If you’re going to make a movie based in West Texas about the destruction of the agrarian economy and the way the banks rape the poor and why so much of the American heartland has turned into a ghost town husk of what it once was, what better way to embellish the moments than to include the songs of artists like Ray Wylie Hubbard, Scott H. Biram, & Colter Wall?
Scott H. Biram
Just what 2017 has in store for us in the country music department remains to be seen. But we do know about what to expect in the release department for at least the first quarter of the year, while rumors abound about the big projects that could come to light later in 2017. Here’s a run down of what we know, what we think we know, and what we would like to believe.
Aaron Watson, Ags Connolly, Alison Krauss, Casey James Prestwood, Charlie Worsham, Chris Knight, Chris Stapleton, Colter Wall, Curtis McMurtry, Dale Watson, Dan Auerbach, Dave Cobb, George Jones, Guy Clark, Holly Williams, Hurray For The Riff Raff, Jaime Wyatt, Jason Isbell, JB Beverley, Justin Townes Earle, Marty Stuart, MOderna Mal, Nikki Lane, Old Crow Medicine Show, Otis Gibbs, Phoebe Hunt, Ray Benson, Ray Scott, Ray Wylie Hubbard, Reverend Peyton's Big Damn Band, Rhiannon Giddens, Robbie Fulks, Scott H. Biram, Shinyribs, Son Volt, Steve Earle, Sunny Sweeney, The Gibson Brothers, The Sadies, The Secret Sisters, Tift Merritt, Valerie June, Whitney Rose
‘Hell or High Water’ selected some really worthy roots artists to feature in the movie soundtrack, including country legends Waylon Jennings and Townes Van Zandt, Ray Wylie Hubbard, Chris Stapleton, Scott H. Biram, and even up-and-comer Colter Wall.
A popular local eatery, and an internationally-important music venue was vandalized Tuesday night (7-28) in Bayport, Minnesota, just east of the Minneapolis/St. Paul area. Along with serving award-winning barbecue (the restaurant was recently visited by Guy Fieri for feature on the Food Network’s Diners, Drive-Ins and Dives) it is one of the last remaining Deep Blues music venues in the world.
Fans of Flint, Michigan’s rambunctious throwback wild-eyed honky tonker Whitey Morgan and his backing band The 78’s have been waiting half a decade for a new studio album, and their country music prayers are about to be answered, or at least they will be in May when Whitey Morgan releases his latest record ‘Sonic Ranch.’
The past 24 hours has seen some big signings by some worthy artists to record labels. The old-school throwback St. Louis singing and strumming song man Pokey LaFarge has signed to the prestigious Rounder Records. Reverend Peyton’s Big Damn Band has signed with Yazoo Records, and the Alabama-bred gritty and greasy Banditos have signed to insurgent country label Bloodshot.
Alison Krauss, Banditos, Bloodshot Records, Charley Patton, Del McCoury, Jack White, Justin Townes Earle, Lydia Loveless, Mississippi John Hurt, Neko Case, Pokey LaFarge, Re. Peyton, Reverend Peyton's Big Damn Band, Ricky Skaggs, Robert Plant, Rounder Records, Ryan Adams, Scott H. Biram, So Delicious, SXSW, Wayne 'The Train' Hancock, Willie Nelson, Yazoo Records
Trust me when I say if you go ambling through American college towns, you won’t find anything resembling a dearth of string bands with a bunch of young men and their banjos and fiddles stomping and shouting on stage. What you will find a dearth of are these bands that are actually worth listening to, at least outside of the context of a drunken college town barroom.
.357 String Band, Bill Monroe, Dinosaur Truckers, Eric Church, Jason Aldean, Jason Isbell, Larry & His Flask, Review, Robert Ellis, Scott H. Biram, Th' Legendary Shack Shakers, The Punch Brothers, The Stanley Brothers, Trampled by Turtles, Whiskey Shivers
2014 promises to be another great year for music, and the first part of the year might just be one of the busiest seasons for anticipated releases we have seen in quite a while. From a lost Johnny Cash album, to a new one from his daughter Rosanne, to Jason Eady, a big re-issue from Lucina Williams, and releases from Scott H. Biram and Robert Ellis, there’s enough here to get your music taste buds salivating.
Beck, Bob Wayne, Charlie Parr, Dolly Parton, Doug Paisley, Goddamn Gallows, Hank3, Hard Working Americans, Hurray For The Riff Raff, Jason Eady, Jimbo Mathus, Johnny Cash, Justin Townes Earle, Lake Street Dive, Lucinda Williams, Lydia Loveless, Ray Benson, Reverend Horton Heat, Robert Ellis, Rosanne Cash, Scott H. Biram, Slackeye Slim, Suzy Bogguss, The Boomswagglers, The Whiskey Shivers, Todd Snider, Whiskey Myers
In the 12 years since Hillstomp’s inception, John Johnson, and guitar player Henry Christian have become one of the Pacific Northwest’s most well-known underground roots duos, garnering a loyal following and making fast fans from their avant-garde approach to blues that combines elements of punk, trance, and most notably, a beat that is delivered by a drum set centered around a bucket instead of a snare drum.
Good music is entertaining. Great music changes lives. And on the front lines of life altering music experiences are the one man bands. Courageous, pioneering, persevering through obscurity and misunderstanding, one man bands might make up a majority of the music world’s boldness and creativity per capita. Here’s 16 of them from a wide swath of the roots world.
