A Sailor’s Guide to Earth will still be the top debut album for the week, and according to Sturgill, it doesn’t symbolize a complete shift in his music career henceforth, just a “pause” in his country output. Speaking to KCRW where Sturgill performed the new album in its entirety (see below), he told the crowd how his son had inspired the album.
At this point, we shouldn’t even be listening to “Brace For Impact” in my opinion. Even more so than with most artists, Sturgill Simpson’s music is meant to be taken as a cohesive expression, with each song leading into the next on a purposeful timeline. All you have to do is listen to “Brace For Impact” and how it’s abruptly cut off at the end to understand this.
Two days after posting a cryptic image on his website and social network properties, Sturgill Simpson conducted a rare and exclusive 3-minute interview on Beats 1 Radio with Zane Lowe, and announced his upcoming 3rd studio solo album A Sailor’s Guide to Earth. Sturgill also played a new song as part of the interview.
At its heart, The Grohl Sessions is the true answer to the “country music must progress” charge regularly levied by mainstream artists like Luke Bryan, Blake Shelton, and Eric Church, to justify their trespasses of mixing country with other genres.The songs of The Grohl Sessions are marvelously complex, yet still with a heart, still with a pentameter that never stops beating….
Blake Shelton, Clay Cook, Dave Grohl, Eric Church, Kacey Musgraves, Keb Mo, Larry & His Flask, Luke Bryan, Marshall Tucker Band, Nirvana, Sturgill Simpson, The Allman Brothers, The Avett Brothers, The Foo Fighters, The Grohl Sessions Vol. 1, The String Cheese Incident, The Zac Brown Band, Zac Brown
In an era when nothing in music is universal, and music has become one of the primary battlefronts in the culture war, the likeability of Jack White was one of the few things that passed for a consensus builder. And then something changed. I’m not exactly sure where or when specifically, but it changed. At some point it seemed like Jack White has started to buy into his own image…
Adele, Amy Winehouse, Axl Rose, Dan Auerbach, Dave Grohl, Dex Romweber, Dex Romweber Duo, Flat Duo Jets, Jack White, Jason Aldean, Justin Townes Earle, Karen Elson, Loretta Lynn, Nirvana, The Black Keys, The White Stripes, Van Lear Rose, Wanda Jackson
Reno’s Hellbound Glory has just released a new 5-song EP called LV, named for the initials of lead singer and songwriter Leroy Virgil. The album was recorded in and partially inspired by Leroy’s hometown of Aberdeen, Washington, and marks the first new music from Leroy and Hellbound Glory in nearly three years. On the occasion of the new release I gave Leroy a call…
I don’t have any data to back my assertions up. But I’ll be damned that if in 2014, your average pop star isn’t more likely to outpace your average country star when it comes to substance and depth in their music. The dynamic has flipped, and it leaves one wondering if in the future “country” will be that bad word that infers a lack of artistic merit. Or if we haven’t already arrived there.
All mainstream musical performers are probably asked to do it at one time or another, but whether a musician is willing to lip sync a performance or play to a non-live musical backing track is what separates the boys and girls from the women and men. Sometimes these requests have led to protests. Here’s nine of these such memorable moments captured on tape.
At the 1994 ACM Awards, Alan Jackson pulled at stunt that has gone unfairly under-recognized in that annals of country’s finest moments of rebellion and protest. It wasn’t just Alan’s Jackson’s shirt that caught people’s eye and no doubt drew the worst ire of the ACM producers. Before the show, producers had told Alan that he had to play to a pre-recorded track
Well I can tell you this. No matter what you were expecting from this album, you’re probably going to be surprised. Who Dat is a completely different direction for Joe Buck, while still being exactly what he’s always done. That’s the root genius of it. Yes, without question this album is a lot more tame, but what this approach does is bring out the roar of quiet anger.
As first reported here, the Music City Madman Joe Buck, the former guitarist for Th’ Legendary Shack Shakers and bassist for Hank III has signed with Century Media Records, and will be releasing his first official solo album through them. Well now I can report that the album will be called Demon in my Head […]