You better be damn sure of your rationale when you veer so incredibly off the page believing there’s better opportunities out there. Because if you leave behind everything you were before, you’re going to leave behind all those people who followed you there, and they will turn their backs on you just like you did them.
The Band Perry
It was either feast or famine for country singles in 2016. As the rigged singles system that almost guarantees #1 songs for any releases from big-named artists metastasized at radio—creating an incredible volume of singles hitting #1 for a solitary week before immediately falling off a precipice—if a song happened to not fit into that rigged system…
The Garden & Gun ‘New Outlaws’ issue seemed to illustrate the problem with many of today’s music periodicals that see the expanding interest in independent country music, but rely mostly on journalists and editors who only know country music from the outside looking in.
Now The Band Perry is lying about things that they don’t even need to lie about. And now their using their complicit friends in country music’s fawning media to rewrite history. And for the life of me, I have no idea why. They’re tilting at windmills instead of letting their music speak for itself.
I just find it a bit hard to conjure up any sympathy for The Band Perry at this point, especially if they’re the ones asking for it. So your single flopped, and then your label dropped you. You’ve still seen more success and wealth via music than what 99% of musicians could ever dream of. And now you want to play the victim, like it was someone else’s fault for the state you’re in.
If you thought the story of The Band Perry over the last six months was one of the weirdest, most convoluted situations you could ever imagine coming from a mainstream country music franchise, we’re just beginning boys and girls. And where this entire thing ends up, who knows?
The strange saga of what was once one of country music’s most promising trios and family bands continues. After parting ways with Nashville-based record label Big Machine in early March after the colossal failure of their latest single “Live Forever,” it has been announced that The Band Perry has signed with Interscope Records and is going full pop.
By all accounts, it was the song’s dismal performance on the country music charts and The Band Perry’s hard-headed insistence on sticking with their new pop direction that had the family trio and preeminent country music label Big Machine parting ways earlier this year. To put it bluntly, “Live Forever” killed The Band Perry’s country music career.
The news leaves what once was one of the most promising new bands in country music in limbo. The Band Perry has won a Grammy Award and done decent on the radio in the past. The big question is whether their new (and ultimately failed) pop direction was the idea of Big Machine, or of their own team, and if they will continue to stay committed to the direction moving forward.
Yes, it’s very easy, and very popular and seductive to rally behind Kesha in this matter. The press and popular culture love to hate stories about women being kept down or even abused by overbearing men and the companies they run or hide behind. Kesha doesn’t have a particularly compelling reason to lie, though the way major label contracts are constructed, who wouldn’t want out of one . . .
The strange saga of the Big Machine-signed The Band Perry and their curious new direction continues. The latest shoe to fall is their official, big production video for the failed single “Live Forever” has been pulled from YouTube, pulled from their social network pages, and no trace of the video can be found anywhere.
The Band Perry situation is no longer one of simply being “bad” or in “poor taste,” or about making career decisions that are easy to second guess. I’m trying to think of another time that a country act tried to cross over, and it went so colossally bad. And I keep coming up empty.
On Monday, the official lineup for the 2016 Houston Livestock Show and Rodeo was “announced” by astronaut Scott Kelly from the International Space Station. Perhaps the aeronautical histrionics were a bid to distract everyone back on Earth from the fact that this year’s lineup is the most mundane, most mainstream-centric and generic pop tart Kellogg’s cereal assemblage of plastic talent ever accrued on this beautiful blue planet.
Abbi Walker, Billy Currington, Bri Bagwell, Cole Swindell, Cooper Wade, Houston Livestock Show and Rodeo, Houston Rodeo, Jamie Richards, Jason James, JB and the Moonshine Band, Josh Ward, Justin van Sant, Little Big Town, Max Stalling, MIke and the Moonpies, Miranda Lambert, Randy Rogers, Sam Riggs, The Band Perry, Trent Willmon, Wade Bowen, Zane Williams
The feature film American Saturday Night: Live From The Grand Ole Opry has just announced that after a limited run of shows at select theaters in December, it is expanding to various Carmike Cinemas and North American theaters across the United States on February 12th. However the film’s top three stars are Opry members who regularly don’t pay their proper dues.
American Saturday Night: Live From The Grand Ole Opry, Blake Shelton, Brad Paisley, Brett Eldredge, Carrie Underwood, Chris Janson, Darius Rucker, EmiSunshine, Holly Williams, Jean Sheppard, Jim Ed Brown, Little Big Town, Love & Theft, Mo Pitney, The Band Perry, The Grand Ole Opry
And so continued on the unrelenting march of terrible songs in 2015. This year included some especially diabolical turns that puts the last 12 months in contention for the worst run for songs in country music history. Of course the usual suspects appear on the rap sheet like Luke Bryan, Thomas Rhett, and Sam Hunt. But 2015 ushered in the worst year for watching previously heralded artists turning their coats from blue to red.
Alabama, Bret Michaels, Brett Eldredge, Cole Swindell, Danielle Bradbery, Eli Young Band, Eric Paslay, Gary Allan, Granger Smith, Jennifer Nettles, Kelsea Ballerini, Luke Bryan, Randy Houser, Sam Hunt, Scotty McCreery, The Band Perry, Thomas Rhett, Ucle Ezra Ray, Zac Brown Band
This thing was considered ploddingly long in coming and and potentially missing in action nearly a year ago. Now for many Josh Turner fans, the situation has reached a critical mass state, and folks are starting to demand answers. Is Josh and his music being held hostage? At this point, what plausible explanation could be given to justify all the delays?
The color yellow was picked to be the primary backdrop for the relaunch. The image of a diamond shaped like a heart was selected as a logo (even though that’s not the way a true heart-shaped diamond is cut), and everyone had visions of a blockbuster #1 single and sold out arena tours dancing in their heads. . . . and since then, “Live Forever” has flopped.
Goodness, can we just kill off mainstream country music with one final shotgun blast to the noggin instead of watching this long, suffering, painful smothering at the hands of the proprietors of pop who have positively no idea what country music is supposed to be, and are willing to slowly strew its disemboweled innards all across the public sidewalks in victory? Don’t these bastards have any compassion?
In the latest sign that a godless Apocalypse is nigh upon us and will reduce the entire effort of humankind from the beginning of time to an infinitesimal blip of virtual nothingness perpetuated in a faraway corner of the universe, Dwight Yoakam has agreed to pair up with country music sham artist Sam Hunt for a duet as part of an ACM Awards television special.
Ashley Campbell knows a lot about leaving behind a musical legacy. As the daughter of Country Music Hall of Fame member Glen Campbell, she not only grew up watching her legendary father deliver country standards such as “Galveston,” “Wichita Lineman” and “Gentle on My Mind,” but on his Farewell Tour before the diagnosis of Alzheimer’s finally claimed his mind…