Saving Country Music’s 2013 Album of the Year was not Jason Isbell’s breathtaking Southeastern, or Sturgill Simpson’s breakout High Top Mountain, but the comeback record from the Latin-inspired Raul Malo and The Mavericks called “In Time.” Now The Mavericks have announced that they’ve been in the studio again and will release the followup to In Time called “Mono.”
Jason Isbell is the most critically-lauded artist in the Americana music realm at the moment, walking away from September’s awards with Album of the Year, Song of the Year, and Artist of the Year, but apparently NBC’s talent competition The Voice doesn’t believe he’s well known enough yet that the flotsam and jetsam of the American public wouldn’t potentially gobble him up as an undiscovered gem.
Yes, Billy Bragg is is the super cool British songwriting icon with a sharp wit and a penchant for social justice that many know and love, and Taylor Swift is the American pop princess with shallow radio singles selling out stadiums and amassing more money than God in a bid for nothing short of world domination. But the shade Billy threw Taylor over her decision to pull her music from Spotify is wild-ass conspiracy theory.
On Monday, November 17th when Garth Brooks appeared on Access Hollywood promoting his upcoming tour dates and the release of his new album Man Against Machine, he was pretty loose lipped about his hatred for certain elements of music technology, and how it has taken a lot of the power out of the hands of artists.
On Monday, Jason Aldean pulled his latest record Old Boots, New Dirt from Spotify—a big loss for the company from one of country’s biggest stars, and one who has set streaming records. Subsequently, Brantley Gilbert, whose 2014 release Just As I Am has been receiving surprising sales numbers, has also been pulled from Spotify. So has Justin Moore’s “Off The Beaten Path.”
In a nutshell, Sam Hunt and Montevallo are not country, and this goes beyond opinion. So what that a couple of songs feature a banjo or a steel guitar. This arguably makes the offense even worse because it proves they know they’re trying to put one over on consumers. For every element someone presents to claim this album is country, I can present fifteen that prove it patently isn’t.
Who would have thought that Vince Gill would emerge as one of the big winners in country music over the past seven days, culminating in last night’s 48th Annual CMA Awards? But that’s the thing about Vince Gill. His accomplishments sort of creep up on you because he’s so refreshingly understated, honest, and humble.
Taylor Swift’s 1989 did not appear on Spotify upon release, though the lead single “Shake It Off” was available. Then the shocking news came down Monday that her entire discography was pulled from the Spotify network, singles and all. The impact of Taylor Swift removing her music from Spotify, especially after she just revealed herself as the biggest artist of the last decade-plus, cannot be overstated.
“This site’s called savingcountrymusic.com. Why are you talking about Taylor Swift? She’s not country. She never was. Now she’s even saying she isn’t.” Well guess what, tough titty. This is my damn website, and if I want to talk about Taylor Swift, I will. And guess what, you’ll probably read about it.
1989, Adele, Alan Jackson, Big Machine Records, Enya, Fun, Garth Brooks, Imogen Heap, Jack Antonoff, Lorde, Max Martin, Meghan Trainor, Motley Crue, Nathan Chapman, Nelly Furtado, OneRepublic, Review, Ryan Tedder, Shellback, Taylor Swift
When you talk about an artist known as a songwriter first, you tend to look for the strength in the lyric. But Caitliyn Smith is very much a multi-tool performer, and her vocals can rival any in country music’s top tier, and she’s a great musician as well. Mostly known by industry types as a songwriter whose pen to paper has resulted in some very memorable cuts.
Nashville’s and country music’s most influential record label is reportedly getting ready to be put up for sale according to a new report, and Taylor Swift’s 1989 album release and pending contract situation could have a big impact on it. Despite being a big label with many famous artist and significant subsidiaries, the Big Machine Label Group remains independently owned, operating through distribution deals.
1989, Big Machine Label Group, Big Machine Records, Florida Georgia Line, Justin Moore, Rascal Flatts, Reba McEntire, Red, Scott Borchetta, Sony, Taylor Swift, The Band Perry, Tim McGraw, Toby Keith, Universal Music Group
This song from former The Voice contestant and now Valory Music-signed 20-year-old country music starlet Raelynn has been lurking out there for a while now, garnering tacit approval from the country music listening public and sitting down in the 30-something range in chart performance, while driving other listeners crazy for a host of reasons.
The Country Music Association Awards, or CMA’s are nigh upon us, and set to transpire on Wednesday, November 5th. And to get you all horny for the festivities, it’s been announced that ultra pop star Ariana Grande, and “All About That Bass” overnight sensation Meghan Trainor will be part of this year’s presentation. Because you know, a country presentation devoid of pop stars would be boring.
All About That Bass, Ariana Grande, Ashley Monroe, Carrie Underwood, CMA Awards, CMA's, Kacey Musgraves, Kid Rock, Lee Ann Womack, Lil Wayne, Little Big Town, Maddie & Tae, Meghan Trainor, Miranda Lambert, Taylor Swift
A wide, sweeping undertaking, “Something In The Water” sees Carrie Underwood carve out the sweet spot for her voice and make an inspiring and faith-based composition the vessel to illustrate the mighty ferocity of her God-given vocal prowess, along with instilling the moments with an elegance and grace that in unison swell to achieve one awe-inspiring performance height.
When Billboard implemented sweeping changes to their chart configurations in October of 2012, it was predicted at the time by many that these changes would fundamentally modify the industry in historic ways, ushering in an era where popular American music would rapidly succumb to the monogenre, and distinctions of separate genres would slowly become irrelevant. And it may about to get much worse.
On Friday the duo stopped by The Late Show with David Letterman for a performance of “Girl In A Country Song,” and Letterman announced on the show that their debut EP will be released through Big Machine’s Dot imprint on November 4th. Unfortunately though, their performance did not live up to the hype this song has been receiving.
Taylor Swift, who just made her big switch from country to pop, is the focus of Rolling Stone’s cover story in the latest issue, and the in-depth feature finds Miss Swift dunking in the ocean fully clothed and dropping some very interesting tidbits that could help country music perform its postmortem about why Taylor Swift left and what it really means.
On Wednesday morning (9-3), the nominees for the 48th Annual CMA Awards were announced on ABC’s Good Morning America and through a CMA Live stream. The 2014 CMA Awards will happen on Wednesday November 5th on ABC, and will be hosted by Brad Paisley and Carrie Underwood. Leading all nominees with nine is Miranda Lambert.
Harris Interactive has just released a new poll that queried the American public about their favorite music artists, musicians, and bands, and some noteworthy country music names made the list. When pollsters asked for unprompted responses to the question, “Who is your favorite singer/musician or band?”
Sunny Sweeney is an east Texas girl at her core, and no matter what Nashville does, it’s never possible to completely quiet those jangling spurs or smooth out that accent. She very much fits that mold of the Texas country artist that got big enough to be recognized by Music Row, but always felt just a little too authentic to do much more than experience that world from the outside looking in.
Big Machine Records, Jason Isbell, Kacey Musgraves, Lucinda Williams, Miranda Lambert, Provoked, Randy Weeks, Review, Scott Borchetta, Sturgill Simpson, Sunny Sweeney, Taylor Swift, Thirty Tigers, Will Hoge