It’s about that time of year again to start considering who the Country Music Hall of Fame will include in their list of 2015 inductees. That said, this announcement seems to inch later, and later (and later) each year. Nonetheless, if you want your opinion to amount to anything, you better get it out there early in the year as the people who make the picks for the final ballots and eventually inductees are doing their homework.
I’ve been wanting to tug on the sainted Saving Country Music reader’s ear about Moot Davis for years, and who knows what all kinds of dumb excuses have conspired up to this point to not allow that to happen. But the release of his latest “Goin’ In Hot” is just about the perfect damn opportunity if there ever was one to stop everything else down and sing the praises of this man’s contributions.
Tuesday was the release of Jerrod Niemann’s dumb new album High Noon, and before we’ve even had a chance to really delve into just how much of a mockery it makes of country music, Niemann’s already out there on the defensive, preaching to us how country “purists” really don’t know what the hell country music is all about, and how he’s just carrying on the traditions of Willie and Waylon.
Bill Anderson, Bill Monroe, Donkey, Eddy Arnold, Ferlin Husky, Florida Georgia Line, Fred Rose, Hank Williams, Hank Williams Jr., High Noon, I Can Drink To That All NIght, Jerrod Niemann, Loretta Lynn, Ralph Mooney, Red Headed Stranger, Roy Acuff, Taylor Swift, Tim McGraw Shania Twain, Waylon Jennings, Willie and Waylon, Willie Nelson
One of the reasons the the Country Music Hall of Fame is one of the most revered and respected Halls in all the land and specifically in music is because it is so hard to get into. It is always better that you look at a list of Hall inductees and wonder why certain names are not in, instead of looking and wondering why certain names are.
Buck Owens, Country Music Hall of Fame, David Allan Coe, Don Rich, Emmylou Harris, Garth Brooks, Gram Parsons, Hank Garland, Hank Williams Jr., Jerry Reed, John Hartford, Johnny Gimble, Johnny Paycheck, June Carter Cash, Kenny Rodgers, Marty Stuart, Merle Haggard, Ralph Mooney, Reba McEntire, Ricky Skaggs, Ronnie Milsap, The Oak Ridge Boys, The Rolling Stones, Wynn Stewart
For all the harmonizing and gospel and good old-time vibes, the heart of the Marty Stuart show is still high-octane, Outlaw-era, rock n’ roll-inspired hard driving country music. This is what Marty Stuart is doing. He’s slinging guitars, he’s kicking ass, and he is doing it with class. If anybody, no matter what stripes they wear, walks out of a Marty Stuart show shrugging their shoulder with a “meh” attitude, they don’t deserve the right to have an opinion.
Ralph Mooney was the best steel guitar player ever. Period. End of story. And anybody who disagrees with me, I will come to where you are and personally kick your ass. And beyond the steel guitar, he was one of the most important and most influential musicians in country music history. Top 5. Maybe even top 3. Hell, right now I can’t even think of one I would put above him. Bill Monroe, Lester Flatt, Earl Scruggs? Yeah, I would include him in that company.
George Strait might have put out an album called Twang, but Ghost Train is the one that delivers it. This album is heavily guitar-driven from the start, turning the twang on the Telecasters to 10 and leaving it loud in the mix. Its the kind of twang that makes the hair stand up on the back of your neck. Then add some Ralph Mooney pedal steel on top and Ghost Train might be the freshest, funnest and truest traditional country album to come out of Nashville in years.
Clarence White, Connie Smith, Dale Watson, George Strait, Ghost Train, Hank III, Johnny Cash, Lester Flatt, Marty Stuart, Merle Haggard, Rainy Day Woman, Ralph Mooney, Studio B, The Byrds, The Quebe Sisters, Waylon Jennings