Over the last few years, David Letterman and The Late Show have become tireless supporters of many of the older country artists and up-and-comers that mainstream country so unfortunately pays little to no attention to. To giving artists like Ray Wylie Hubbard, Dale Watson, and Sturgill Simpson their first network debut, to being one of the few shows regularly willing to book Willie Nelson and other legends…
The Avett Brothers
Brandi Carlile is exactly the type of strong-willed, vibrant and inventive female artist country music needs, yet country’s charts continue to be crested by the likes of interlopers such as Sam Hunt. Can we trade Sam Hunt to rock for Brandi Carlile, players to be named later, drafts picks, and/or cash considerations? Everyone wants to talk about where to find relevant female talent for country music, well here it is.
On March 9th, 2015, the suspenders depressingly slumped off the collective shoulders of America’s over-educated and under-employed string bands, the hipster mustaches had a little less starch, and the slide in banjo sales turned into an downright tailspin as the British outfit that symbolized the very apex of 2012’s old-timey (and in many ways, unfortunate) acoustic craze officially went electric.
As the longest running music show on TV enters its 40th season, Austin City Limits has announced its second installment of inductees into its Hall of Fame founded in 2014. The original crew of the Austin City Limits show will also be honored as the 2015’s non-performing inductee. As part of the Hall of Fame announcement, more performers for season 41 were also revealed.
ACL, Asleep at the Wheel, Austin City Limits, Bob Wills, Flaco Jimenez, Guy Clark, Lloyd Maines, Loretta Lynn, Ray Benson, Stevie Ray Vaughan, Sturgill Simpson, The Avett Brothers, The War On Drugs, Townes Van Zandt, Willie Nelson
Have you ever been scanning through photos of your favorite (or least favorite) artists and thought, “Hot damn! That dude look just like this other dude!” From eery similarities like Sturgill Simpson and Javier Bardem’s creepy character from the movie No Country For Old Men, to Johny Paul White and Johnny Depp who I am pretty much convinced are the same exact person…
Brian Kelley, Caitlin Rose, Colt Ford, David Allan Coe, Florida Georgia Line, Jason Isbell, Jeremy Fetzer, John Paul White, Kristian Bush, Seth Avett, Steelism, Sturgill Simpson, Sugarland, The Avett Brothers, The Civil Wars, Tyler Hubbard
At its heart, The Grohl Sessions is the true answer to the “country music must progress” charge regularly levied by mainstream artists like Luke Bryan, Blake Shelton, and Eric Church, to justify their trespasses of mixing country with other genres.The songs of The Grohl Sessions are marvelously complex, yet still with a heart, still with a pentameter that never stops beating….
Blake Shelton, Clay Cook, Dave Grohl, Eric Church, Kacey Musgraves, Keb Mo, Larry & His Flask, Luke Bryan, Marshall Tucker Band, Nirvana, Sturgill Simpson, The Allman Brothers, The Avett Brothers, The Foo Fighters, The Grohl Sessions Vol. 1, The String Cheese Incident, The Zac Brown Band, Zac Brown
On Monday April 12th, The Americana Music Association announced the nominees for their 2014 Americana Music Awards to be held September 17th at the Ryman Auditorium as part of their annual Americana Music Conference. The ceremony was emceed by performer and Sirius XM DJ Elizabeth Cook, and was simulcast on Sirius XM and streamed on Music City Roots.
2014, Americana, Americana Music Awards, Brian Sutton, Buddy Miller, Devil Makes Three, Elizabeth Cook, Fats Kaplan, Hard Working Americans, Hurray For The Riff Raff, Jason Isbell, Lake Street Dive, Larry Campbell, Milk Carton Kids, Nominees, Parker Milsap, Patty Griffin, Robert Ellis, Rodney Crowell, Rosanne Cash, Sarah Jarosz, St. Paul & The Broken Bones, Sturgill Simpson, The Avett Brothers
One of the questions that comes up often in country music is “Who’s Gonna Fill Their Shoes?” There’s a lot of industry country stars that would love to tell you they’re the ones, and they record songs, print up merch, and proselytize at every turn for their candidacy to fill in for the lost country greats. But beyond the glitz and the market-driven image campaigns …
Ameripolitan, Austin, Big T's Roadhouse, Bloodshot Records, Bobby Bare, Dale Watson, interview, live album, New Album, Rick Rubin, The Avett Brothers, The Rattle Inn, Waylon Jennings, Whitey Morgan, Whitey Morgan & The 78's
The Americana Music Awards just announced their 2013 nominees. On September 18th, the awards will once again be held at the prestigious Ryman Auditorium in Nashville, and once again the nominations show a very narrow focus on the dramatically broadening world of Americana music. Aside from the Instrumentalists, only 11 names of artists or groups compile the entire field of 2013 Americana nominees.
