The grandson of Hank Williams and the son of Hank Jr. falls in line with the other country artists covered in Saving Country Music “10 Badass Moments” series by being a rough and tumble character both on and off the stage, but also in showing great character by giving back and using his famous name for good. Here’s 10 Badass Moments from Shelton Hank Williams III, or Hank3.
When looking at the historical timeline of country music, many times it is big events that set the wheels of change in motion, for the good and the bad. Whether it is intrusion of pop or rap into country, or the ill-treatment of country music greats, here are some of the most embarrassing moments in country music history.
Alan Jackson, Bob Dylan, Chris Gains, CMA Awards, Darius Rucker, DeFord Bailey. Jason Aldean, Dirt Road Anthem, Garth Brooks, George Jones, Grand Ole Opry, Hank Williams, Jakob Dylan, Jason & the Scorchers, Jessica Simpson, John Denver, John Hartford, Keith Urban, Lost Notebooks of Hank Williams, Ludacris, Olivia Newton John, rap, Rascal Flatts, Reinstate Hank, Ryman Auditorium, Sheryl Crow, Stonewall Jackson, Struggle, Taylor Swift, Waylon Jennings
The fight for the purity of country music is almost as old as the genre itself. The conflict between pop and traditionalism, and the fight for creative control for artists runs like a thread throughout country music’s history, defining it as much as the twang of a Telecaster, or the moan of a steel guitar. Here are some of the most iconic images of country music revolution, and the stories behind them.
Andy Gibson, Bill Monroe, Billy Joe Shaver, Buck Owens, burning envelope, Charlie Rich, Dripping Springs Reunion, Earl Scruggs, flipping the bird, Hank3, Hillbilly Central, Joe Buck, John Denver, Johnny Cash, Kris Kristofferson, middle finger, Reinstate Hank, Roger Miller, The Grand Ole Opry, Tompall Glaser, Waylon Jennings, Willie Nelson
I have been struggling to write this article for almost two years, but have been putting it off because there’s some hard things to say, and I didn’t want to “talk down” a movement that was already trying to deal with pretty alarming trends. But I think that especially now, zooming out and trying to be honest and critical in a constructive way is important, because there is positively no doubt that underground country is dying.
.357 String Band, Bob Wayne, Dale Watson, Hank3, Hellbound Glory, Larry & His Flask, Leroy Virgil, Muddy Roots, Pickathon, Rachel Brooke, Reinstate Hank, Reverend Horton Heat, Reverend Peyton's Big Damn Band, Shooter Jennings, Sturgill Simpson, Th' Legendary Shack Shakers, The Goddamn Gallows, Those Poor bastards, Underground country, unknown hinson
Tuesday will be the first time since 1982 that The Opry will have an opportunity to be free of a larger company’s control, a company that must meet shareholder’s demands, and figure out how to fit an old, historic institution into a modern-day corporate management structure. But where is this opposition in the argument for the Opry’s fate that could very well be decided tomorrow? They seem curiously absent.
This is a questions I get here at Saving Country Music quite often. The mythology and legacy of the Hank Williams name is so robust, some folks just can’t imagine it ever coming to an end. The requirement is simple though. For someone to be a true Hank Williams, they would need to be a son of Hank Williams III, and that son would need to be named Hank, at least in some way.
Hank Jr. and Holly were asked to perform at the Country Music Hall of Fame as part of their ongoing exhibit “Family Tradition: The Williams Family Legacy”. In the video, Hank Jr., under his purple long sleeve shirt, is clearly sporting a Reinstate Hank shirt, like the ones sold at Hank3 shows. Hank Jr.’s song “The Conversation” carried the first public outcry for how the Opry handled the late Hank Williams.
When Hank Williams III started his country music career, his neo-traditionalist sound and spitting image of his grandfather awakened the imagination of country music traditionalists that we were seeing the resurrection of the King of country music himself. That is why when the Lost Notebook of Hank Williams project was announced, many Hank 3 fans were wondering where his name was in the track list.
Family Tradition, The Three Generations of Hank Williams, a new book by Susan Masino chronicling the lives of Hank Williams, Hank Jr., and Hank III, was just released today via Backbeat Books…she was given “unprecedented access” to Hank III, and being the first print book to deal with his story in detail, it carries a lot of before unknown facts and information about the youngest Hank Williams.
There’s been lots of talk lately here and other places about what makes an Outlaw, who are the real Outlaws, who are the fake ones. Well Nancy Dunham from The Boot had Merle Haggard cornered and answering questions, and was bold enough to ask him some smart ones, and Merle replied with some bold, smart answers.
In the upcoming 200th issue of Mojo Magazine, the legendary Tom Waits takes the helm as editor, and handpicks Hank III to be one of the issue’s featured artists. In the 7 page spread, Waits recounts seeing Hank III for the first time at the Mystic Theatre in Petaluma, CA: “I had heard he does […]
Holly Williams, daughter of Hank Williams Jr. and half sister of Hank Williams III, signed the petition to Reinstate Hank Williams into the Grand Ole Opry after a show in Paradiso, Amsterdam earlier this week. After playing a set that included the Hank Sr. songs “I Saw The Light” and “I’m so Lonesome I Could […]
The talented Texas Singer-Songwriter Brigitte London has been doing a new podcast for outlawmagazine.com, and asked me recently if I could do a PSA for the movement to get Hank Williams reinstated into the Grand Ole Opry, or Reinstate Hank. Of course I was easily cajoled into doing so, but as I was putting it […]
When Hank Williams III’s album Damn Right, Rebel Proud went to #2 in the charts last year, this was a significant development in the movement to Reinstate Hank Williams to the Grand Ole Opry because of the first track, “The Grand Ole Opry (Ain’t So Grand),” was a song protesting the Grand Ole Opry’s stance. […]
Well tonight is a pretty big night in podcast land. First I am happy to announce that one of my favorite podcasters, Tim Pop of Tim Pop Live is debuting a spanking new podcast tonight called Rebel Rouser Country. It is going to air weekly on realpunkradio.com, Tuesdays at 7 PM EST. And for his […]
(For details on the Hank Williams birthday contest, click here.) A lot of us involved in the Reinstate Hank Williams movement talk at length about his importance to The Grand Ole Opry and country music. But we may not emphasize his importance on music as a whole, or on American culture and even the culture […]
The last few days has seen a small flurry of news concerning the movement to Reinstate Hank Williams to the Grand Ole Opry. The online petition is about to crest 40,000 signatures (or it might already have by the time you read this), which was a goal of the Reinstaters to reach by the end […]
Today was the day in 1952 that Hank Williams, the King of Country music, was fired from the Grand Ole Opry for missing rehearsals due to his excessive use of alcohol. The Opry promised that they would Reinstate Hank Williams after he sobered up, but Hank Williams died New Year’s Day of 1953, and was […]
I’ve said it many times before, when it comes to the movements to put REAL country music back in it’s proper place in the world, we all do what we can. Some make videos. Some like me take their poison pen and try to jab it in the eye of pop country. Some just use […]
With technology, the strangleholds that major label have over artists are decreasing by the day. It used to be that you needed a label to record your music, publish your music, distribute it and promote it. But now all off these things can be done by the artists themselves through the internet. And as time […]