As first reported by Saving Country music in November of 2014, Curb Records is back at it, regurgitating previously-released material from Hank Williams III and trying to pass it off to consumers as new music. As many labels are announcing many of the titles from their spring catalogs, Curb this week has released the cover art and track list for “Take As Needed For Pain.”
The question about David Allan Coe has never been if he’s a badass, but if he’s a little too badass. Some of his stories are hard to believe. Others are even harder to validate. And others are hard to herald because of the malevolent nature of the occurrences or outcomes. David Allan Coe is a living dichotomy. He’s a scary, weird, train wreck of a man; but an American treasure, and a country music legend.
Billy Sherrill, Cave, David Allan Coe, Dimebag Darrell, Hank Williams, Hearse, Jimmy Buffett, Johnny Cash, Johnny Paycheck, Ladysmiths, Nothing's Sacred, Pantera, Plantation Records, Porter Wagoner, Prison, Rebel Meets Rebel, Ryman Auditorium, Screamin' Jay Hawkins, Shel Silverstein, Take This Job & Shove It, Tanya Tucker, The Grand Ole Opry, The Ride, Underground Album, You Never Even Call Me By My Name
The grandson of Hank Williams and the son of Hank Jr. falls in line with the other country artists covered in Saving Country Music “10 Badass Moments” series by being a rough and tumble character both on and off the stage, but also in showing great character by giving back and using his famous name for good. Here’s 10 Badass Moments from Shelton Hank Williams III, or Hank3.
charity, Curb Records, dogs, Fuck Curb, Hank Jr., Hank Williams, Hank Williams III, Hank3, Homes for Our Troops, Kid Rock, Mike Curb, Pantera, Phil Anselmo, Reinstate Hank, Straight to Hell, Superjoint Ritual, The Grand Ole Opry, The Valarium, Wayne Hancock
2013 very well may go down as the year when referencing marijuana and other drugs in your songs is no longer cool as much as it is conformist—a lyrical hook, a well-recognized buzz word made for marketing an artist or song just as much as anything else. There has ceased to be either the generational gap, or the exclusivity of drug references in music to make them “cool.”
Arlo Guthrie, Ashley Monroe, Brandy Clark, Charlie Daniels, Cypress Hill, Eric Church, Gram Parsons, Green Day, Hank Williams Jr., Hank3, Kacey Musgraves, Kris Kristofferson, Luke Bryan, marijuana, Miley Cyrus, New Riders of the Purple Sage, Pantera, Pistol Annies, pot, Snoop Dogg, Waylon Jennings, Willie Nelson
The long-rumored, long-awaited collaboration between Hank Williams III and David Allan Coe may finally be in the offing. The song called “The Outlaw Way” was recorded early last year at Hank3’s home studio in east Nashville when David Allan Coe was in town. Hank3 first spoke about the collaboration in a live chat last February.
The irony of Bieber’s situation is that many music entertainers do the opposite of what he’s done, purposely using marijuana in their public image and music for marketing purposes. Artists who want to appeal to certain demographics or want to portray themselves in a certain way will many times integrate marijuana into their lyrics or logos of their public brand.
In about a week, Hank Williams III will be releasing an unprecedented 4 albums via his own label, and then heading out on tour. Ahead of this, I talked with the head hellbilly himself about the new albums, the legacy of fatherhood in the Hank Williams lineage, his role as a founding father of the country music underground, Shooter Jennings and his XXX movement, and how he feels about the unfinished songs of Hank Williams.
Bob Dylan, Clay Walker, Curb Records, David Allan Coe, Hank III, Hank Williams, Hank3, Kyle Turley, LeAnn Rimes, Nathan Abshire, Pantera, Phil Anselmo, Shooter Jennings, The Grand Ole Opry, Tim McGraw
A while back it was brought to my attention that industrial rocker Shooter Jennings, along with No Depression blogger Adam Sheets had crafted the idea of starting a new genre of music, or more specifically, a radio format, called “XXX” after the nomenclature found on the front of moonshine bottles. The idea is to give a home to music that “is too rock for country, and too country for rock.”
.357 String Band, Adam Sheets, Arson Anthem, Avett Brothers, Black Joe Lewis, Black Ribbons, BR549, Dale Watson, David Allan Coe, Hank III, James McMurtry, Loretta Lynn, Merle Haggard, Pantera, Ray Wylie Hubbard, Rebel Meets Rebel, Reverend Horton Heat, Shooter Jennings, Whitey Morgan & The 78's, XXX
On not just a few occasions since I started Free Hank III, I’ve found myself attempting to justify to someone why I think Hank Williams III is such an influential and important musician in country music, and why he and his music is worth fighting for. Sometimes it is in person, sometimes in the comments […]