Album Review – 49 Winchester’s “Fortune Favors The Bold”

Good luck finding baby formula, gas under four bucks, a single family home under half a million, or steel guitar in a country radio single these days. But thank goodness that hungry young men and women are still crazy enough to climb into 15 passenger vans and drive across the country playing in bars and honky-tonks, trying to scratch enough green together to make it to the next town, record a few tracks, and have them find their way to thirsty ears all around the country and world looking for audio salvation in these times of meager means.
Bounding out from Russell County, Virginia—which sits in the crux between Kentucky, Tennessee, West Virginia, and North Carolina—49 Winchester is truly the local band done good. From the unincorporated community of Castlewood (pop. 2000), the nucleus of the band grew up in the same small neighborhood, and have been chasing the crazy dream of becoming rock stars ever since. Lo and behold, they’ve now called their own bluff and done it, being signed to New West Records, playing big festivals, and getting name dropped as one of the hottest bands on the rise in independent country and roots music at the moment.
Fortune Favors The Bold is very much an album about the struggles and triumphs of an up-and-coming band, sacrificing to see their dreams realized, bouncing back and forth between the exhilaration of being on the road, then missing the comforts and loved ones of back home, only to be rendered restless once again when they’re home for a week or two. It’s about looking forward while simultaneously reflecting on the past. It’s about imbibing in sin while yearning for redemption. It’s about staying young, hungry, and free, while trying to mature and adapt.
These dichotomies and contradictions make up the lyrical content of the record, but it’s an amalgam of Southern sounds that comprise the 49 Winchester sonic recipe, deftly sliding from Southern rock to straight up country, then into blues and maybe even some bluegrass influences. Whatever itch is acting up in your Southern American music diet, 49 Winchester is here to scratch it. And though perhaps nothing will ever replace the energy of their live shows, that sweaty, gritty feel certainly stuck to the masters of the 10 recordings on Fortune Favors The Bold.

The chemistry of this band, the exuberance and infectiousness of their live performances, and the hometown hero aspect of their story makes you want to egg them on even more. 49 Winchester is fun to root for. But really, it’s the effortlessly soulful voice of frontman and guitarist Isaac Gibson that makes 49 Winchester so much more than just another cool country band. Gibson may be a bearded and bespeckled dude from Virginia, but when he rears back, he can testify like a sainted old Black woman. This is Chris Stapleton, Aretha Franklin level shit. Washed in the blood, as they say.
Fortune Favors The Bold does have a couple of tracks where the writing feels a little pedestrian. There are quite a few songs about drinking and bars and such, though write about what you know I guess. But my goodness, when Isaac Gibson lights into his homesick ode “Russell County Line,” or the one about getting his heart broke in Nashville called “Damn Darlin’,” or when he sings about running out of forgiveness on “Second Chance,” you’ll be blaming seasonal allergies for your eye redness.
It’s a carnival of riches out there in this the streaming age of music when you’re looking for songwriters who can devastate with their stories. But there’s only a select few with the talent to deliver them with as much conviction and soul as Isaac Gibson, while the rest of his brothers in 49 Winchester are right there tastefully complimenting his singing and stories with a similar level of soul and guts behind every note.
Country music was made for hard times. Never asking for anything more than what they’re owed, and being more than willing to work for their fair share, 49 Winchester has gone from a little local band playing tunes on the street in Castlewood, VA that the band is named for, to becoming one of the most buzzed-about bands in roots music. It didn’t happen by accident, or via rich benefactors, or machinations of the music industry. It happened via the boldness and talent of this band, and were all fortunate that it did.
1 3/4 Guns Up (8.2/10)
May 13, 2022 @ 8:25 am
It’s good shit.
May 13, 2022 @ 8:42 am
Been saying it for the past 6 years, 49 kills it!!! Go see them live!!! Do an unreal cover of Waymore’s Blues.
May 13, 2022 @ 8:47 am
Great album. They’ve matured a lot, and just keep getting better.
This one will definitely end up as one of the best of the year.
They’re also back to back on albums with songs that make me bust out laughing from unexpected lyrics. “Man’s Best Friend” had me cracking up the entire time.
May 13, 2022 @ 9:20 am
I look forward to making the time to listen to this. I highly recommend a visit to southwest Virginia to anyone who is into country music history. There are lots of places of interest in the region like the Bristol museum, Stanley museum, Carter Fold, etc. Of personal interest to me is a historical marker between Castlewood and Nickelsville for the early settlers of Russell County, which includes my grandfather’s folks.
