Album Review – Charley Crockett’s “Welcome to Hard Times”

The lyrics, the songs, the music itself is not always enough to constitute what we consider to be the greatest contributions to country and roots music of a given era. It’s the robust characters that can make you wholeheartedly buy into and believe every word sung that results in many of the most overpowering musical moments that we go on to call our favorites. You want to know whomever is singing for you actually lived it. You want to experience the stories through them, not just listen to what they have to say. This is what separates country and roots from many other musical art forms.
Charley Crockett has that magnetic, real world quality. His songs come with that lived-in, road-worn feel, and for good reason. From dirty streets to Western peaks and all points in between, Charley Crockett has propped open his guitar case in many far flung destinations and played for your ragged dollar, and did so well before anyone had the smarts to place a microphone in front of him and try to capture that magic for permanence and posterity. It doesn’t hurt that he can also write and sing just about anything that resides under the roots music umbrella. As if the most potent strains of American roots music all rose up from the ground and intertwined into a living, breathing entity, Charley Crockett contains an unfair amount of country and blues talent, only rendered forgivable from his incredible ability to share it.
You could cobble together a collection of old records to try and illustrate for friends and neighbors the wide array of expression types the roots realm comprises and the relationship between them all, or you could just cue up a Charley Crockett record. His latest called Welcome to Hard Times would be as good of a place to start as any, if not the best one. From classic country, to the Bakersfield sound, to primitive folk, to blues and early rock ‘n roll, Crockett can do it all, and with a cohesive style and shared narrative that renders it all so seamless and musically seductive.

What continues to be lacking in the Charley Crockett repertoire are lyrical efforts that really take it to the next level. Lazy rhymes will sometimes work their way into otherwise excellent songs. Part of this might be due to the continued prolific nature of his output. Along with writing many original songs, his reams of cover material of classic songs makes his catalog incredibly deep for a guy still early in his career. His blue collar attitude is productive and admirable. But if he took a bit more time to refine a line or two here and there, it would render his efforts that much more potent.
That said, it’s Charley Crockett’s ability to paint in plainspoken language about relatable themes through emotive characters that makes his music so enveloping and infectious. It never feels like an act. He puts you in a time and place pleasantly detached from the present. He also asks a lot from his band, both live, and the musicians assembled to record Welcome To Hard Times. They must follow him down paths of musical disciplines not everyone has a familiarity or adeptness with, and they succeed. Geography and era are just as important dimensions to interpreting a Charley Crockett song as genre.
But it is all filtered through the perspective of classic era country music. Charley knows better than anyone how artists from Hank Williams, to Jim Reeves, to Johnny Cash borrowed from the influences around them to forge a unique sound for themselves, and he’s able to both demystify this, while keeping the magic of the music itself in tact. You listen to Charley Crockett, and you’re not exactly sure he’s real; like he’s an astral projection from a previous epoch.
At the same time, you’re confident that the time for Charley Crockett is now. After years of paying dues on buses and street corners to forge that authentic character he is today, to creating a fan base through hard work and perseverance in a time period when the world is hungry and yearning for the sounds and voices of faraway eras—and sure, when many are seeking out multicultural characters to help carry music forward that they have more ownership in than they’re often given credit for—Charley Crockett is the man for the here and now, pushing all those traditional country sounds forward, presenting them fresh for a new generation, and making sure they’re preserved forevermore in their authentic and timeless modes.
As Charley Crockett himself says, “Real country music is for everyone.” And Charley Crockett is real country.
1 3/4 Guns Up (8/10)
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July 31, 2020 @ 9:14 am
i’ve listened to it several times this morning. really dig it. another good one under your belt, chuck.
July 31, 2020 @ 9:42 am
It’s amazing that he keeps pumping out new albums one after another that are of good-to-great quality. He’s a machine. I do agree that at some points, his style of singing, and how he he doesn’t seem to try to stretch out his vocals a lot anymore, can make songs lack some flair. But his style and lyrics and music are just too damn good to pass up.
July 31, 2020 @ 9:58 am
Way to go Charley Crockett! He is really settling into a definable sound with this record and the last one. He is learning how to make good use of his admittedly unusual voice, making it really work to maximum effect. Hes got just enough of a drawl to sound authentic, al least in my book. The sound i’m hearing is very mid 60s and calls to mind the age of Faron Young, Webb Pierce, Charlie Rich, Tom T Hall and maybe even early Willie Nelson. Not so much in voice, mind you, but in style. You hear that classic Floyd Cramer piano sound mixed with some gut string solos and of course that wonderful pedal steel. Hes a unique character to come along and to some he may sound hopelessly retro, but to my ears it sounds oh so right.
