Over the last few years, David Letterman and The Late Show have become tireless supporters of many of the older country artists and up-and-comers that mainstream country so unfortunately pays little to no attention to. To giving artists like Ray Wylie Hubbard, Dale Watson, and Sturgill Simpson their first network debut, to being one of the few shows regularly willing to book Willie Nelson and other legends…
Ray Wylie Hubbard
The Muddy Roots Music Festival has just announced their 2015 lineup, and it is chock full of legendary roots artist who helped forge what we consider roots music today, and the new generation of artists who are doing their best to carry on those traditions into the future. the Muddy Roots Music Festival has forged one of the most loyal followings on the festival circuit, and hosted many legendary names over its now five year run.
The Forgotten Outlaw, and the man at the forefront of keeping American roots filled with the rockin’, gritty heart of the 60’s music revolution, has just announced a new album, and has released a new song in conjunction. Ray Wylie Hubbard will release his newest record “The Ruffian’s Misfortune” through his own label Bordello Records.
It’s the ACL Fest, Lollapalooza Bonnaroo, and Coachella, of Texas music all wrapped into one, but without the complex maze of performance areas and wristband access, legions of hipsters, and hackneyed joining of disparate music acts that scream of the monogenre forming in American music. Instead most, if not all of the performers at Larry Joe Taylor Fest know each other.
It’s not every day you get trolled by a CMA Entertainer of the Year winner, but that’s what Saving Country Music found itself experiencing Sunday night (12-28) when Ronnie Dunn took to his always colorful Facebook page to post links and commentary to recent stories on SCM about his involvement (or non involvement) with the new Cumulus Media/Big Machine Records’ joint venture called NASH Icon.
In the fall of 2012 when Ronnie Dunn (of Brooks & Dunn) was looking to write and record material for his upcoming album, he reached out to Texas music songwriting guru Ray Wylie Hubbard after falling in love with the gritty sound Hubbard imbibes on all his records. Dunn flew into Austin as Ray Wylie wrangled up an A-list of Austin musicians to to participate in a recording session.
Adam Hood is not a native of Texas or Oklahoma, but he is an honorary member of the Texas country scene if there ever was one. And now that he’s officially called Frank Liddel’s Carnival Records quits, he’s back releasing his music independently and calling his own shots. Only appropriate then that he would release an album that is strikingly personal in a very palpable and meaningful manner.
An important and beloved member of the Texas Music Scene passed away unexpectedly on Monday morning (10-20). Singer and songwriter Ronny Spears had just played a show at Hank’s in McKinney, TX with frequent collaborator and dear friend Robby White on Saturday night, and 36 hours later fans were shocked to hear of his passing. It was White who told Ronny Spears’ many fans the terrible news.
Take a Pacific Northwest songwriting gem and refine her with the finest of care by some of Austin, TX’s best master craftsmen, and the result is the 3rd and defining studio album from Seattle-based songbird Zoe Muth called World of Strangers. Backed by her touring band The Lost High Rollers on her two previous releases, Zoe ratcheted up the game with the new album….
As the lives of most songwriters go, John Fullbright has lived a charmed one for sure. His debut studio release, 2012’s “From The Ground Up” found its way to the very highest reaches of industry accolades when it was nominated for Best Americana Album at the 55th Grammy Awards, and he seemed to be quickly anointed as a songwriting golden boy out of the gate.
To do Ronnie Dunn and his new album Peace, Love & Country Music justice, one doesn’t need to write an album review, one needs to do something in between an in-depth psychoanalysis and a diagramming treatise. There’s so much going on here, so many tentacles to the current Ronnie Dunn story, and ones that reach far beyond the music itself, that it’s hard to know where to even start.
Karen Jonas, whether she knew it or not, heeded the advice of the great Ray Wylie Hubbard to all songwriters: don’t just listen to The Ghost of Tom Joad, read The Grapes of Wrath. How do we know this? It’s not just from the wisdom interwoven in the lyrics, it’s from the amount of pain Ms. Jonas is able to capture in her performance.
Austin City Limits has slated a scrappy young country music artist to appear during their latest season. Though you may have never heard of him, all that might change after he makes his Austin City Limits debut. His name is Eric Church, and despite only winning the Country Music Association and Academy of Country Music awards for Album of the Year once….
Singer, songwriter, Poet Laureate, and the author of the Texas Trilogy, Steven Fromholz passed away Sunday morning (1-19) according to the Texas Music Chart. Fromholz was a towering figure of words and music in his home state of Texas, and amongst his famous music friends. He wrote the song “I’d Have To Be Crazy” made popular by Willie Nelson…
One of the great things about roots music is its Gothic legacy of cautionary tales, ghost stories, murder ballads, messages to the infirmed, and other such methods of macabre that allow country and roots artists to paint in dark colors when they so choose. This makes roots music one of the best realms to draw from when putting together your Halloween playlist.
37 years ago, Austin City Limits was founded to be the visual accompaniment to a book called The Improbable Rise of Redneck Rock by Texas author Jan Reed. The book set out to chronicle the formation of the Austin, TX music scene that transpired in the late 60’s and into the 70’s, along with its many artists and side characters.
Country music in 2013 feels like the best of times, and the worst of times. While a few top male performers perpetrate untold atrocities on the integrity of the genre, the rise of independent music and infrastructure in the marketplace is now almost to the point where it equals its corporate counterpart. Quality songs and worthy artists are beginning to see more and more support…
Good music is entertaining. Great music changes lives. And on the front lines of life altering music experiences are the one man bands. Courageous, pioneering, persevering through obscurity and misunderstanding, one man bands might make up a majority of the music world’s boldness and creativity per capita. Here’s 16 of them from a wide swath of the roots world.
Everywhere in the independent music world you’re seeing songwriters who have struggled for years finally starting to get singed to record labels and releasing career-caliber albums. Whereas other sectors of the music industry seem to be gripped by the fear that digitization and streaming may ultimately doom the business of music, talented songwriters are benefiting from the search for the next writer to break out.
James L. Payne, aka Jody Payne, electric guitarist for Willie Nelson for 35 years, has passed away. He died this morning (8-10) in Stapleton, AL due to cardiac arrest according to his wife Vicki. Payne had been suffering from heart problems for years prior. Throughout the 60’s Payne played bass for Ray Price, and also played with Merle Haggard among others before eventually joining Willie in 1973.