Ever since the partnership between radio owner Cumulus Media and the Big Machine Label Group called NASH Icon was proposed, the big question has been if it will it result in the country music radio format splitting in two. Country music is one of the last genres to resist splintering, but as Top 40 country continues to abandon older economically-viable artists, it has become a necessity to give older artists a home somewhere on the radio dial.
After a conference call on Monday (8-25) with Cumulus Media’s Executive Vice President and Chief Operating Officer John Dickey (brother of President and CEO Lew Dickey), all speculation about whether a country split will happen can be put to bed, at least if Cumulus has anything to say about it. Country Music is splitting, and will eventually constitute two completely different formats. And though you may still hear Luke Bryan and Florida Georgia Line on the new format upon occasion, you will also hear Willie Nelson, Merle Haggard, Randy Travis, George Strait, and many other artists that were relevant in the 80’s and 90’s that mainstream country has abandoned.
“It is time for country to fragment,” John Dickey said plainly on the conference call, while offering more detailed insight than ever into exactly what NASH Icon will look like when it’s rolled out. Cumulus launched 15 initial NASH Icon stations recently, but says it won’t be until 2015 before everything is completely up an running.
Why does country music need to fragment into two formats? John Dickey explains.
“Country today is the largest format in terms of appeal and market share, certainly the last of its size that hasn’t fragmented. To me it wasn’t a question of will the format fragment, but when. And that time has come. The whole idea around NASH Icon is to create a parallel universe in country. Not a flanking format, but another platform for artists that were extremely prolific in the mid to late ‘80s, ‘90s and early to mid 2000s to regain some of that relevancy again. Unlike other attempts to fragment this format … this is really based on solid metrics, the depth, appeal, and attraction of these artists, the low burn of their music (meaning people still enjoy it), and the fact that they’re not present in country on the radio.”
Forget the 25-Year, “Classic” Country Window
When NASH Icon was first announced, the Cliff Notes version of what it would feel like was centered around country music’s “Class of ’89” with artists like Garth Brooks, Clint Black, and Alan Jackson. However NASH Icon’s range will be much wider, going deeper into the 80’s than 1989, and ranging all the way up to present-day hits.
“The format is going to be about 25% current-driven, and that’s going to increase as some of these artists … get into the studio and start to put out new music,” says Dickey
In other words, older artists who were relevant in the 80’s and 90’s, but who put out new music today, will have a home on NASH Icon for brand new singles.
“The balance is going to be made up from calls from the 80’s, 90’s, and 2000’s, predominantly anchored in the 90’s and 2000’s, with a little bit of ’80’s. But this format is really all about the face cards—the big artists from that 20-25 year period of time, mixed in with artists from today that make sense and have a sound that fits and is compatible.”
Dickey also addresses so-called “Bro-Country,” saying, “You won’t hear a lot of what we affectionately term in the business today as ‘Bro-Country.” This is a format that I can expect to be competitive 25-34, but like Hot AC, is really going to find a sweet spot 30-50.”
However if you look at the playlist of one of the recently-launched NASH Icon stations, you can find plays for songs like Luke Bryan’s “That’s My Kind of Night,” or “Blake Shelton’s “Boys ‘Round Here.” Those plays may disappear over time as the format tweaks itself, but at the moment, there is a discrepancy between John Dickey’s words, and the NASH Icon playlists. Those “current” songs may also be replaced by new songs from older artists, once those songs are released to the new format.
John Dickey and Cumulus do not see NASH Icon as second-rate country music programing. They see it living side-by-side with Top 40, competing aggressively, if not challenging country music as a whole to step up its game.
“[It is] already resonating big time and is only going to snowball and pick up more steam,” Dickey says. “As we continue to build out this platform, people will see this format is capable at playing at the biggest levels alongside where mainstream country is. This can stand side-by-side with mainstream country, and not Cannibalize it, but grow the total shares in the markets. What it’s going to do … is shape the creative community in Nashville, or motivate them a little bit more on some music that they probably haven’t been able to find the right home for. And I’m talking about specifically the writing community.“
The content glut of worthy songs that are not finding artists to cut them has been a side story to the Top 40, “Bro-Country” dominance of the format currently. We’ve heard people ranging from T Bone Burnett to Garth Brooks say that the amount and quality of songs waiting to be heard is astounding. There just hasn’t been an outlet for substantive material in country music for some time.
What Else To Expect
“There will be a morning show out of our NASH campus that will be purposed for NASH Icon,” John Dickey says. “It will be different than what we’re doing with NASH and ‘America’s Morning Show’ with Blair Garner. It’s going to [have] more of a living room setting and be more music intensive, but more interview-driven. Artists will come in and sit alongside the host of the show … I expect that to be online by the end of the year. With respect to any other day parts, there is nothing planned at this point that we would syndicate.”
“Westwood One is going to be offering NASH Icon as a format to affiliates starting almost immediately. We’re going to build on Stork platform, on what we call our localized format; completely customizable for any market. The Stork technology allows for somebody to take any day part or piece of the format that we offer and customize that around any live day parts that happen to be running … That technology allows for a very customized sound and custom feel to the format.”
This is where Cumulus and NASH differ from their biggest national competitor, Clear Channel. Clear Channel does not allow local formats to customize in many cases, breeding national homogenization to local formats. However many times local NASH affiliates still decide to go with national programming because the cost is cheaper than hiring local talent.
John Dickey also says that he expects Big Machine Records to begin announcing NASH Icon artists for the record label “sooner rather than later, probably within the next 30 to 60 days.”
What This All Means
As we can already see from the discrepancy between what John Dickey is saying about “Bro-Country” and what is showing up on playlists, it is going to take some time for NASH Icon to get its feet under itself and smooth out all the wrinkles. Regardless of who is being played from the current crop of mainstream country stars, you can also see from both the current NASH Icon playlists, and John Dickey’s words that older artist will once again be found on the radio airwaves, and not just on small, “classic” country stations. This new format also doesn’t threaten to Cannibalize those existing independent classic country stations unless they’re directly converted to a NASH Icon affiliate by Cumulus, because those listeners are not going to want to listen to Luke Bryan mixed in with their Randy Travis and Willie Nelson. But the format will potentially introduce those older artists to an entirely new audience, and challenge Top 40 country to deliver a little more variety and substance, or force listeners to switch channels.
One of the big questions that still remains is if Clear Channel—the #1 radio station owner in the country—will launch its own answer to NASH Icon.