July 31, 2020 @ 10:16 am
like the vibe . vocal could use a bit more urgency ( production thing )…..maybe this stuff should have been recorded in a higher key …..never quite achieves liftoff dynamically, to my ear . …a tad lifeless . but country as dirt .
July 31, 2020 @ 10:35 am
I understand your point of view Albert and I sort of agree. Charley doesn’t have the golden voice by any means. Hes no Randy Travis, but thats not what makes him compelling. I mean, did Ernest Tubb or Webb Pierce or even young Willie Nelson have stunning vocals? Absolutely not. To me its Charley’s overall sound and style that grabs the ear. He likes a good melody, and a good hook. The classic country influences abound, and i admit the voice is an acquired flavor much in the same way as Ernest Tubb but its unique enough to give him a sound that stands among his peers as worthy.
July 31, 2020 @ 11:08 am
Lack of urgency (or I could say immediacy) is what I notice too…almost like someone going through the motions.
But, but…that “robust character” and last name though. So real.
July 31, 2020 @ 11:09 am
It ain’t perfect but I don’t care. The music has a raw quality that is refreshing and is genuine enough for me.
July 31, 2020 @ 11:17 am
I’m going to reply to myself to add something. I find it nice also to see a country artist that doesn’t sanitize their voice of any hint of country during interviews. (hint: see Garth Brooks for example)
July 31, 2020 @ 12:47 pm
I always wonder why Charley is not more critically celebrated, i feel like maybe his consistency maybe hurts him in that regard.
Either way, another excellent album, with top notch songwriting. “The Valley” was my most listened to album of 2019, i see a similar fate for “Welcome to Hard Times.” Easily an album of the year contender for me.
July 31, 2020 @ 12:47 pm
Good and fair review. Another winner for Crockett in my book, though I enjoyed The Valley a little more on first listen. This one’s a bit more downbeat. First run-through this morning I kept hoping for more upbeat numbers.
Adding to a lot of valid points about Crockett’s vocals in these comments, there are parts of songs on this album were he does some things I haven’t heard him do before – injecting brief moments of spice here and there unexpectedly, but it’s few an far between. My point being, I have a sneaking suspicion he’s capable of so much more with his vocals.
I think his monotone delivery is unique (if not an acquired taste, it’s really grown on me for the most part) but I bet he’s actually capable of more vocal range and dynamics, and I’d like to see him do a whole album of soul, gospel, and funk inspired music. I’d like to hear a bit more spice in the instrumentals too. Maybe some different instrumentation, and more backup singers. I bet he’d hit it out of the park.
July 31, 2020 @ 1:35 pm
In previous reviews, many of the complaints logged were due to Charley Crockett oversinging, or singing with a lisp. I don’t have any specific insight here, but perhaps on this record he tried to dry the vocals out a bit to diffuse those concerns. But of course, now some are saying he sounds uninspired. I think the vocals on the record are fine, but he still might be searching for the sweet spot that he finds more naturally singing live.
July 31, 2020 @ 1:54 pm
Yeah, I’ve noticed his vocal style has morphed across albums. The “lisp” isn’t quite so pronounced anymore, rather this time he’s over-enunciating every word. The “T’s” and “R’s” are much more pronounced now – like on the title track, “Oh, and we’Re Tellin’ lies”.
I mean, no complaints from me. I’m just talking about the possibility him playing a bit more with vocal melody, harmony, and key changes within songs. Something that’d really stretch his vocals on something like a soul/gospel album. I think it’d pay dividends.
My favorite songs so far on this album are the one’s that lean toward his soul tendencies – “Don’t Cry”, “Fool Somebody Else”, “Wreck Me”, “Rainin’ In My Heart.” I love Crockett’s country angle, but I know he’s got a great soul album in him too.
July 31, 2020 @ 2:11 pm
Kyle, you and I are at an advantage in the fact that we have both witnessed Crockett live and seen the magic he is capable of delivering live to an appreciative audience. I noticed when watching him live I didnt find myself being critical in the least of his singing style or delivery. On the other hand I was quite ENTERTAINED! Which is the point of all this, namely ENTERTAINMENT! He really resonates with a crowd with that ah shucks humble vibe he radiates while at the same time dazzling you with the power of song and the skill of his road band. Honestly, hes a character and that’s also what makes him endearing. I think sometimes in the sterile environment of online listening we unknowingly become Simon Cowells in our criticisms, looking for this over the top highly energized voice, when sometimes that doesnt really matter as much if you have the other qualities to entertain.
July 31, 2020 @ 2:39 pm
Damn the pandemic, I was supposed to see him live in DC for the first time a couple months back. Now, the venue he was supposed to play is on the verge of closing shop for good (if it hasn’t already). No telling whether he’ll be back when this is all over, or whether there will even be any worthwhile venues left to host artists like this.
