Bravo Development’s assessment of the building is bleak, citing asbestos, bad plumbing and wiring, a leaky roof, and mold in the ducts. Though Bravo said initially it was their intention to attempt to preserve this historic studio even if the rest of the building was to be razed, they’re now saying their main intention is to resell the property as soon as possible to someone else. Bravo stated right after the sale went through that increased rent to the building’s tenants was on the way.
The fight to save Studio ‘A’ is very much a centerpiece in the preservation fight for many of Nashville’s historic places as development encroaches on many of the city’s cultural districts, including Music Row where Studio ‘A’ is located.
Studio ‘A’ was built in 1964 by Chet Atkins, and was originally called “RCA Victor Nashville Sound Studio.” It was built was to have a big enough studio space to record the string instrumentation that found itself onto many of the country music recordings of the time. It has since been used for many legendary recordings in country music and many other genres.
You can find the entirety of Ben Folds’ statement below.
After closing on the purchase of 30 Music Square West, home of historic RCA Studio A (of which I’ve been tenant for 12 years) Tim Reyholds of Bravo Development in Brentwood TN has just informed us that our rent will be raised 124%. Haha, okay Tim, we got it, and we’re moving out as soon as our current lease runs out. That means we will be there until end of November. He is on public record saying he will not demolish the building, though I’m not sure how any studio owner could make bottom line with rent that high.
We have and will continue to send investors and planners his way who have ideas on how to both preserve the space, keep the studio working and make everyone the money they want. I will continue to raise public awareness of the grand history of Music Row that is threatened by hasty development. Today we did Morning Joe and an NPR segment on 360 will also air soon many more outlets to come. My hope is that all our efforts have given us a moment to pause and consider how Nashville might continue to grow, while also retaining the identity and culture that has made it Music City.
Since the rally was held at the studio on June 30, a group called Music Industry Coalition has formed, elected a Board, begun filing its official papers with the state, fashioned a mission statement and collected over 1500 members. Their mission is to give the working folks in the music industry a voice and to work with city officials on a plan for Music Row that allows our music culture to co-exist with new growth. I will continue to help them in any way I can.
Yeah, I’m sad personally, but I had a good decade plus run and will be recording as much of my new album as I can there before November, including with the absolutely incredible sextet yMusic from New York. The Nashville Symphony and I recorded my Concerto For Piano and Orchestra there recently. What other studio can handle 80-piece orchestras in one take?
This whole #SaveStudioA and #SaveMusicRow thing was never about me (or the former owners or Tim Reynolds) and that’s why the issue has resonated with people here and around the world who are concerned about retaining Nashville’s identity, culture and music economy. Thanks for reading, and for the concern and effort! It’s working. That’s all I got to say.