May 13, 2022 @ 9:27 am
“I ain’t in no debt, I got a real good woman
And a pretty good dog that don’t shit in the house”
With lyrics like that, how can you NOT love this band?
May 13, 2022 @ 9:38 am
This has become my #1 favorite band in the last year or so and it’s not even close. So good. I’m driving 2 hours after work tonight to see them. Stoked!
May 13, 2022 @ 10:31 am
Trig,
Just out of curiosity, what exactly is your definition of pedestrian writing? You have said that about a few albums in your recent reviews and just curious what you mean by that.
May 13, 2022 @ 11:33 am
I think this album has some excellent songs on it, and perhaps the great songs are so great, it singles out the ones that aren’t. When I say “pedestrian,” it’s another way of saying “average.” “Hillbilly Daydream” and “Last Call” just feel like “songs” to me, without meeting the emotional or insightful writing of the others, or allowing Isaac’s voice to reach its sweetest register. Again, I think this is a great album and don’t want to harp on this too much. But unlike some other projects where every song is strong—even if they don’t meet the strength of the songs from this 49 Winchester album—this one to me includes a couple of filler tracks, even if they’re still fine songs.
May 13, 2022 @ 12:01 pm
I see what you are saying, my first impression on “pedestrian” was basically the writing of the song could “be written by any normal person”, but your explanation makes sense. I have seen them live twice now, and they have done Hilllbilly Daydream and Last Call at both shows, so i am assuming that songs like that are “crowd favorites” and are best live rather than on the record. Not only for 49 Winchester, but a lot of artists songs that are best live don’t always live up to the hype on the record.
May 13, 2022 @ 12:19 pm
I have always viewed pedestrian as either songs that anyone can basically write or songs about typical genre themes that are easily to cobble together. Like for country music a bar song or a protest Nashville tune.
That doesn’t mean those songs can’t be good. (“Drink in My Hand by Eric Church comes to mind. Typical country theme but hell of a fun song.) It is just means that the themes were used often without any twist or attempt at depth. Which is fine. Not everything needs to be melancholy and moody.
May 26, 2022 @ 9:50 am
It’s whiskey lullaby. Drove me crazy too.
May 13, 2022 @ 4:02 pm
The beginning of Russell county line sounds exactly like another song and I can’t figure it out. Anybody know?
May 13, 2022 @ 4:07 pm
Whiskey lullaby!!
May 13, 2022 @ 6:11 pm
Best band in country music right now. Only acceptable counterarguments are mike and the moonfellas and turnpike. This shit rips.
Jeremy pinnells album from october 2021 also rips in a consistent and pleasing manner
May 13, 2022 @ 6:32 pm
Jeremy Pinnell should be blowing up!!! Huge, huge fan
May 13, 2022 @ 8:29 pm
The VERY, (very) UNOFFISHUL, uh, jeremy pinnell review.
By, um, uh – anonymous.
He doesn’t Totally suk…
https://youtu.be/xD_GESUZN70
May 13, 2022 @ 6:48 pm
I will forever be in debt for SCM introducing me to Ryan Bingham and Justin Townes Earle about 12 years ago. I like to believe that eventually paved the way for me to move to Texas, play the pedal steel, and build a life around the best music in the world. But SCM also introduced me to this band earlier this year. 3 singles in, I thought this would be one of the best records I’ve ever heard. Now that we have the full album, I can confirm that would be the case. Thank you Trigger. Thank you 49 Winchester.
May 13, 2022 @ 7:20 pm
What band(s) do you play pedal in?
May 14, 2022 @ 1:04 pm
Local DFW bands. Currently, Bryce Bangs, Dakota Smith, and Eloy Gonzalez. Sometimes I dream about quitting my job and going on road tours. Other days I remind myself that I can’t afford my lifestyle on musicians pay. Plus, I prefer session work over a heavy plate of gigs.
May 13, 2022 @ 7:35 pm
“Best band in country right now,” and “best album I’ve ever heard, etc.” 🤔
I guess this is where I’m supposed to say “Unpopular opinion, something, something.”
May 13, 2022 @ 8:04 pm
i dunno, man.
The Wilder Blue & their harmonies – they are really killing it on Wave Dancer.
