If Sturgill Simpson is today’s country music equivalent to Kurt Cobain, then perhaps a similar parallel can be drawn between Cody Jinks and Soundgarden/Audioslave frontman Chris Cornell. It’s no longer a matter of if, but when Cody’s name is included as a default in the conversation with guys like Sturgill, Isbell, and Stapleton.
Ever wonder what would happen if one of the deep insiders in the big Music Row system broke free and started spilling the beans on all the stuff that happens behind-the-scenes? That is exactly what former radio promoter and executive Tom Moran is doing on his Inside Nashville podcast.
The Americana Music Association announced the nominees for their 2017 awards on Tuesday afternoon (5-9) via a live press conference from the Country Music Hall of Fame’s Ford Theater. Along with announcing the nominees, the presentation included performances from multiple Americana artists.
Amanda Shires, Billy Bragg, Brent Cobb, Caitlin Canty, Charlie Sexton, Courtney Hartman, Hurray For The Riff Raff, Jason Isbell, Jen Gunderman, Jerry Douglas, Joe Henry, John Prine, Lori McKenna, Margo Price, Marty Stuart, Milk Carton Kids, Rodney Crowell, Ryan Adams, Spencer Cullum Jr., Sturgill Simpson, The Drive-By Truckers, The Lumineers
“Body Like a Backroad.” It looks to shatter even the incredible and previously-thought insurmountable records of Florida Georgia Line’s “Cruise.” Right now we sit in an eerily-similar position as we did in May of 2013. “Body Like A Backroad” is absolutely dominating every single song chart that country music has.
You’re not quite sure exactly what message Angaleena Presley is trying to drive home when you first pull up the track. But things get turned up a big notch when Nashville resident and hip-hop artist Yelawolf, who is a well-known critic of arena rap and corporate country, goes careening into a tirade.
It’s not very common that you can preface a 70-year-old folk country songwriter that never had a big hit and the 14-year-olds in your family have probably never heard of as a “hot commodity,” but that’s exactly what John Prine feels like these days. “Beyond Words” is a songbook combined with a photo anthology in big, coffee-table form.
Who knew actor Dwayne Johnson, a.k.a The Rock had such good taste in music? Well his 82.5 million followers on Instagram do now after Sunday evening he let his love for Cody Jinks, and specifically Cody’s song “Somewhere in the Middle” from his 2014 record ‘Less Wise’ be known.
We love to speak long and loudly about the virtues of younger, upsurging artists such as Sturgill Simpson, Chris Stapleton, Jason Isbell, Cody Jinks, Margo Price, and others, and how they’re turning the country industry upside down with their successes. But why is Marty Stuart’s efforts going systematically overlooked?
Sturgill made his first 2017 post-Grammy appearance at the Okeechobee, and many fans noticed there was no Laur Joamets, and no horns on stage with him. After the rumor mill got stirring in earnest, Sturgill addressed the issue directly on Sunday (3-5) afternoon.
On Tuesday (2-28), Sturgill Simpson addressed ticketing issues with his fans who are seeing these immediate sellouts and tickets getting posted for $400 and up on secondary sites, especially after his popularity has taken a sharp rise due to his Grammy awards and nominations, and a viral Saturday Night Live performance.
For 40 years, Don Markham was the horn player in Merle Haggard’s backing band, The Strangers. In fact he outlasted every other permanent member in the band, and aside from a few hiatuses throughout the years, was the only constant member. He also played on every single Merle Haggard release since 1974, though you may have not noticed him.
After Sturgill Simpson and his recent album A Sailor’s Guide to Earth took home the trophy for Best Country Album at the 2017 Grammy Awards and was in contention for Album of the Year, some wondered if the ACM Awards would finally wise up and offer Sturgill Simpson a nomination.
‘A Sailor’s Guide to Earth’ rocketed to the top of the iTunes charts, landing at #1 in country, and #7 overall. And that wasn’t the only album that saw a sales spike. What’s also a bit surprising is how the country music industry seems to be ignoring the surge, while talking about the surge for other artists.
There actually was an artist that was so clearly a victim of systemic bias and rigging of the system at the hands of the 2017 Grammy Awards, it’s almost shocking. And nobody is talking about it. In fact Beyoncé was one of the very reasons this particular artist got marginalized.
Ahead of the telecast portion of the 59th Annual Grammy Awards Sunday night (2-12), pre-telecast awards were handed out in a host of categories covering country, Americana, bluegrass, and roots, including big awards like Best Country Song, Best Country Album, and Best Americana Album. Sturgill Simpson won Best Country Album.
The tables have been flipped and the tide has turned. Sturgill Simpson—the consummate underdog and viciously independent country songwriter and performer whose helped lead the way and kicked down doors for a country music insurgency was awarded the Grammy for Best Country Album Sunday night (2-12) during the 59th Annual Grammy Awards.
Sturgill Simpson is up for two major awards, and will also have one of only eight solo performance slots on the entire night. He will perform backed up by the famous horn section The Dap-Kings. Sturgill has to be considered the front runner for Best Country Album since he is also up for the all-genre Album of the Year, but nothing is assured.
Sturgill Simpson was planning to take 2017 off due to the recent birth of his second child, and a sense that he had an opportunity to rest on his laurels a little bit. But then two huge Grammy nominations for Best Country Album and Album of the Year shook up those plans, and now the philosophy is to strike while the iron is hot.
Sturgill Simpson will perform at the 2017 Grammy Awards producers confirmed Thursday morning (2-2). Though a performance slot was pretty much assured to the upsurging country artist after his recent album A Sailor’s Guide to Earth was nominated for both Best Country Album, and the all-genre Album of the Year category…
So here we are, having spent nearly a decade climbing up the face of a mountain we thought we may never reach the apex of, and what is one of the last obstacles we’re facing? The small, but very vocal minority of independent and underground fans that seem to resent this newfound success for the top level of independent acts.