Jamey Johnson Remains a Prolific Collaborator
The lack of new, original music from Jamey Johnson is still a sore subject for many. But that doesn’t mean Jamey Johnson fans don’t have ample opportunities to hear his voice.
The lack of new, original music from Jamey Johnson is still a sore subject for many. But that doesn’t mean Jamey Johnson fans don’t have ample opportunities to hear his voice.
Melonie Cannon owes a special debut of gratitude to Vern Gosdin. She’s gives Vern credit for believing in her as a singer even before her own father did. Gosdin took Melonie under her wing when she was a teenager, and got her father to pay attention to her as a serious country vocalist.
A recent petition launched to coincide with Freddy Fender’s birthday, and subsequent media reporting, has stimulated a healthy amount of discussion about the prospects for Freddy Fender being inducted into the Country Music Hall of Fame.
There is only one artist in this history of country music whose singing is so revered, he’s referred to simply as “The Voice.” But the career of Vern Gosdin also may contain one of the most sinister secrets in the history of country music. Did Vern Gosdin really contract two men to murder?
Country music traditionalist Jamey Johnson has become known over the last few years more and more for filling the majority of his concerts with classic country songs written by others, along with pulling from his catalog of originals. For some this approach to his concerts feels strange.
Let’s be honest. Do we really need yet even more new versions of old country songs? But the wildcard here, and what makes this record worth turning your attention to is that you have the once-in-a-lifetime voice of the great Josh Turner gracing these classic songs.
You may ask yourself why we need even more new versions of old country classics. The answer is that Josh Turner is singing them. From well-known standards to some deeper album cuts, Turner is ready to grace them with his signature bass tone, and will be joined by Randy Travis for his first studio work since 2013.
Not as a rebuke of the work of the documentary, but as an addendum for those who watched and might want to dig deeper into the history of country through some of its more important personalities not represented well in the film, here are some of the Country Music film’s biggest oversights.
There’s just a cool factor about Dwight that appears will never wear off, regardless if the hips don’t shake and the knees don’t knock as much as they used to, or even if he’s the perfect specimen for male pattern baldness under the low brim of that cowboy hat. He’s still Dwight, and that caramel voice and cutting yodel will never be deprecated.
(This is a guest article written by Cliff England.) Vern Gosdin, known as “The Voice” by his country peers, and heralded by Tammy Wynette as “the only man that can hold a candle to George Jones” died late April 28 in a Nashville hospital at the age of 74, due to complications from a stroke. […]