Alt-country perennials The Old 97’s have been making the late night rounds to promote the release of their latest record Graveyard Whistling, and have been sharing that opportunity with some worthy east Nashville artists. Tuesday evening, The Old 97’s will be enjoying the company of Caitlin Rose on stage when they make an appearance on Conan O’Brien.
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Ladies and gentlemen, Caitlin Rose has arrived. The Stand-In is frighteningly good. It’s an enterprise in the evocation of rich human emotions, interwoven with delicious hooks and intelligent riffs, stirring vocal performances delivering meaningful, elevated lyricism, and a towering production performance that may go down in the history books. Just simply… Wow.
The only thing better than a Caitlin Rose song is a Caitlin Rose video. Then again I lost all objectivity long, long ago when it came to judging this girl. She could serve up a flaming cowpie and I’d be twisting words around to convince you to drop .99Â¢ on it at iTunes. I’ve been compromised by Caitlin’s spellbinding ability to embed the most sincere, most deep personal emotions into her music.
I know I’m late to the party here, but dammit, this video is just so damn good I must expound on it. There’s so much genius in it in fact, I can’t help but think some of it is completely accidental. And the way it plays to both Caitlin Rose’s strengths and weaknesses is wickedly smart. Such depth and attention in music videos these days is too rare.
Own Side Now is the freshman offering from Nashville songstress Caitlin Rose. It is a breath of fresh air in the non-mainstream music scene that seems at times to be polarized between hipster and hardcore. Own Side Now strives for originality, not acceptance; yearning for it’s own niche while not being pretentious. The songs are masterfully-produced and patient. The main influence is country, but there’s some late 60’s hard pop to almost heroine sheik influence…
Last night was an occasion I’d been looking forward to for a while: Justin Townes Earle sober (hopefully) return to Austin, TX, but in the traveling party as the support act was Catlin Rose, a Nashville-based singer/songwriter that I’ve been asked to give an opinion on many times, but for whom online music and videos had rendered my opinion inconclusive heretofore.
Don’t think of Swimming Alone as a commercial release. Think of it as something Liz Rose made for herself and maybe a few close friends and family that you somehow got a copy of. It’s sweet, quirky, funny at times, delightfully dated, refreshingly honest, and just a simple joy to listen to.
If you have a strong penchant towards wondering about the untold stories of music’s most adept sidemen like I do, then perhaps you have already pondered upon Telecaster player Jeremy Fetzer and pedal steel player Spencer Cullum Jr. from seeing them on stage with artists like Caitlin Rose, Andrew Combs, and Jonny Fritz just to name a few.
With his aching, painful delivery of poetically elegant songs ripped straight out of his own biography and smeared with tears and the residues of addiction, Justin Townes Earle embodied everything you wanted from the tragic troubadour holding on just enough to perform for you.
Here are the greatest country and roots albums of the last decade in Saving Country Music’s estimation. Albums were regarded primarily on quality, and how they held up over the decade, as well as the influence they had on country music, and music at large. These are the albums that should not be overlooked over the last 10 years of music.
Brent Amaker and the Rodeo, Caitlin Rose, Chris Stapleton, Cody Jinks, Emily Scott Robinson, First Aid Kit, Hellbound Glory, Jack Ingram, James McMurtry, Jason Eady, Jason Isbell, John Moreland, Joseph Huber, Kacey Musgraves, Kellie Pickler, Lindi Ortega, MIke and the Moonpies, Miranda Lambert, Olds Sleeper, Roger Alan Wade, Sarah Shook and the Disarmers, Slackeye Slim, Sturgill Simpson, Sunny Sweeney, Tami Neilson, The Mavericks, Turnpike Troubadours, Tyler Childers, Zephaniah OHora
2019 is here ladies and gentlemen, and soon your ears will have a fresh new bounty of new releases in the country, roots, and Americana world to feast upon. In such a crowded landscape and with so many releases to choose from, having a road map certainly helps. So in that spirit, here are Saving Country Music’s top picks.
Aaron Watson, Alice Wallace, Charles Wesley Godwin, Cody Johnson, Dale Watson, Flatland Cavalry, George Strait, Hayes Carll, Joshua Ray Walker, Randy Houser, Ray Charles, Ryan Bingham, The Cactus Blossoms, The Steel Woods, Yola
Talent, opportunity, and fortuitous timing are not the only underlying indicators of success in music. One of the most critical elements to most any prosperous career is the willingness of the artist or performers involved to sacrifice of their personal lives for the music, and to be dexterous and fleet of foot to make their dreams a reality.
The summer is winding down, but the fall and winter release cycle in country and roots music is heating up, with some of the most anticipated projects of the entire year to be released between now and when the hammer falls on 2018. To help you keep up, here’s a list of Saving Country Music’s most anticipated releases for the final portion of 2018.
