Ralph Stanley, one of the last living legends in both the country and bluegrass world, has passed away. This was the word Thursday evening (6-23) from his grandson and protege Nathan Stanley. “My heart is broken into pieces. My papaw, my dad, and the greatest man in the world, Dr. Ralph Stanley has went home to be with Jesus just a few minutes ago.”
O Brother Where Art Thou
“Awards shows don’t matter.” This is the bill of goods fans of true country music, and fans of independent music have been forced to sell themselves for years as a consolation prize for continuously being overlooked, losing in bulk, and being generally embarrassed during the moments when America and the world crowds around the boob tube for the spectacle of a televised award show like the CMA’s or the Grammys.
Aaron Watson, Americiana, Ashley Monroe, Blackberry Smoke, Brandy Clark, Cam, Chris Stapleton, Grammy Awards, Jason Isbell, Kacey Musgraves, Lee Ann Womack, Leon Bridges, O Brother Where Art Thou, Ralph Stanley, Willie Nelson
Though The Kossoy Sisters were surrounded by the folk revival, much of the inspiration and compositions for their music originated farther south in the Southern Appalachians. Their focus was gospel and primitive country murder ballads. Most importantly, that innocence and purity that the world had scarcely heard since those original Ralph Peer Bristol Sessions was present in their music.
Today, 86-year-old bluegrass maestro Ralph Stanley announced that he will be embarking on an 80-show farewell tour beginning October 16th entitled the Man Of Constant Sorrow Tour: The Dr.’s Farewell. At 86-years-old, the frail Stanley’s best performance days are probably in the past, but if you’re wondering if it is worth seeing Ralph Stanley on his last go round, I couldn’t encourage it more deeply.
Many of the bold changes in the direction of popular music begin with artists that are too fey, too polarizing to become popular themselves. So it takes others who understand how to soften music with sensibilities to make it accessible to the masses, and hopefully, if time is on their side, transect the popularity timeline, resulting in superstardom.
.357 String Band, Bill Monroe, Bob Dylan, Doc Watson, Flatt & Scruggs, Foghorn Stringband, Goddamn Gallows, Jimmy Martin, Ketch Secor, Larry & His Flask, Marcus Mumford, Mumford & Sons, O Brother Where Art Thou, Old Crow Medicine Show, Ralph Stanley, Split Lip Rayfield, The Avett Brothers, The Civil Wars, The Devil Makes Three, The Hackensaw Boys, Trampled by Turtles, Wayne Hancock
Yeah, that’s right. I said it. I don’t care if T-Bone Burnett, or anybody else with a famous name produced your album. What I am concerned with is if it is good. Don’t get me wrong, I’m not saying T Bone Burnett is a bad producer. It’s just at some point hype far exceeds substance, and I think we have passed that point with the “T-Bone Burnett” name.