.357 String Band, Bloodshot Bill, Bob Long III, Charlie Parr, Joasph Huber, Joe Buck Yourself, Lincolmn Durham, list of one man bands, Lone Wolf, McDougall, Molly Gene One Whoman Band, one man bands, Otis Gibbs, Possessed by Paul James, Ray Wylie Hubbard, Reverend Deadeye, Scott H. Biram, Shakey Graves, The Slow Poisoner, William Elliot Whitmore
Legendary North Mississippi Blues great “T Model Ford” has passed away, according to his booking agent the Bucket City Agency. One of the original Mississippi blues greats that made up the Fat Possum Records roster, T-Model passed away after a long illness at home in Greenville, Mississippi, this morning surrounding by his loving wife and family.
The White Trash Song” reveals that it wants to be considered one of these up-tempo, extended country jams. The problem is there’s positively no space on this track for any individual performance to breathe. Meanwhile the rhythm sways to and fro and never finds the groove from the delay on Shooter’s voice and the phasing of the rhythm guitar, combining to make a wonky, muddy audio blob.
Interstate 35 runs like a zipper down the gut of Texas, and acts like an unofficial border where the American South meets the West. The highway is also a musical corridor, being the main conduit in and out of Austin, TX, aka the “Live Music Capitol of the World.” Up and down that ribbon of I-35 are places that have been regaled in song by the musicians who’ve passed by them or had memorable experiences there.
Mississippi blues legend T Model Ford, who became a roots icon along with R.L. Burnside, Junior Kimbrough, and many other older blues artists from Mississippi through Fat Possum Records, has suffered a stroke and remains in the hospital. This is not the first stroke T Model has suffered, but the people around him are describing the always-jovial, 90+ years-old blues player’s spirits as “uncharacteristically low.”
The current landscape of hip American music is like a lyric out of a classic Bob Dylan song about the changing times. Old is new, and nerdy is cool. It is in this environment that the Alabama Shakes have flourished like the imperceptible germs on the tips of your fingers when rubbed into a Petri dish and left to fester. The Alabama Shakes are not for everyone, but I struggle to find a wart to point at.
Katy bar the door and baton down the hatches folks because Lone Wolf, the Italian, trilingual, pizza spinning, gator wrestling, globe trotting, banjo plucking, banjo building, wild-assed Floridian from up North via Costa Rica has a new album headed your way. Warn the neighbors downstairs, cause it’s about to get loud and feet will be stomping!
From the outside looking in, one may look at the lineup of The Muddy Roots Festival for example, and wonder how all these bands could all be booked right beside each other and it work seamlessly. This illustrates the dramatic sonic and geographical diversity that goes into creating what we know now as the underground country roots, or “Muddy Roots” world.
.357 String Band, Ben Prestage, Black Diamond Heavies, Bob Wayne, Bobby Bare, BR549, Calamity Cubes, Dale Watson, Deep Blues Festival, Emmylou Harris, Fat Possum Records, Greg Garing, Hank3, JB Beverley, Junior Kimbrough, Justin Townes Earle, Kris Kristofferson, Legendary Shack Shakers, Lone Wolf OMB, Loretta Lynn, Los Duggans, Mike Ness, Muddy Roots Festival, Pickathon, Rachel Brooke, Ramseur Records, Restavrant, Reverend Horton Heat, RL Burnside, Rusty Knuckles, Scott H. Biram, Slackeye Slim, Some Velvet Evening, Split Lip Rayfield, Steve Erale, Supersuckers, t Model Ford, Ten Foot Polecats, The Avett Bros, The Black Keys, The Devil Makes Three, The Everymen, The Goddamn Gallows, The Pine Box Boys, The Ryman, Those Poor bastards, Tompall Glaser, Trampled by Turtles, Waylon Jennings, Wayne Hancock, Whitey Morgan & The 78's, Willie Nelson, Yep Rock
So here it is, the list of albums Saving Country Music deems essential for 2011 listening. Please note this list only includes albums that have been reviewed so far. And as always, your feedback is encouraged. What are your essential albums? What did we miss? What was released in 2011 that deserves a review?
Bob Wayne, Coday Canada, Eilen Jewell, Gillian Welch, Hank3, Husky Burnette, Jason Boland, Jimbo Mathus, Larry & His Flask, Little Lisa Dixie, Lone Wolf, Lonesome Wyatt, Lucky Tubb, Lydia Loveless, Nick 13, Olds Sleeper, Rachel Brooke, Scott H. Biram, Slim Cessna's Auto Club, Sunday Valley, The Damn Quails, The Dirt Daubers, The Goddamn Gallows, Tom Waits, Ugly Valley Boys, William Elliot Whitmore, Willy Tea Taylor
There is nothing I take more seriously than naming what I think is the best album of any calendar year. The Album of the Year offers a guidepost for future generations to find the best music that was forgotten by the mainstream, while at the same time being a current ambassador to the mainstream to illustrate what great music they are overlooking.
Following this success and attention to video, many independent artists are making video a bigger priority. And not just one video, but multiple videos, “serial” video releases if you will, of both viral and more conceptualized varieties, to keep their music in the forefront of fan’s minds over a longer period than just an album’s initial release.