Brucke Robison, Buddy Miller, Dwight Yoakam, Emmylou Harris, JD McPherson, Jim Lauderdale, John Fullbright, Kelly Willis, Mumford & Sons, Ray Wylie Hubbard, Richard Thompson, Rodney Crowell, Shovels & Rope, The Avett Brothers, The Lumineers, The Milk Carton Kids
The comments at the concert beginning a Dixie Chicks world tour sparked off possibly the biggest black balling in the history of American music. Spoken 10 days before the beginning of the Iraq War, the backlash took the Dixie Chicks from the biggest concert draw in country music to relative obscurity in country music in a matter of weeks.
Many of the bold changes in the direction of popular music begin with artists that are too fey, too polarizing to become popular themselves. So it takes others who understand how to soften music with sensibilities to make it accessible to the masses, and hopefully, if time is on their side, transect the popularity timeline, resulting in superstardom.
.357 String Band, Bill Monroe, Bob Dylan, Doc Watson, Flatt & Scruggs, Foghorn Stringband, Goddamn Gallows, Jimmy Martin, Ketch Secor, Larry & His Flask, Marcus Mumford, Mumford & Sons, O Brother Where Art Thou, Old Crow Medicine Show, Ralph Stanley, Split Lip Rayfield, The Avett Brothers, The Civil Wars, The Devil Makes Three, The Hackensaw Boys, Trampled by Turtles, Wayne Hancock
Sunday night is the most important night in music of the year as the 55th annual Grammy Awards will be transpiring in Los Angeles. Independent-minded music consumers can go back and forth about just how important Grammy night is, but regardless if you like the winners or even care to pay attention, what transpires Sunday night will have effects on the entire music world.
Alison Krauss, Bonnie Raitt, Carrie Underwood, Don Williams, Eric Church, Hunter Hayes, Jamey Johnson, John Fullbright, Mumford & Sons, Ronnie Dunn, Taylor Swift, The Avett Brothers, The Grammy Awards, The Lumineers, Will Hoge, Zac Brown Band
The Mono-Genre Theory in short states that all popular music is coalescing into one big genre where influences and styles from country, rap, rock, blues etc. coexist without any true lines defining their differences. At the end of every year when the sales numbers are released by Nielsen Soundscan, it usually reveals evidence of this mono-genre coagulation. 2012 was no different.
Whether it’s folk, bluegrass, country, or Cajun, Foghorn can play a breakdown, a Celtic jig, a Cajun waltz, and cut a rug to an early country tune in the span of as many songs and sell you quickly on the idea that you don’t need amplification or new school modes to make music that is both memorable and entertaining. Outshine the Sun is an excellent album, and where it makes its mark is in the positivity of its message.
By all accounts, I should hate these dudes, and this album by proxy. t was announced that Babel was the best-selling debut so far in 2012, selling 600,000 copies and outpacing folks like Justin Bieber. Really? Has the “roots” revolution reached such a point that it is the most popular, mainstream thing going in music these days? How am I supposed to be okay with that, and where is this leading?
A few days ago, CMT launched a new format and website called CMT Edge with the intent of covering artists outside the norm of mainstream country music. Since then I’ve been asked many times what I think of it, and my stock answer has been that I don’t exactly know what I think of it yet. Having said that, I see no reason at this point not to stay positive about it.
Old World’s Ocean puts The Calamity Cubes’ bevy of talents on glorious display. Excellent songwriting is conveyed through flawless vocal performances and inventive music. They say to make it in music today you need a distinct voice, and The Calamity Cubes have two of them; the deep, brooding baritone of Brook Blanche, and the whimsical, character-filled sighs of Joey Henry.
Trampled by Turtles have flat out blown up on our asses, debuting videos on CMT and selling out theater shows, while still being true to their original approach. That’s what happens when you have good guys putting out great songs and great albums and developing a sound that is familiar enough that it’s easy to get comfortable and acquainted with.
With Kid Rock hosting the CMT Awards, with country rapper Colt Ford performing, and with Jason Aldean and Ludacris closing the show out with a rap song, you can make the case that 15%-20% of the 2011 CMT Awards was either rap or rap inspired. I expect those percentages to increase until the number gets to 50%. Then the mono-genre will be fully realized, and the death of contrast will be complete.
I feel the need to iterate to you some observations for last night’s 2011 Grammy Awards, if only to get them off my chest. This is not entirely going to be a bitch fest. Every year they air the Grammy’s, and every year people are left scratching their heads and feeling hopelessness for music, and so it was to be expected that this year would be no different…
Bob Dylan, Bob Seger, Charlie Louvin, Eminem, Esperanza Spalding, Garth Brooks, Grammy, Justin Bieber, Kid Rock, Lady Antebellum, Lady Gaga, Martina McBride, Merle Haggard, Miranda Lambert, Mumford and Sons, Randy Travis, Rihanna, Stevie Nicks, Taylor Swift, The Avett Brothers, The Black Crowes, The Suburbs