably based more on stereotypes than real-life folks. But for fun, let’s see if we can’t match up who the real-life inspiration is for the principals of the Nashville cast, and through the experiment see if the show really does represent all aspects of the Nashville music scene.
A few days ago, CMT launched a new format and website called CMT Edge with the intent of covering artists outside the norm of mainstream country music. Since then I’ve been asked many times what I think of it, and my stock answer has been that I don’t exactly know what I think of it yet. Having said that, I see no reason at this point not to stay positive about it.
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