Early Morning Shakes is the 3rd record from the Texas music scene’s Southern rock contingent known as Whiskey Myers. No, Whiskey Myers isn’t the name of the front man, just the collective persona of five guys from the greater Palestine, TX area, helmed by singer and principal songwriter Cody Cannon. The band put out their first album in 2008 and have since become one of Southern rock’s most emboldened and energetic torch bearers, tearing it up across the country to packed houses of both country and rock fans.
Coming off the surprising success of their second album, 2011’s Firewater that debuted at #26 on the Billboard country charts, Whiskey Myers saddled up with producer Dave Cobb—the man who was behind three very successful albums in 2013: Sturgill Simpson’s High Top Mountain, Jason Isbell’s Southeastern, and Lindi Ortega’s Tin Star. Cobb’s reputation of bringing a signature touch to music that straddles the line between rock and country made him a perfect fit for the project. The result was many great, original song concepts being fleshed out with smart and tasteful production elements, adept guitar-driven instrumentation, and despite some ostentatious moments, a sincere and fun album that sets the standard high for all Southern rockers in 2014.
Southern rock has been in such a state of flux for years now, it’s hard to know where to place it on the relevancy arch on a given day. Its modes have been somewhat borrowed by mainstream country, yet as rock itself continues to amble directionless, Southern rock is one of the last bastions of pure, electric guitar-based music that’s not blaring metal, or eepish, hipster pretentiousness. Calling yourself “Southern rock” affords you a lot of latitude: You can build a song around a riff and not a lyric and not ruffle any feathers like you might in country, or play a straight up country song and still reside within Southern rock sensibilities. You can even add some soul elements like backup singers as Whiskey Myers does here and separate yourself even further from the increasingly-automated sounds of modern music.
Early Morning Shakes is bold and expansive for a 12-song project. There’s a lot going on in these songs, without any of the compositions coming across as especially busy. Songs like “Early Morning Shakes”, “Where The Sun Don’t Shine”, and “Time Off For Bad Behavior” are each built from a good premise, and fleshed out with excellent guitar work by Cody Tate and John Jeffers. So often these days Southern rock guitar can get wanky and self-absorbed. Whiskey Myers may trend slightly that way in certain places, but overall the band’s guitar battery does a good job of waiting for the battle to come to them, and landing their shots when the time is right and in a manner that showcases both their prowess and their taste.
The band takes some chances on this record, and generally they nail the landings like with the final song “Colloquy” that tries to evoke the emotional epic, and dutifully succeeds. There is depth here beyond the riff-driven nature of the songs, like in “Reckoning” or “Wild Baby Shake Me,” which starts off as a rump shaker, but then develops into so much more.
But the real star of the show are the pipes of Cody Cannon. The guy’s voice is built for Southern rock. Without a hint of fake inflections or put-on’s, he sings effortlessly and straight from the heart, growling and confident when he needs to be, and willing to express emotion and vulnerability when it’s called for.
One small concern would be some of the chest-puffing present on this album in a song like “Headstone.” There are a few of these self-indulgent moments on the album, but these may disappear from the Whiskey Myers repertoire over time, and already seem diminished from their previous albums. The second song on the album called “Hard Row To Hoe” is just way too similar to Zepplin’s “Heartbreaker” to work, which is strange from a project that otherwise is fairly remarkable at avoiding the well-worn ruts and striking an original path.
The crunchy slide guitar, rising steel, and good songwriting of “Dogwood” make it one of the album’s best songs, and one of the album’s decidedly country selections. The sensible “Shelter From The Rain” is another good country-inspired, story-based song worth a deeper listen. Include the aforementioned “Colloquy” and there’s a good amount here for listeners who are country fans first, and Southern rock appreciators second.
With Early Morning Shakes, the now well-seasoned Whiskey Myers crew affirms themselves as one of the preeminent bands in Texas music and beyond.
1 3/4 of 2 guns up.
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