Album Review – Ben Jarrell’s “Troubled Times”
Hot damn son! Wondering where the hell all the hard charging, kick ass, phase guitar and pedal steel-filled good ol’ Outlaw country music has gone in 2019, and without skimping on the songwriting, thank you very much? Well it all seems to have been sucked up and put to good use by Alabama native Ben Jarrell who just unleashed his debut LP Troubled Times, and it’s one hell of a ride boys and girls. Either you’re paying attention to this thing and telling all your friends and co-workers about it, hitting up that second cousin of yours who can’t stop listening to that Kane Brown mess, or you’re failing as a country music fan.
Troubled Times is the kind of record you wish some of your favorite country artists would release, but never seem to get around to. Good thing that Ben Jarrell did, because it’s red meat for hungry ears. Alive, vibrant, full-bodied and energetic, while in other moments intimate and heartfelt, it’s the kind of debut that doesn’t just fulfill your country music needs in the present tense, it announces your next favorite artist.
After moving to Nashville and releasing a five-song acoustic EP in 2018, Ben Jarrell didn’t screw around with this one. Recorded at Southern Grounds Studios, he hit up well-respected father/son duo Mike and Steve Daly to play pedal steel and lead guitar respectively, bass player Kevin Black of Margo Price’s band (and formerly of Sturgill Simpson’s), drummer Taylor Powell from Nikki Lane’s band, and some great harmony singers. Unlike some of those east Nashville country hipster records that wind up with a filmy residue from antiquated recording techniques and putting style before substance, everything’s handled here with care here, even when it gets wild assed, which it does on a couple of occasions. Down to the Tim Burton-style creepy old town diorama Jarrell made for the cover, every detail of Troubled Times has effort and vision behind it.
Though in moments the tempo and guitar tone may turn a little bit rock, this is a by God country record, starting off with the murder ballad title track, heading straight into a trucker song, and then into the tear jerking “Marissa,” where Jarrell really lets you know this won’t be just your average underground country Outlaw album. What separates Ben from a lot of the competition is his use of dynamics and composition in a song. The songs of Troubled Times go somewhere, both sonically and thematically. He knows how to build mood and energy, and allows his voice to hit its sweet spots. His Southern Alabama twang is present without feeling forced, and he knows how to use it. For being his first album, Ben Jarrell feels nice and seasoned, in a subgenre of country where it sometimes sounds like amateur hour.
Another song that really stands out is the humorous but true “Black Helicopters” about compound conspiracy theorist where Jerrell’s sound indicative of new school honky tonkers like Whitey Morgan and Dillon Carmichael really takes shape. The songwriting tour du force would probably have to be “Daddy’s Prison Radio,” which is a true story about Jarrell’s meth possessing father. The acoustic-only “My Old Friend” is quite impressive too, and tips you off that even though they don’t include the full band, the five songs of his acoustic EP are also worth checking out. Ben hired a band of badass musical mercenaries to make Troubled Times come to life, but he can still engage with just a stool, a stage, a mic, and an acoustic guitar.
If Ben Jarrell wants to take the next step, he’ll need to try and graduate from the acoustic rounds in Nashville and build himself a band. But in the meantime, Troubled Times make for some damn good listening, and lets the world know he’s got the goods to make a go at this country music thing, even more so than some of the road dogs out there on their third record.
You always appreciate a good album, but you appreciate a good album from a new artist even more, expanding your arsenal to kill the pain of those long trips, lonely nights, or long and lame weekend tasks. Ben Jarrell’s Troubled Times is one of those records.
1 3/4 Guns Up (8.5/10)
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April 3, 2019 @ 8:37 am
Ooh, I like. I like it a lot. Reminds me a little of Joshua Ray Walker (that slight yodel), and I love the rock elements. As a new’ish fan of country, I love the fact that there are so many talented, hungry new artists to discover and follow these days – the sign of a vital, living, breathing music culture.
April 3, 2019 @ 9:02 am
Oh, man. “Black Helicopters” has me in stitches. There’s a lot on this album that reminds me of the hard-driving stuff on Sturgill’s High Top Mountain. Fans who miss that era of Sturgill will enjoy this.
