Album Review – Western Centuries – “Call The Captain”
Representing the small but mighty country music scene of the Seattle region and the Pacific Northwest, Western Centuries is one of the most well-beloved and well-regarded bands of the region, with a listenership that extends well beyond the rainy West Coast from their reputation for releasing excellent country music songs and albums that have helped set the pace for honky tonk for the last few years.
With the title of their new album Call The Captain calling attention to how they’re a band with no real frontman, Western Centuries features Cahalen Morrison, who has quite a following all his own from his various country projects as both a frontman and collaborator, Ethan Lawton who is known for his earlier work in Zoe Muth and the Lost High Rollers, and Jim Miller who became known through his efforts with Donna the Buffalo. Swapping time on respective instruments and getting their fair share of opportunities at center stage singing their self-penned songs, Western Centuries is more a country music songwriting commune than a conventional country band.
These boys have always had a bit of a feel that reminds you of The Band, built in part from the timbre of the voices of both Ethan Lawton and Jim Miller, and how they draw upon Cajun and Arcadian traditions. Call The Captain seems to embrace this characteristic even more than previous works, with songs like “Heart Broke Syndrome” and “The Sentinel” feeling like they could be lost tracks of Music from Big Pink. Where their last record Songs From The Deluge was a strong and dedicated move towards traditional honky tonk, this one gives you a bit more variety and an Americana vibe, while still serving the traditional country listener.
Call The Captain also gives you some really great songs, no matter what you want to call them. The funky country groove of “Lifeblood Sold” will have your loins twitching and you singing along. “No Cure” is so damn sumptuous from the mood and the near perfect arrangement and approach, you may overlook that it’s supposed to be a sad song. And if you can’t get your feet shuffling to the Fais Do-Do charm of “Sarah and Charlie,” get tested for the Coronavirus.
These guys are just the masters of hitting a groove and filling you heart with the warm joy of music in a way that feels so natural and effortless. They don’t try to get too cute or make some striking creative expression. This is about mining tried and true elements of roots music and interpreting them in new, original ways. And though this record’s variety might present a challenge for some, it’s still plenty rootsy with lots of steel guitar from Thomas Bryan Eaton, and fiddle from Oliver Bates Craven formerly of the Stray Birds. So pick and choose if you must, but make sure you rummage through the whole thing.
A few of Call The Captain‘s songs take a more somber, soulful tone, specifically some of the Cahalen Morrison contributions like “Barcelona Lighthouse,” and the final song of the record, “Before The Final Bell.” These songs may not grab you immediately like the others, or may present roadblocks for the rednecks out there. You’re also a bit surprised by the softly religious tone that some of the songs take, but this builds into one of the record’s themes of looking for leadership and a sense of fairness and truth in a time when these things have never been harder to find. “Space Force” featuring the cosmic cowboy himself Jim Lauderdale is a little silly, but many will find it entertaining.
If you were looking for more of a straightforward traditional country record, Western Centuries already gave that to you in their last record Songs From The Deluge, and this album may lack some of the overall consistency of the last one. But when these guys find the perfect hook, melody, and groove, there are few if any that are better at conveying sheer joy that only authentic roots music can afford. Western Centuries not only remains one of the crown jewels of the Pacific Northwest, but one of the finest contributors to all of independent country music.
1 3/4 Guns Up (8/10)
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Uncle2Pillow
April 15, 2020 @ 9:30 am
Gonna be the first to say it on this thread, but this album has strong The Band meets The Gourds elements. It works perfectly in fact. This album may also be a bit of a departure stylistically from their previous two albums, which were heavy on the honky tonk style. This one feels more on the ‘cosmic country’ side. Overall, great album, been on repeat for weeks now.
Janice Brooks
April 15, 2020 @ 10:23 am
I just need to get a couple tracks in rotation. Glad Ameripolitan is improving media distribution.
Taff Martin
April 15, 2020 @ 11:04 am
When I first heard this album, The Band instantly sprung to mind, not so much in sound but feel and vibe. Much prefer this album to songs from the deluge.
Well worth a listen.
Kevin Broughton
April 15, 2020 @ 11:10 am
Excellent album & review. Jim Lauderdale’s cameo on “Space Force” is a nice touch.
