Sturgill Simpson and his busking set outside of the CMA Awards will be forever etched into not just the memory of the 51st Annual CMA Awards, it will be ensconced into the annals of country music history as one of the greatest moments of protest against the country music command and control structure of all time.
Carly Pearce gives one true hope for the future of women on country radio as her debut single “Every Little Thing” hits #1 on the radio charts this week. And the success Aaron Watson continues to have with his song “Outta Style” doesn’t stop, which was unthinkable from a truly independent artist in previous years.
You can love Garth Brooks, and still be against him lip syncing at the CMA Awards. You can hate Miranda Lambert, and still agree with her that lip syncing is “bullshit.” You can also appreciate that Garth Brooks immediately fessed up to lip syncing at the 2017 CMA Awards. But what we can’t do is somehow make lip syncing socially acceptable.
Well well, it’s starting to get a little chippy out there after reigning CMA Entertainer of the Year Garth Brooks admitted mere moments after his CMA Awards performance Wednesday night (11-8) that he’d lip synced his song “Ask Me How I Know.”
Tired on hearing people whining about the lack of women on country radio? Perhaps it’s because despite all of the protestations and constant focus on the issue, it still is a huge lingering problem that continues to get worse instead of better. And now Miranda Lambert, who has spoken out about the issue before, is getting hopping mad.
Give it some thought Timberlake, if the wheels aren’t already in motion. Give the fans of true country and good music in general a reason to tune into the Super Bowl halftime show in 2018, even if it’s just for a few minutes. That’d be much more entertaining that a few seconds in the audience of a nipple tassel.
Get your hemp necklaces and nag champa ready, because Miranda Lambert is about to embark on the “Livin’ Like Hippies” tour come January, and even if you’re fair to partly cloudy on Ran Ran herself, she’s assembled a pretty badass lineup of openers that represent a who’s who of cool independent acts that may coax you off your couch.
In wanton disrespect of the Labor Day holiday (aren’t journalists laborers too?), the Country Music Association announced their nominations for the 2017 CMA Awards on Monday (9-4) morning, with Miranda Lambert leading all nominees with five total nominations.
Another glass ceiling has just been shattered in mainstream country music’s monopoly on the independent side of music. Jason Isbell has just been nominated for Album of the Year by the Country Music Association, or CMA’s, for his most recent album The Nashville Sound. This is a virtually unprecedented feat for an independent artist.
Austin City Limits has just announced the lineup for their upcoming 43rd season, and sorry Austin musicians who the show was originally commissioned to chronicle and document, but you won’t get any attention from your local Public Television Station, , unless it’s a seminar about what to do about Austin’s evaporating music scene.
It’s hot as butt outside right now, but in a few short months there will be a nip to the air and a yuletide feeling as December descends upon us. After the successful run of the Hard Candy Christmas tour in 2016 pairing four of the most talented songwriters from Texas together for a frigid tour of the Midwest, they’ve decided to do it once again.
Music can teach us that we all love, we all face fears, and we all can overcome whatever inward or outward oppression that may be dogging us to flourish and prosper. If a music artist chooses to broach political subjects or to speak out against injustices in their music, them more power to them. But don’t hold silence accountable as complicity.
The fact that “Vice” has now gone platinum is not entirely surprising as a lead single from a mainstream country star, but what is surprising is the song never cracked the Top 10 on country radio during its ascent. “Vice” stalled out at #11 before being moved to recurrent.
I’ve always said, one of the greatest moments to witness in a mainstream artist’s career is when they realize they’ve got nothing left to lose. And after years of playing musical politics, they cut lose and do whatever the hell they want to do, devil may care. Miranda Lambert is going to do whatever the hell it is that she wants to do.
“I’m gonna do one by myself, because I can,” Miranda told the crowd. “I want to do this on behalf of all the girls that are not being played on country radio right now. If you really love us, you will call and request any female that has a song out and something to say. This is one of those called ‘Tin Man.'”
Jason Isbell is still riding high after hitting career marks for his recent album The Nashville Sound, which topped the Country Albums charts. But if you expect the mainstream level of success of his career to change the songwriter, or his penchant to speak out, you’re sadly mistaken.
Once again the sales record for one of country music’s critically-acclaimed artists is being minted in precious metal due to robust sales and attention from the public, even while country radio struggles to recognize its significant cultural impact. Miranda Lambert’s double album ‘The Weight of These Wings’ has been certified Platinum.
At the moment there are exactly zero women in country radio’s Top 20, and a whopping total of 4 in the entire Top 50 for an abysmal 8% representation. In fact this 4 out of 50 ratio has been pretty consistent now for the entirety of the “Body Like A Backroad” reign at #1.
Sam Hunt’s smash single “Body Like a Backroad” has already made history, and is set to make more. By now logging 20 weeks at #1, “Body Like a Backroad” and Sam Hunt break a 55-year-old record on the 59-year-old Billboard Hot Country Songs chart previously held by Leroy Van Dyke’s “Walk On By.”
Steve Earle isn’t just your average aging thinning-hair post-mainstream relevancy Americana dude who was kind of big in the 80’s. At 62-years-old, he’s probably the youngest guy who can legitimately claim honest ties to the original country music Outlaw movement of the 70’s.