If you’re looking for the country music female revolution’s representative for true neotraditional country, Kelsey Waldon might just be your perfect match. If this album was released in the 70’s, it would have birthed a slew of indelible country standards. Such inconsolable heartbreak, such sorrow-drenched insight is captured on these tracks and then embellished with tasteful production…
Every New Years as revelers across the country celebrate the symbolic reset of the calendar, a much more somber anniversary passes in the realm of country music. On January 1st, 1953, Hank Williams passed away in the back seat of his powder blue Cadillac somewhere on the road near Oak Hill, West Virginia of heart failure, forever robbing country music of its first superstar at the age of 29.
One of the great things about roots music is its Gothic legacy of cautionary tales, ghost stories, murder ballads, messages to the infirmed, and other such methods of macabre that allow country and roots artists to paint in dark colors when they so choose. This makes roots music one of the best realms to draw from when putting together your Halloween playlist.
The underground country movement initially formed around the mid 90’s not because somebody launched a website or a record label. It wasn’t because of a festival or because someone came up with a special name for a new genre. It came from the songs artists were writing, recording, and performing; songs that spoke very deep to the hearts of hungry listeners.
Country music throwback Joey Allcorn, known for his classic style and appreciation for traditional country, is putting together a benefit album for the Hank Williams Museum in Montgomery, AL. Also slated to appear on the album are the Queen of Underground Country, Rachel Brooke, Jake Penrod, David Church, Arty Hill, Andy Norman, and Bobby Tomberlin.
We’ve talked about 7 Men Who Could Immediately Make Country Music Better, now let’s take a look at 9 women who could do the same. It’s been well documented that here in 2013, the women of country are outpacing the men when it comes to the quality of music–women like Kacey Musgraves who’ve seen breakout commercial success.
As evidenced by Ashes & Angels, Fifth on the Floor doesn’t need to piggy back off of any name. They are a tight knit group of musician friends with formidable musical skills and a top notch ear for arrangement and composition. Despite the average songwriting effort– an effort that still boast some elevated moments–the appeal for this band rests in their ability to get you to lose yourself in the music.
The Independent Music Awards has announced their 12th Annual nominations, and it includes many great names from the independent country/roots world like Rachel Brooke, The Boomswagglers, Lucky Tubb, The Steel Wheels, Tom VandenAvond, Langhorn Slim, and The Carper Family to name a few. The Awards honor exceptional independent artists traditionally ignored by mainstream media and big box retailers.
“Country must evolve” is the way it is sold to the country music public when pop and hip-hop influences are invited into the country music fold. What these folks fail to point out is that country has been trying to evolve for 30 some odd years right under their noses. Are you looking for true progress and evolution in country music? Look no further than this list of women.
Where 2011 felt like a high water mark year for live performances and an average year for recorded projects, 2012 feels vice versa. When I look back on 2011, it seemed like there were moments I experienced that I will never top the rest of my life. 2012 is the year that some albums and songs were released that may never be topped. Still there were a quite a few memorable performances worth noting.
One of the most remarkable music events of 2012 must be how Nashville and some of its biggest, most bloated and notorious corporate citizens did the inexplicable: they began to tackle the issue of the massive talent glut in American roots music. All of a sudden the big boys in the media business are playing a part in re-populating the country and roots music farm system that for years has been anemic and ignored.
Here is the list of 25 albums Saving Country Music deems essential for 2012 listening, and then I added an extra one I couldn’t leave off. Please note this list only includes albums that have been reviewed so far. There are a few more good and important albums in 2012 that have yet to be reviewed. The first 7 albums on the list (from Little Victories to Lee Bains) were all serious considerations for SCM’s Album of the Year.
By request, here is my list of the greatest underground country albums of all time. The underground country movement started roughly in the mid 90’s on lower Broadway in Nashville that at the time was a run down part of town. Young musicians from around the country, some from punk backgrounds, came together from their mutual love of authentic country music.
Rachel Brooke is one of the few select artist with enough mustard to rise out of the ashes of the country music underground and become a force in the greater roots world. Like an early Emmylou Harris, the music industry should be shuttling her across the country to lend her singular vocal texture to other projects in between putting out excellent solo albums that time finds hard to forget.
2012 was a bumper crop year for great albums in the greater country music world, and that necessitates a bolstered lineup of candidates for Saving Country Music’s coveted Album of the Year. 7 total made the list, with others admittedly getting completely screwed by their absence. I already have a bead of sweat forming across my brow brought on by the impossible decision of who I’m supposed to pick off this list.
I have been struggling to write this article for almost two years, but have been putting it off because there’s some hard things to say, and I didn’t want to “talk down” a movement that was already trying to deal with pretty alarming trends. But I think that especially now, zooming out and trying to be honest and critical in a constructive way is important, because there is positively no doubt that underground country is dying.
The Queen of Underground Country, the lovely and talented Rachel Brooke will be releasing her new album A Killer’s Dream on December 4th, featuring Florida’s Viva Le Vox as her backing band, and a duet with Lonesome Wyatt of Those Poor Bastards. This will be her 3rd full-length album. Watch the world premier video for the song “The Black Bird”.
Lindi Ortega evokes the ghost of Patsy Cline and the cool factor of Wanda Jackson. Like with Elizabeth Cook, you almost can’t believe that an artist whose beauty is so stark would find appeal in the lower rungs of the music world; that they would settle on being real instead of real famous. But don’t let the beauty fool you, Lindi is the real deal.
The Muddy Roots Festival has just announced that they will be heading back over to Europe once again this summer for the 2nd Annual Muddy Roots Europe June 14-16, 2013 at Cowboy Up Saloon Waardamme Belgium. Muddy Roots will also be adding a brand new domestic show called the Muddy Roots Spring Weekender on May 10-11 in Adams TN, just north of Nashville.
the loss of .357 String Band may go down as underground country’s greatest tragedy. I can think of no other project that was so ripe for becoming a success story of authentic American underground roots. They were brilliant, but accessible at the same time. It is a great sin of American music. They have re-issued their landmark 2008 album “Fire & Hail” on vinyl.
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