“I don’t even know you yet, but I know I love you,” Sweeney sings in such a specified honesty that its hard to handle, and hard to not believe. It’s lines like this that even if you do have kids, or find yourself on the opposite side of the gene pool from being able to bear children, you can still put yourself in those shoes.
Ahead of the telecast portion of the 59th Annual Grammy Awards Sunday night (2-12), pre-telecast awards were handed out in a host of categories covering country, Americana, bluegrass, and roots, including big awards like Best Country Song, Best Country Album, and Best Americana Album. Sturgill Simpson won Best Country Album.
They’ve decided to divide opening duties among a total of 26 separate openers across the 65 total tour dates, as opposed to taking the usual stance with openers, which is to drag the same two or three lightweight mainstream up-and-comers around with them for six months. Even more surprising are the names selected to open.
She didn’t choose the title Puxico for the way it popped for focus group audiences. It’s the name of her less than 1,000 population hometown in southeastern Missouri that sets the scene for an album that feels devoutly personal, humble in approach, and eager to express things a professional songwriter just can’t with total fulfillment through the voices of others.
On Tuesday morning (12-6) the nominees for the 2017 Grammy Awards were announced, and Sturgill Simpson’s ‘A Sailors Guide to Earth’ is right up there with Adele, Beyonce, Drake, and Justin Bieber competing for the Album of the Year. And he just might win it. The album is also up for Best Country Album
It has once again come that time of year for reflecting back on some of the best albums released in the last 12 months or so, not to treat country music as competition per se, but as an exercise undertaken with the intent of expanding your musical knowledge in hopes the gaps that formed due to the busy lives we all live get filled in with joyous little music projects.
Austin Lucas, Blackberry Smoke, Brandy Clark, Cody Jinks, Courtney Marie Andrews, Dori Freeman, Doug Bruce, Honest Life, I'm Not The Devil, I've Got a Way, Jack Ingram, Justin Wells, Kelsey Waldon, Like An Arrow, Lori McKenna, Luke Bell, Mark Chesnutt, Midnight Motel, Nick Dittmeier, Nick Dittmeier and the Sawdusters, Sturgill Simpson, The Bird & The Rifle, The Cactus Blossoms, Tradition Lives, Unsung, You're Dreaming
In January of 2016, Saving Country Music published an article explaining how 2016 Could Be 1975 All Over Again in country music—how an upsurge in more traditional and substantive talent and music could really take hold in country, from the independent realm to the mainstream. And that is exactly what we’ve seen as 2016 has progressed.
With over 200 artists playing AmericanaFest this third week of September, it can be a little bit intimidating for the folks either looking to attend in person, or experience the gathering vicariously through various social channels and video streams. So here is a curated list of artists battle tested and approved by Saving Country Music.
AmericanaFest, Austin Lucas, Brent Cobb, Caitlyn Smith, Dori Freeman, Jason Eady, John Moreland, Lori McKenna, Luke Bell, Parker Millsap, Sammy Brue, Sarah Shook, Tami Neilson, The Secret Sisters, William Clark Green, Willie Watson
It takes more than a few really good songs to make a great album. David Nail’s ‘Fighter’ has some really good songs. I’d even be willing to go on the record saying it’s got some really great songs. But it also has some of the usual suspects of mainstream songwriting tropes that you have to sift through to get to those great songs.
If someone is apt to not pay attention to female artists, whether that’s a garden variety country fan or a major label executive, bunching female artists together is probably not going to garner their attention, it’s probably going to turn them off even more, especially if the premise of putting these artists together is an attempt to break through a gender bias.
Lori McKenna couldn’t have anticipated that her song “Humble and Kind,” recorded by Tim McGraw would become the first solo-written #1 song to top the country charts in four years right as she was getting ready to release an album produced by Dave Cobb—one of the hottest names in Nashville.
The next trend in country may not be defined by a style or a sound, but who is involved in it. But if collaborations will be the next big trend, how about putting out just a little bit of effort to make sure that the great talent that is going unrecognized in country music itself gets some love?
Ashley Monroe, Blake Shelton, Brad Paisley, Brandy Clark, Chris Stapleton, Demi Lovato, Dierks Bentley, Dolly Parton, Elle King, Gwen Stefani, Johnny Bush, Kenny Chesney, Kenny Rogers, Little Big Town, Lori McKenna, Miranda Lambert, Pharrell, Pink, Pitbull, Steve Fromholz, The Pistol Annies, Tim McGraw, Townes Van Zandt, Willie Nelson
Written solely by female songwriter Lori McKenna, “Humble and Kind” becomes the first #1 country song written by one person in more than four years. In this era when everything is written by a committee of three or more, and the expressions of female artists are generally stifled, this is quite the feat.
Tim McGraw is one of the last remaining artists who can release what he wants to radio, including music that actually says something and is fit for consumption by fully maturated adults, and it somehow finds not just a semblance of traction and acceptance, but downright success.
Little Big Town’s latest single called “Girl Crush” is stirring a little bit of controversy from what some perceive as racy, lesbian themes, while others are acting shocked that the song could be misconceived in such a way, making “Girl Crush” a country music battleground for conservative values being fought in the shadow of country music’s big coming out party lately.
This song from former The Voice contestant and now Valory Music-signed 20-year-old country music starlet Raelynn has been lurking out there for a while now, garnering tacit approval from the country music listening public and sitting down in the 30-something range in chart performance, while driving other listeners crazy for a host of reasons.