- NPR: Lost Album Gives Voice To A Johnny Cash In Recovery
- Stream Nickel Creek's New Album "A Dotted Line"
- Engine 145 Talks with Chuck Mead
- Gregg Allman Misses Live Dates With Bronchitis
- Twitter Shutting Down Its Music App
- If You Missed It: Brandy Clark on Ellen
- Off Camera ACM Awards Announced
- American Songwriter Interviews Scott H. Biram
- "Okie From Muskogee" 45th Anniversary Special 2CD Edition Released
- Spotify Slashes Subscription Prices for College Students
- John Cowan Signs with Compass Records
- Facebook Is Ending the Free Ride For Businesses, Bands, and Brands
- Spin Interviews Miranda Lambert
- If You Missed It: Lake Street Dive on Ellen
- Watch Video of Complete Hellbound Glory Concert
- Jason Eady and Courtney Patton Get Married
- New Nickel Creek Song "21st of May"
- Review and Pictures from George Strait's Farewell Concert in Nashville
- Charlie Daniels Does Dylan on New Album
- Predicting What You Want To Hear: Music And Data Get It On
- Facebook Buys Virtual Reality Company Oculus For 2 Billion
On Tuesday (9-25-12), the Tennessee Court of Appeals upheld a lower Chancery Court ruling denying a request by Curb Records to block Tim McGraw signing and recording with another record label. Barring another appeal being accepted by the Tennessee Supreme Court, this means Tim McGraw is finally free from Curb Records, his label for 20 years who tried to keep him perpetually under contract by claiming the material from his final Curb album Emotional Traffic was recorded too soon after his previous album, and by releasing a comical parade of “Greatest Hits” compilations.
The court battle began in May of 2011 when Curb Records sued Tim McGraw for breach of contract. It got even muddier when during the litigation process, McGraw signed with Scott Borchetta’s Big Machine Records on May 21st, 2012 and announced he’d recorded 20 songs with the label. Curb refused to acknowledge the new signing, asserting that McGraw was still under contract with them and the 20 songs were their intellectual property. Then in a battle of Music Row heavyweights, Curb and Big Machine began releasing competing singles. The courts have since ruled against Curb in a number of smaller decisions leading up to Tuesday’s big decision that should put McGraw’s label status mostly to rest.
“All recordings made after December 1, 2011, belong to McGraw,” the Tennessee Appeals Court ruled. “We find no error in the trial court’s preliminary determination regarding the ownership of masters…We affirm the judgment of the trial court and assess the costs of this appeal against the appellant, Curb Records.”
However Tim McGraw still must navigate the trial hurdle for the original breach of contract issue. Though the courts have ruled that McGraw can now make and release music with a new label, they still must determine if he indeed recorded the music for his last album Emotional Traffic to soon, and if so, what the penalty will be. Curb released a statement after the court ruling, saying in part:
The fundamental issue in this case is whether Tim McGraw fully performed under his contract with Curb Records. That issue has yet to be ruled on by any court, and will be the subject of a full trial on the merits scheduled for later this year.
We respectfully disagree with today’s ruling by the Court of Appeals on that issue, and we intend to continue to pursue this issue, including through the further appeals process as appropriate, in light of the significance of the underlying principles involved.
Those principles include our belief that contracts must be enforced as written, and in particular that exclusive personal services agreements with individuals, such as Mr. McGraw, who possess unique and extraordinary talent, must be subject to enforcement by injunctive relief.
15 Comments to “Tim McGraw Wins Court Appeal, Is Finally Done w/ Curb Records”
Leave a comment
Support SCM and start
your Amazon shopping here
- Wes231 on Jerrod Niemann Is No Willie or Waylon (A History Lesson)
- Mark M on Jerrod Niemann Is No Willie or Waylon (A History Lesson)
- Blackwater on Jerrod Niemann Is No Willie or Waylon (A History Lesson)
- TX Music Jim on Jerrod Niemann Is No Willie or Waylon (A History Lesson)
- Alison on New Merle Haggard Tribute is a Head Scratcher