(kind of like jeremy pinnell, i’m sure)
May 13, 2022 @ 11:09 pm
The wilder blue is probably the most talented band in the game right now! However, 49 just makes my ears feel nice and they write some damn good songs. That’s a metamodern sound in CONTREAU music.
The jeremy pinnell album from october 2021 rips pretty hard (it would be crazy if trig reviewed it this late in the game)
May 14, 2022 @ 4:02 am
I’m from Galax, VA. While not being that far west as Russell County, VA- those of us from Galax can spot a fake from 250 miles away… Something is missing from 49 Winchester. The front man has a wonderful voice and the songwriting is pretty good but damn I need a pillow when I listen… I keep waiting for the tempo to increase and it never does. Best of luck to fellow Southwestern VA people but I will not be buying
May 14, 2022 @ 4:11 pm
Spot a fake what? Lol .. the show they put on last night at the Bristol Sessions Hotel was outstanding. And there is not a damn thing fake about Isaac or any of those boys. I think you oughta wash your ears out.
May 17, 2022 @ 10:48 am
Did they kick your ass in a football game or something?
May 14, 2022 @ 5:10 am
49 Winchester was one of the highlights of Mile 0 Fest last January. First time I had seen them, and, like Jeremy Pinnell, they ripped!
May 14, 2022 @ 6:15 am
After finding 49 Winchester’s III album, I listened the crap out of it. As the first few singles of this album have come out, I’ve liked them, but they were a little underwhelming. After the initial listen to this album, I’m liking some of the other songs better than the singles and overall think this is a good album. However, there doesn’t really seem to be any one or two songs that just stand out like Hays, Kansas or Get Clean from the last album. I’ll have to see if it grows on me.
May 23, 2022 @ 5:30 am
I came on here to say the same thing. I’d add “Everlasting Lover” and The Road Home” as songs from the last album that this one doesn’t ever quite touch. This album seems like it’s full of songs I’ve heard many times, whereas songs like “Raleigh” were a unique sound.
May 23, 2022 @ 6:52 am
After more listening I’m still not sure if the band had a bit of slump after such a successful album, or if I just had such high anticipation. Still think it’s a good album, just not as good as I hoped I guess.
May 14, 2022 @ 6:17 am
Not stealing from a 49 article but more more more Jeremy Pinnell talk!!!!!
May 15, 2022 @ 3:54 am
Caught these guys love a couple weeks ago and they were an absolute blast. That said, I was definitely left a little disappointed by the production on this record, just feels a little too clean for these fellas. Nitpicking, sure, but there’s a rawness to them live that you could feel on their last album, III, that I find completely missing here. Great record that will be up there with my favorites of the year, I’m sure.
May 15, 2022 @ 7:34 am
One of the reasons we’re seeing so many people go overboard with their assessments of this record is because they became fans seeing them live, and 49 Winchester blew their minds. This is a really great record. They’re even better live. That shouldn’t take away from the record necessarily. But it’s two separate things. I can see someone being a bit disappointed with the record after seeing them live. But that’s probably more of a compliment to their live show than a knock on this album, if that makes sense.
May 15, 2022 @ 12:21 pm
Does everyone near the Virginia, Tennessee, Kentucky, and West Virginia line sing like Tyler Childers?
May 17, 2022 @ 10:51 am
Or does Childers sing like everyone else from that area?
June 5, 2022 @ 6:00 am
Just saw their show in Lexington KY last night and they murdered. Played 8 out of 10 songs from the new album. Really hoping they make it big.
June 16, 2022 @ 2:17 pm
Just came around to this album and I’m really digging it now. Took me a while to get used to the vocalist. Can’t help but think he’s reaching/straining a bit in parts. Going to the older albums now and am enjoying those progressively less the farther back I go.
Clearing these guys have really improved over the years. Again, the vocalist does a lot of yelling and straining on older albums, and they were musically a bit all-over-the-place before. Very raw. I hear some crunchy folky jam-band and grunge rock influences (I’m imagining the whole band wearing cargo shorts, tie dye, and Birkenstocks) that I think have been pruned and smoothed out for something way more cohesive and genuinely “southern/Appalachian” on this newest album.
These guys have nowhere to go but up. Looking forward to seeing/hearing whatever’s next.
September 23, 2022 @ 1:50 pm
Had to come on here and read this review I missed since I’ve been listening to this album quite a bit. Might be the best album I’ve heard this year.