When the first ever episode of the cross-genre show CMT Crossroads aired in January 2002 pairing Lucinda Williams with Elvis Costello, we thought they were on to something that was groundbreaking, and could become legendary. But as time went on of course, the idea became bastardized.
The 2017 CMA Awards could have been a disaster, and for a host of reasons. It was obvious heading into the presentation that forces from outside the genre, fueled by political fervor and fanned by bias media, were hellbent on attempting to make the presentation a political spectacle. But the upper lip stiffened.
As the CMA Awards were transpiring Wednesday (11-8) night inside the Bridgestone Arena, Sturgill Simpson decided to take his guitar, his Grammy for Album of the Year from 2016, and do a busking set in front of the arena as local journalist Adam Gold broadcast the whole thing via Facebook Live.
What an embarrassing moment for the CMAs, country music, and Garth, since he was so very clearly lip syncing his performance Wednesday night (11-8). Social media exploded, especially after a moment where Garth was clearly facing away from the mic, but the lyrics kept rolling.
Here we go once again ladies and gentlemen, getting the snark machine up and running, doing our best as disgruntled country music fans to let our voices be heard and our vehement displeasure be registered, while also giving credit to whatever few fleeting moments of positivity or actual country music graces our eyes and ears.
If you’re looking for further evidence that the tide may be turning more in the direction of a deeper appreciation of traditional country, we just received quite a significant sign. Yes, the sympathy vote most certainly factored into this, but the achievement and its symbolic and subsnative importance shouldn’t be understated.
Everything you need to know about the 2017, 51st Annual CMA Awards, including the reasons to watch, a breakdown of the presenters, a list of the performers and collaborations, all the nominees, predictions, and the early winners.
It’s an interesting case study to track the career trajectory of a prodigy musician. Often times they take a terrible spill that is impossible to recover from when they go from the cute kid who can sing well or play fast, and attempt to transition to a full-time career. In fact, that’s the most common […]
The Ameripolitan Awards have just announced the nominees for their 2018 distinctions, and once again they have clearly honored their founding commitment to shining a light on artists with a strong roots influence that otherwise get overlooked by the rest of the industry.
Blake Shelton’s latest record ‘Texoma Shore’ is not really that great, and it would be a stretch to even call it good. Yet as enjoyable as it might be to trash this effort for all the ills Mr. “Old Farts and Jackasses” has sowed over the years, the truth is this might be Blake Shelton’s best album since he uttered those now notorious words in 2013.
Just east of Austin, TX in the tiny map dot community of Garfield sits the semi-historic Waterhole Saloon. A long-standing local watering hole, it was the scene for the inaugural Roots Under the Texas Sky Festival on November 4th and 5th, which made use of much of the local and regional country and roots talent.
A bevy of headlines from numerous country music media sources incensed about the restrictions being put on media emerged in the aftermath of the CMA asking media to not focus on the Las Vegas tragedy or politics in the CMA red carpet, cascading into the internet fury we so regularly see in the current political climate.
Over the last year or so, Sturgill Simpson has certainly earned that distinction of a “badass” as he’s gone from an independent underdog to receiving some of the top recognition in the entire music industry, and stood up to the Music Row establishment in both words and deeds.