April 3, 2019 @ 10:03 am
Yes! agree completely, lots of High Top Mountain sounds on this album. Wish we could place bets on “The next Sturgill/Margo/Tyler” because this guy is well on his way.
April 3, 2019 @ 8:44 am
You had me by the second sentence. Bought it.
April 3, 2019 @ 9:21 am
I was waiting for the David Gilmour solo.
Lots of Pink Floyd here, but still country in its triplet feel and lyric. Sounds like psychedelic Scots-Irish from where, Kentucky?
Put these boys on a bill with Whitey Morgan.
April 3, 2019 @ 9:51 am
NEW MUSIC! 👍
April 3, 2019 @ 11:03 am
This is a great find. I did not have Jarrell on my radar at all, and this album is now in my heavy rotation playlist. Honestly, this is the album that I wished that Cody Jinks’s Lifers had been. Great listening.
April 3, 2019 @ 11:04 am
Very nice, How much?
April 3, 2019 @ 11:46 am
That’s a pretty rad cover.
April 3, 2019 @ 2:32 pm
Cover definitely has a “Steak Night At The Prairie Rose” look to it which I love…lol Looks even better! I’m sure it’ll go right into the rotation.
April 4, 2019 @ 8:32 am
I like this cover, but nothing beats the image of Mike Harmeier strutting out of a honky-tonk with his footprints in flames like the DeLorean from Back To The Future.
In fact, I just realized how appropriate that reference is. Taking old sounds into the future. I just love that band, and they blew me away live recently. I talked to Adam Odor after the show and they’re aiming to get another album out by mid-summer. Can’t wait.
April 4, 2019 @ 9:04 am
Yeah Tex I saw em twice last month in 5 days and I talked to Mike outside before they went on at the first show and he said the new album was already “in the can”, played 2 new tunes one was called “Looked Good In Neon” and the other one “Danger”. Both were great! The second night was a Monday, they sound checked to 3 of us right when the doors opened and I bought the Moonpies a round on me. Nicest guys in the world. Back on topic, this guy Ben is on the right track. Hope he comes here soon!
April 5, 2019 @ 7:09 am
That’s weird I seen them 2 times in 3 days a couple weeks back. MA and CT.
They are so good..
And you are right, they are really nice guys to talk to. Spoke with most the band a real long time about all kinds of crazy stuff.
Guitar player told me the new album was gonna be different. I swear he said pink Floyd meets Waylon or something like that for some it.
April 5, 2019 @ 9:55 am
Did the moonpies get rid of the their keys?
April 5, 2019 @ 10:25 am
The keys player moved to be with his wife who I believe is pursuing medicine, or something to that affect. From my understanding, there’s no drama there, and he still will play select shows with them, and may tour with them full time in the future.
April 5, 2019 @ 11:10 pm
Yeah, I wasn’t sure what you meant. They told us he quit for now but he’s on the new album. He met a doctor and didn’t think this kind of lifestyle was conducive to his current life etc…. It’s not easy being out on the road as an independent artist, it’s really not. After seeing for myself what the Moonpies, Sarah, Whitey and many others we love deal with recently to bring us the incredible music they write. I love them even more.
April 8, 2019 @ 8:49 am
@Trigger, @JB-Chicago,
I was bummed not seeing the band with a keyboard player in DC a couple weeks ago, but I swear I saw him (Johnny Carbone, is his name?) lurking around (peeking through the door at the side of the stage, with Adam Odor, at one point to watch the band). I think he’s from Annapolis, MD, not too far away from DC, so maybe he came through to hang with the band?
I hope they land another keyboard player soon. The keys (along with the steel) are one of my favorite aspects of the band’s sound, and I consider it an integral part of what they do. Fingers crossed.
April 3, 2019 @ 12:47 pm
This.
This is why I read this website daily.
Thank you so much Trigger for shifting through all the country music landscape to tell us about music we probably wouldn’t have heard off without you. You’re a God send. Thank you
April 5, 2019 @ 10:38 am
I hope he’s on the new record. Really gives the songs something special.
April 3, 2019 @ 12:52 pm
Great find! Thank you! I added his record to my amazon music app will check him out further on my way home from work!