JF
April 15, 2020 @ 12:21 pm
Their last was a 10/10 in my book, and this one isn’t far off from that. Hell of a good live band. Definitely deserve to be bigger than they are. Hopefully it is just a matter of time. The amount of talent in this band is ridiculous, too. I mean, Nokosee Fields is an award-winning fiddle player. He plays bass in this band.
Brian
April 15, 2020 @ 2:13 pm
Agree 100%.
Darce the Farce
April 16, 2020 @ 7:01 am
I loved their first two albums but this one just ain’t hitting the right chords for me. Gonna give some more time, and hopefully it opens up like a lot of my favorite albums do.
Jerry Clower's Ghost
April 15, 2020 @ 1:20 pm
“The funky country groove of “Lifeblood Sold” will have your loins twitching.”
Im either losing my libido, or I didn’t connect with the lyrics, which brings up my only question about Western Centuries since they debuted. This song is a good example of the very abstract manner in which they form their lyrics. I admit they fly over my head a lot of times, and I’m wondering if you can tell me if you know what this song is actually talking about. For me at least, a some of their songs are a little inaccessible. I’ve seen a couple similar comments on this site in the past.
Uncle2Pillow
April 15, 2020 @ 2:13 pm
Not sure how familiar you are with the Gourds songs and lyrics in comparison but this abstract approach was hallmark to their sound. Totally agree, at time it feels a bit over the head with deeper meaning, but I think its just a catchy ramble? thats just my two cents.
Jerry Clower's Ghost
April 15, 2020 @ 2:35 pm
Gin and Juice is the only thing I know about the Gourds. I couldn’t ever really get into the style of their original stuff.
Trigger
April 15, 2020 @ 2:19 pm
Yeah, the lyrics of “Lifeblood Sold” are sort of abstract, but not all of their songs are like that. Most of the songs on the record are more straightforward. “No Cure” which I also posted above is a good example.
Jake Cutter
April 15, 2020 @ 2:53 pm
I like the feel of the song but yeah wtf is going on lyrically?
Its like they are half way between abstract and trying to say something – about lying drug companies maybe? Maybe it would be better to have fully abstract lyrics than sort of half way saying something that doesn’t make sense….to me at least.
Don’t want to harp on just one song…will checkout the rest for sure. Nice review.
PK
April 15, 2020 @ 6:01 pm
Haven’t listened to this one yet but I love their first two albums and I was fortunate enough to see them four times in a week a few years ago, in Ireland and Scotland, and they were absolutely brilliant.
Susan Siersdorfer
April 16, 2020 @ 6:28 am
I have love been a fan of Jim Miller as a talent both
Instrumentally and lyrically.
In this band I think he’s found the perfect match of sharing creativity.. great songwriting a bit deeper than usual.. love that Jim Lauderdale appearance!
Moreover this band live is best to witness…
The CD will suffice until I see them again!!!!!!
…
Daniele Marini
April 16, 2020 @ 6:52 am
solid album but songs from the deluge was more coherent.
thegentile
April 16, 2020 @ 8:05 am
this album slaps.
Black Boots
April 16, 2020 @ 8:32 am
that Maddie & tae album review must be coming
Tom Pullings
April 16, 2020 @ 8:56 am
Listened to it this morning. I like it and agree with comments about The Band vibe here. Or like when I think OCMS sounds like The Band, like the song Levi. Will give it some more listens and need to check out their previous work as well.
King Honky Of Crackershire
April 16, 2020 @ 6:35 pm
Hipster trash.
Mark
April 17, 2020 @ 8:23 pm
I don’t hear anything on those two tracks that sound anything like The Band. Specially the
Bass and drum parts. Rick Danko was funky, syncopated almost Motown, this guy is not that way at all.
Really like Western Centuries….Great tunes.
Thanks.
Jack W
April 18, 2020 @ 7:55 am
Fair enough on those two songs. However, I think some of the other songs make me think of The Band. And it’s the songs, not necessarily the playing. Others make me think a little of NRBQ.
Trigger
April 18, 2020 @ 8:30 am
Yeah, I picked two songs here I hoped would appeal most to country fans. But spinning the whole record, there are definitely a few songs with a strong vibe from “The Band.”