Adam Hood, Blackberry Smoke, Bri Bagwell, Colter Wall, Dillon Carmichael, James Carothers, Jamie Lin Wilson, Jason Isbell, John Howie Jr., JP Harris, Kristina Murray, Loretta Lynn, The Black Lillies, Whitey Morgan and the 78's, William Elliott Whitmore, Willie Nelson
If you’re looking for the next generation’s version of Emmylou Harris, Kristina Murray is not a bad place to start your quest. A hidden gem of east Nashville and a regular at the Honky Tonk Tuesday Night events at the local American Legion Post 82, she’s been seen as a duet partner with J.P. Harris and other cohorts occasionally.
2018 has been incredibly busy with new albums in the country and roots realm, and the 2nd half of the year looks to be just as busy. So to help you keep track of it all and perhaps help separate the wheat from thew chaff, here is a handy guide to some of the top releases to anticipate, a more expansive list of confirmed releases, and a rumor mill.
AHI, American Aquarium, Coco O'Connor, Cody Canada and The Departed, Cody Jinks, DeviDriver, Dillon Carmichael, Hank3, Jim Lauderdale, Karen Jonas, Kinky Friedman, Lori McKenna, Lucero, mmhmm, Rhyan Sinclair, Shooter Jennings, Tami Neilson, Tyler Childers, William Clark Green
Will 2018 be yet another banner year for independent country releases like 2017 was? We’ll have to see, but what we do know is what to expect in the release department for at least the first quarter of the year, while rumors abound about other projects that could come to light later in the year. Here’s a detailed run down.
Anderson East, Ashley Campbell, Brandi Carlile, Caitlyn Smith, Caleb Caudle, Courtney Patton, Dallas Moore, Dave Cobb, Dusty Rust, First Aid Kit, JD Wilkes, Laura Benitez, Mary Gauthier, Mike & The Moonpies, Red Shahan, Ruby Boots, Scotty McCreery, Ugly Valley Boys, Vivian Leva, Wade Bowen
You may have not known his name or who he was, but it would be hard not to notice the tall, lanky, dreadheaded dude in big white glasses behind the drums backing up a dozen or so different independent country artists from Nashville over the years as they toured through your town, and doing his best to not just keep the beat, but bring the energy.
Aaron Lee Tasjan, Adam Meisterhans, Amanda Shires, Americana, BJ Barham, Brian Ritchey, Buddy Miller, Caitlin Rose, Chance McCoy, Chuck Mead, Cory Branan, Derek Hoke, Emma Swift, J.P. Harris, Jason Isbell, Jerry Pentecost, Jonny Fritz, Kristin Weber, Leigh Nash, Lilly Hyatt, Robert's Western World, Robyn Hitchcock, Ron Pope, Steve Earle, Tommy Scifres, Whiskey Gentry
Welcome ladies and gentlemen to Saving Country Music’s 2017 Americana Music Awards LIVE blog. As the festivities stream live from the Ryman Auditorium in Nashville (link below), we’ll tag along to leave observations, keep up with the winners, discuss the performances, and share what happened for those folks who missed it.
Cale Tyson has been one of the hottest names in independent country and Americana for the last couple of years, yet with no full-length album to back it up. Usually it’s the other way around—an independent artist riding rave reviews of a debut LP to big opportunities.
List making either before or after events has become a dubious enterprise of mainstream outlets just looking to troll the fan bases of independent performers to get these performers to dutifully post the coverage to their social network feeds and drive unique views to the outlets while little if any true discovery for said artists by new fans actually occurs.
Americana, AmericanaFest, Angaleena Presley, Beverly Keel, Bluebird Cafe, Change The Conversation, Dori Freeman, Jack Ingram, Leslie Fram, Luke Bell, Matt Haeck, Sarah Shook, Tami Neilson, The Accidentals, Tommy Ash, Wanda Jackson
Cinematographer Kelsey Hammer-Parks and music journalist Nathan Emerson have set out to create a new documentary about a dying music instrument and those trying to save it. That Thing, That Sound is a musical documentary on the steel guitar—often a topic of discussion when the talk turns to the dying roots of country music.
There’s not much worse than having a hankering for some new music from one of your favorite artists, but feeling like you’ve been waiting forever for it to happen. There are many reasons an artist or band may have a delay in output. But dammit, sometimes you feel like you just can’t wait. Here’s a few folks that it feels like are past due for new projects.
Welcome ladies and gentlemen to the official Saving Country Music CMA Awards LIVE blog for 2015! As the festivities transpire at the Bridgestone Arena in Nashville, we’ll be peering in to offer commentary, snark, criticism, and praise when necessary. The 2015 CMA’s actually have a few interesting moments in store compared to previous years, so hopefully there are some opportunities to cheer instead of jeer.
Boy how the entertainment media loves to ruminate on country music’s female dilemma, and how unfair it is that so many fine and talented female voices are going unheard. It’s the perfect topic for Northeast-based periodicals to piggy-back their political and sociological parallels onto, to prove the patriarchal oligarchy is still very much alive in America’s rural and Southern landscapes.