April 3, 2019 @ 1:25 pm
A sailors guide to Earth should had sounded like this album. Sometimes less is more
April 3, 2019 @ 3:12 pm
The beginning of this review reminded me of Trigger’s review of Eric Strickland’s Honky-tonk Til I Die. That was an absolutely fantastic album. This one sounds pretty good too, though perhaps not quite up to that stratospheric level. That’s still pretty solid praise though.
April 3, 2019 @ 6:21 pm
Thanks for the review. I didn’t know about this guy, and that’s why I always come back here. And that cover is friggin cool. I’d like to see a behind the scenes on how he made that. Keep up the awesome work, Trig.
April 3, 2019 @ 7:12 pm
His voice reminds me a lot of Clint Black, and the production reminds me a lot of “High Too Mountain.” I’m seeing a lot of potential with this guy.
April 3, 2019 @ 7:30 pm
Yep! I saw your post of FB earlier today and streamed it twice. I can’t wait to put it back in my ears tomorrow.
a by God country record (not Americana)!
Roll tide!
April 3, 2019 @ 11:45 pm
Thanks for that review, a good record!
April 4, 2019 @ 2:13 am
Those lead and steel harmonies sound like family. Fuckin eh. I interrupted my Spotify playlist of 750 of my favourite country songs for this and I’m not disappointed.
April 4, 2019 @ 2:17 am
This is good fuckin shit. Solid country gold in some places. Good call Trig.
April 4, 2019 @ 6:36 am
This is great! Also he looks a lot like Brian Quinn to me (Impractical Jokers).
April 4, 2019 @ 9:49 am
Got me interested in this one for sure. Love the cover, and the description of the album itself sold me well enough.
April 5, 2019 @ 6:29 am
For being his first album, Ben Jarrell feels nice and seasoned, in a subgenre of country where it sometimes sounds like amateur hour.
OUCH ! for all the guys at least trying not make shitty pop country!
April 5, 2019 @ 7:02 am
Hell yeah. “Black Helicopters” is awesome.
April 5, 2019 @ 10:49 am
Thanks Trigg for the gracious write up and thank y’all for all of the kind words. Couldn’t have made this thing without the guidance of my producer Preston Tate White and all others involved in this project.
I was waiting to get ripped a new one by Corncaster at the very least haha. So it tickles me to death that most of y’all dig it! Hope to get to meet all of you at a show sometime soon as well. Thank ALL of you for supporting independent music.
April 5, 2019 @ 3:28 pm
Ya coming to North Carolina at some point?
April 5, 2019 @ 8:07 pm
I’m sure we will, but nothing is set in stone at the moment.
April 8, 2019 @ 8:58 am
Well there’ll be folks waitin for ya when ya do.
April 10, 2019 @ 6:20 am
Ben, I loved the album. I hope you make your way to Knoxville soon. Look forward to seeing you!
April 25, 2019 @ 7:31 am
4 weeks and many spins later absolutely loving the album dude. Top five in my album rotation.
I ordered the CD & the EP today. You’re welcome to play Chicago anytime!
April 26, 2019 @ 12:58 pm
I’ll play anywhere for anybody, as long as I can take care of my band and reach new potential fans.
I ain’t in this to get rich, and I’m not above playing any venue. Just give me a stage, a semi-sober sound guy, and we will handle the rest.
Normally I wouldn’t do this on SCM out of respect for Trigg and the other artists, but it’s my review so it’s not like I can coat tail myself.
If any of y’all got a venue in mind in your towns/cities, shoot me an email and let’s talk turkey. I ain’t scared. Thanks for the continued support.
BenJarrellMusic@gmail.com
May 5, 2019 @ 9:01 pm
Ben, come to Omaha! Love the album.
April 7, 2019 @ 9:49 am
This is the reason to visit this site, for stuff like this. This is saving country music, not articles on what Kane Brown ate for dinner or the shopping spree that FGL just went on.
April 15, 2019 @ 1:05 pm
Ben,
Come on down to Sunny Florida, lets do a show together !!
June 6, 2019 @ 7:23 pm
Just bought the album and love it!! Imo I feel like it was heavily influenced by Stu’s Metamodern. I will def be recommending it.