Normally, an artist either declaring or just plain evidencing their abandonment of country music, especially one who has contributed worthy music to the genre in the past, would be grounds for disappointment, or even anger. But in the case of Lydia Loveless, it’s a different story. I’m glad she said she wants to shed the alt-country label.
When Newsweek published an article calling out pop country a while back, I declared this was an important moment: a mainstream news outlet shining a big light on the sham of Nashville. Another reason I knew it was important was because Nashville took it like a shot right across the bow and came out swinging. […]