All the information on the 53rd Annual ACM Awards in one place, including the presenters, the performers, the collaborations, the nominees, and other things to watch for. Will Chris Stapleton have another big night? What do traditional country fans have to look forward to (if anything)? And awards that have already been handed out.
Posts by Trigger Coroneos:
Everything is better with a little bit of Alan Jackson. Even if it is just a full-sized cardboard cutout of him from the 90’s with a mullet pouring out of the back of his cowboy hat stuck in the corner of a record store, his mere presence reminds you of a time when popular country music didn’t completely suck.
We’re blessed to live in a time period when there are plenty of woman-led singing duos, trios, and quartets to peruse for your listening pleasure. But the one issue a lover of female harmonies who also happens to be a lover of country music will find is they often veer way more folk than what you’re hoping for. Enter the band El Coyote …
“Just book more women! Why is this so hard?” This is the question many women artists and their fans ask when the lineups of certain festivals in country music and beyond are released, and there is a clear imbalance between the amount of male and female performers, or in certain circumstances, no women performers at all.
Life is a strange thing. Most of John Prine’s songs are about that very topic. It’s been a weird, winding road for the legendary songwriter following the winding narratives of often weird songs from open mics in Chicago in the late 60’s, to now being considered one of the current living patron saints of Americana music.
The Country Music Hall of Fame has partnered with Sony Music’s Legacy Recordings to release a 36-song companion double album to coincide with what the public can expect to see and hear as part of the upcoming Outlaws & Armadillos exhibit. The track list of the album reveals just how deep the exhibit will go.
Amanda Shires, Ashley Monroe, Billy Joe Shaver, Bobby Bare, Chris Gantry, Colter Wall, Commander Cody, Country Music Hall of Fame, Dave Cobb, Doug Sahm, Gary P. Nunn, Jack Ingram, Jamey Johnson, Jason Boland, Jason Isbell, Jessi Colter, Joe Ely, John Hartford, Kimmie Rhodes, Kinky Friedman, Michael Martin Murphey, Mickey Newbury, Outlaws & Armadillos, Shooter Jennings, Stevie Ray Vaughan, Terry Allen, Townes Van Zandt, Willis Alan Ramsey
Carrie Underwood and songs like “Cry Pretty” will never be the cup of tea of many of country music’s more traditional fans. But it’s a far cry from the terrible pursuits of the Bro-Country era that now feel far in the past, and are quickly being replaced by a regime of more expressive, heartfelt, and enriching songs closer akin to country’s roots.
After the #1 success Chris Stapleton had with his previous single “Broken Halos,” his camp has called an audible last minute, and decided to switch up the next song they will send to radio. The rocking and heavy “Midnight Train to Memphis” from his latest album From A Room: Vol. 2 was supposed to be the next single.
It’s been a great time to be a country music fan over the last few weeks as incredible album releases from a cavalcade of artists has put a stress test on people’s physical copy budgets, and pushed Saving Country Music to maximum capacity for publishing reviews. But these are all good problems to have.
Brent Cobb’s latest album Providence Canyon is set to be released on May 11th though the Elektra imprint of his cousin Dave Cobb’s label, Low Country Sound. Dave Cobb also produced the effort named for a natural wonder in in Southwest Georgia. But it’s a man from Alabama who is the focus of the album’s […]
The news coming out of the Carrie Underwood camp is that she will be debuting a brand new single at the ACM Awards on Sunday (4-15), and regardless of how good or godawful the song is, I couldn’t be more happy, regardless of what the song turns out to be.
Can you call it a supergroup if the principal parties aren’t widely known coast to coast? You can if it’s Western Centuries. Songs From The Deluge gets right what so many throwback country outfits get wrong. In their rush to prove how country they are, so many artists and bands fail to imprint each song with a distinct dialect.
Many folks were caught off guard when the curious tour lineup of the Wet Cigarette of Music Kid Rock, Bro-Country Godfather Brantley Gilbert, and foul-mouthed comedic country artist Wheeler Walker Jr. was revealed last week, dubbed the “Red Blooded Rock N Roll Redneck Extravaganza Tour.”
We’ve know for a while about Miranda Lambert’s penchant to show support to independent artists by attending their concerts, with John Moreland and the women of the Hard Candy Christmas Tour being just a few examples. Saturday night (4-7) was the 7th Annual Dia Del Gallo celebration at the historic Floore’s Country Store was another.
Old Crow Medicine Show is celebrating their 20th year in 2018, and will be releasing their latest album Volunteer via Columbia Records Nashville on April 20th. The band is also going on an extensive tour starting this April and going well into late summer in support of the new record. The tour will include 30 cities.
The original Outlaw and Country Music Hall of Famer Bobby Bare will be the next member of the Grand Ole Opry, again. This is the news coming out of Nashville Saturday night (4-7) after Bare was invited to join country music’s most historic institution. He was officially invited by Garth Brooks, who shocked the Opry crowd when he took the stage.
Screw talk of saving country music, or even notions of “Southern rock.” With their latest album Find A Light, Blackberry Smoke prove they’re singlehandedly saving rock and roll and everything that stands for—Southern, countrified, and everything in between.
Songs like “Get Along” may not go far in solving society’s problems or to helping to save country music. But they also are not working against these goals. They’re a step in the right direction, and just like the songs say, we shouldn’t let our differences get the better of us, or allow us to not see the bigger picture.
What ‘Years’ has that so many albums fail to capture is a trump card that supersedes all other concerns, benchmarks, and gradients. It’s the part of music you can never learn, never practice up, never teach or toil to capture. Either you have it, or you don’t. And Sarah Shook has it. She has it in spades.
Spectacularly relevant to 2014, “Hotdamalama” from Parmalee is the Bro-Country mega hit that never was, served with ragingly misogynistic language and imagery that would get you fired from 95% of 2018 workplaces with no severance and a sexual harassment lawsuit trailing your decommissioned ass out the door.