Don’t think of Swimming Alone as a commercial release. Think of it as something Liz Rose made for herself and maybe a few close friends and family that you somehow got a copy of. It’s sweet, quirky, funny at times, delightfully dated, refreshingly honest, and just a simple joy to listen to.
Little Big Town’s latest single called “Girl Crush” is stirring a little bit of controversy from what some perceive as racy, lesbian themes, while others are acting shocked that the song could be misconceived in such a way, making “Girl Crush” a country music battleground for conservative values being fought in the shadow of country music’s big coming out party lately.
This song from former The Voice contestant and now Valory Music-signed 20-year-old country music starlet Raelynn has been lurking out there for a while now, garnering tacit approval from the country music listening public and sitting down in the 30-something range in chart performance, while driving other listeners crazy for a host of reasons.
Acting as a guide through both the explanation of the roots of country music and the streets of Nashville, Justin Townes Earle and many others try best to define “country” for a foreign audience in the film. The Country Roads DVD also includes an entire Justin Townes Earle concert performed at Pace University on October 26th and 27th of 2012 called “The Spirit of Woody Guthrie.”
Amanda Shires, Angaleena Presley, Artic Monkeys, Ashley Monroe, Brazilbilly, Caitlin Rose, Country Roads The Heartbeat of America, George Hamilton IV, John Carter Cash, Johnny Cash, Justin Townes Earle, Kevin Costner, Lisa Marie Presley, Liz Rose, Marieke Schroeder, Miranda Lambert, Norah Guthrie, RCA Studio B, Review, Robert's Western World, The Carter Family, The Carter Family Fold, The Pistol Annies, The Ryman Auditorium, Woody Guthrie
It’s that penultimate moment—that tipping point—when a town or neighborhood known for it’s cool, rich, and creatively-vibrant culture becomes so awash with interlopers, gentrifying hipsters, and retiring baby boomers that the critical mass point is reached in redevelopment, rising rents, and real estate prices and the entire thing implodes.
Amy Lashley, Caitlin Rose, Chuck Mead, Cory Branan, East Nashville, Guy Clark, Jason Isbell, Joe McMahan, Justin Townes Earle, Kevin Gordon, Lindi Ortega, Liz Rose, Marty Robbins, Mike Grimes, Nashville, Otis Gibbs, Roy Acuff, Sergio Webb, Skip Litz, Steve Earle, Sturgill Simpson, Susanna Clark, Todd Snider, Townes Van Zandt, Tristen, Waylon Jennings
“Country must evolve” is the way it is sold to the country music public when pop and hip-hop influences are invited into the country music fold. What these folks fail to point out is that country has been trying to evolve for 30 some odd years right under their noses. Are you looking for true progress and evolution in country music? Look no further than this list of women.
Abigail Washburn, Amanda Shires, Anderson Family Bluegrass, Asleep at the Wheel, Be Good Tanya's, Bela Fleck, Brandi Carlile, Caitlin Rose, Dale Watson, First Aid Kit, Hank Williams, Jolie Holland, Kacey Musgraves, Kasey Chambers, Liz Rose, Neko Case, Paige Anderson, Rachel Brooke, Rounder Records, Ruby Jane, Sara Watkins, Sarah Jarosz, The Beach Boys, The Carter Family, The Trishas, Tom Waits, Uncle Earl, Willie Nelson
When music fans think about the art of songwriting, they usually want to have a romantic vision of the process–their favorite songwriters sitting down late at night in a dimly lit room, deep in the throes of passion and inspiration. Maybe a candle flickering above a blank piece of paper, with a glass of wine or whiskey to the side, and tears staining the page as they alleviate their heartache by bearing their soul in a song.
In truth, mainstream songwriting more resembles the unappealing aesthetics of industrial food production . . .