Fear and Saturday Night might be Bingham’s best album yet. This is an album of all peaks and no valleys. As the perfect experience for the classic rock buff hiding in every country and Americana fan, Bingham scrapes the grime off the sweaty denim of 70’s Stones and douses it with a little Dylan poetry set to grooves left in the residue of a Faces studio session and articulated with riffs that awaken the spirit of a freer time.
Who will be releasing new albums in 2015? What are some of the most-anticipated projects? What are the rumors swirling out there about new albums that may be coming down the pike? Here’s a rundown of upcoming projects from artists recommended by Saving Country Music that you can look forward to in 2015. Please feel free to leave your thoughts about what you’re excited about being released.
Bingham recorded the album with producer Jim Scott, well known for his work with Wilco, Tom Petty, and The Dixie Chicks. The twelve songs of Fear and Saturday Night were written in seclusion. Bingham sequestered himself in an Airstream trailer in the California mountains without electricity or phone service, and drew inspiration from his tale-riddled and troubled life.
Distribution and publishing company Thirty Tigers has signed critically-acclaimed singer-songwriter Hayes Carll to work on a new album this fall, with hopes for an early 2015 release. Carll is now considered one of the mainstays of country/Americana touring channels, playing an average of 200 shows a year.
It’s been a while since I’ve heard such great texture and diversity in a record that still clings tightly to its country roots. Reflecting back on a lifetime of memories, accomplishments, failures, and the fortunes and lessons that come with both, it is a self-critique and cathartic, fiercely personal, and an album you can tell Jim Yoss made for himself, be damned if anyone else likes it
Even though T Model is solidly blues, like so many other roots-based independent artists, he has turned to the same underground resources that many independent country acts use to get their music to the people. This has formed the big tent movement that can be seen in things like the Muddy Roots Festival lineup where you have country and blues musicians booked side by side, and nobody bats an eyelash.
Hey Ryan, it’s me, Country Music. I’ve been hearing some interesting things lately, about how you’re eager to dispel that your music is country. This puts me in a weird position, because I’m used to people using my name to call things “country” that are not. But I heard your first two albums, and though I wouldn’t say they are solidly country…
Over a year ago I reported that the Warped Tour’s Kevin Lyman was planning a country tour and in preparation of doing so he was relegating the […]
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