If you’re looking for names to populate your most anticipated projects to be released in 2015, putting Mo Pitney at or near the top would be a savvy choice. With a one in a million country voice conveyed in a smoothness we haven’t heard since Don Williams, Mo Pitney is a chill-inducing traditional country artist with a succulent pentameter and delivery, and a songwriter’s pen engorged with cutting and resonant lines and stories. A handsome young man with nothing but a promising future in country music ahead of him, Pitney could become one of the fore bearers to making true country cool again like a modern-day Randy Travis.
Mo Pitney has been showcasing his songs and voice through traditional avenues over the past few years and has shined every time. A January 2013 episode of Pitney with mentor Bill Anderson by his side on RFD-TV’s excellent showcase Larry’s Country Diner has since become a must-see installment. From his originals like “I Didn’t Wake Up This Morning,” to his cover of Keith Whitley’s “Miami, My Amy,” the cat was out of the bag about Mo Pitney’s country music powers after the show. He was signed to Curb Records by May of this year, and made his Opry debut on June 20th care of Bill Anderson, dazzling the crowd and receiving a standing ovation for his song “Cleanup on Aisle Five.”
Ahead of his much-anticipated album, Pitney has released the first single simply called “Country” co-written with Anderson and Bobby Tomberlin. Smartly crafted to where it captures a relevant sentiment without being a party to pandering to anything or straying away from Pitney’s core, “Country” highlights Mo’s promise of being a classic-sounding artist with the ability to capture a mainstream audience. Authentic as the day is long, Pitney touches on what could be considered the listing off of countryisms, but avoids all of the obvious ones to take a more subdued and warm thematic approach to explaining what “country” really is.
For country music to extricate itself from the iron grasp of Bro-Country and the overriding influence of other genres, it’s going to need artists who don’t need to rely on gimmicks and trends to find appeal, but that can champion the virtues of country itself and illustrate its charisma to a new generation of listeners. Mo Pitney is an artist with the promise and the proper tools to do this very thing.