August 2, 2020 @ 3:24 pm
Tex, which venue are you referring to? Damn! DC’s my home, too.
August 8, 2020 @ 8:59 am
He is simply fantastic live, goosebump good
July 31, 2020 @ 1:23 pm
What a great album! It’s really hard to pick favorites on day 1, but I did really like Run Horse Run and also Lily My Dear on first listening. As always, I expect this will change over repeated listens. I purchased this on CD format and will say that the booklet had some very interesting writing/information about the album itself and Charley’s influences and background. A good example of why I will always choose a physical format over streaming or downloads.
July 31, 2020 @ 1:54 pm
Fantastic album. Love his delivery. He’s more real and interesting than ten thousand highly trained super vocalists. He’s settling into a sweet spot. Can’t wait for the next one.
July 31, 2020 @ 2:01 pm
I can listen to this guy all day, with a couple breaks for something a bit harder. But there’s something very easy and listenable about his style.
July 31, 2020 @ 2:23 pm
Charley is doing more for real country music then anyone. Keep it up Charley!
July 31, 2020 @ 3:55 pm
(Un-)Popular Opinion:… The Valley was better.
Welcome To Hard Times is a good album…maybe a little bit too much of the same (the italo/spaghetti western themed tracks).
It’s a fine line between creating new “classic” country music & copying what is already there…Charley Crockett is on the right side of the line…so far.
New Stuff:
Kree Harrison – “Lie With Me” – Single/Track – Released
Richard Lynch – “Cathead Biscuits” – Single/Track – Released
Andy Penkow – “Wildflowers” – Single/Track – Released – Australia
Shane Barnhill – “What She Sees In Me” – Single/Track – Released
Dean Perrett – “Six Decks To Darwin” – Single/Track – Released – Australia
Mike Barnett feat. Sarah Jarosz – “Righteous Bell” – Single/Track – Released
Josh Arnold & The Yelarbon Kids – “Yelarbon” – Single/Track – Released – Australia
Aubrie Sellers – “Wicked Game” & “Somebody Was Watching” – 2 Tracks/Single – Released
&
Travis Collins – Wreck Me – Album (9 Tracks) – Released (07/30) – Australia
+
Jenni Dale Lord Band – Sometimes A Girl Needs The Blues – Album (13 Tracks) – Released (06/22)
Late to the party…but the album is great.
July 31, 2020 @ 4:39 pm
New Stuff…damn i’m getting old:
Gary Allan – “Waste Of A Whiskey Drink” – Single/Track – Released
&
Will Banister – Everything Burns – Album (11 Tracks) – Released (04/23)
(Not) too late to the party…fine traditional country music.
July 31, 2020 @ 4:46 pm
Charley is so soulful.
Love to hear him do his thing.
Run Horse Run
July 31, 2020 @ 5:24 pm
Looking forward to giving the whole thing a listen, the title track is prophetic.
August 1, 2020 @ 5:15 am
This guy has to be one of the most original doing it these days . First pass it’s a good record . His previous took some time for me but it has some incredibly good songs that I listen to lots. He’s got a sorta vibe I really dig and is unique. A lot has to do with his vocals and delivery but also the songwriting and arrangement. I really really like the slow dirgey numbers like 10 000 Acres and Change Yo Mind and this album has some of those . I agree he’s toned down his vocals a bit but he still kept the unique delivery.
Curious – what lines are you complaining about? Everyone’s got some but I’m curious which stick out for you from him?
August 1, 2020 @ 6:52 am
If only he’d get someone else to sing.. I can’t listen to that voice and enjoy it one bit. I’ve tried many times to convince myself otherwise to no avail
August 1, 2020 @ 8:07 am
It is because of your website that I discovered Charley Crockett and a few others I had not heard off. I love the song run horse run. Great song. Bought the album as a result. Great album. He does stand out. Different to the rest. Made me think of Ernest Tubb with his voice and his delivery. He is a unique talent. Agree with your review.
August 3, 2020 @ 5:40 am
Definitely a grower of an album. Less immediate than his last two albums of originals and not the roots genre hopper those were, either. This is a country album. And yes, it sounds like he’s made an effort to “clean up” his vocal stylings a bit, although I personally did not have a problem with his voice on those previous efforts.
August 6, 2020 @ 8:25 pm
I just looked through Charley Crockett’s YouTube channel, and I was thoroughly impressed by how consistently great the songs are. His voice might not be the strongest, but the lyrucs and melodies are top-notch and the smooth Texas-style instrumentation is simply gorgeous.
“Heads You Win” is a great example. It is nearly perfect in terms of lyrics and music.