If you’re looking for a honky tonk sweetheart, then you’ve found one in native Californian Victoria Bailey, who comes sauntering out of the painted desert on a Palomino like a singin’ cowgirl from the days of old, seducing you with eyes the size of flying saucers and a sweet soprano with the most perfect country warble.
Some confusion always seems to dog my lists of top songs, because I’m not just looking for that catchy tune you can’t take off of repeat, I’m looking for the song that changes your world. For a song to qualify, it must be original, and barring exceptional circumstances, it must be composed by the performer. These are songs that take you somewhere.
I know I’m late to the party here, but dammit, this video is just so damn good I must expound on it. There’s so much genius in it in fact, I can’t help but think some of it is completely accidental. And the way it plays to both Caitlin Rose’s strengths and weaknesses is wickedly smart. Such depth and attention in music videos these days is too rare.
There are many fair criticisms that I am susceptible to. However other criticisms, many based on assumptions, are completely unfounded. Yet to be fair to the folks that may be making these accusations, I understand that I and this website are polarizing entities and so this comes with the territory. So to answer some of these criticisms, I’ve put together some explanations of SCM’s most common criticisms.
Take the insane punk blues of the two-piece Left Lane Cruiser, add the shirtless, sweat-drenched James Leg from the Black Diamond Heavies, and then put them in charge of reviving some of the most legendary songs in blues music, and you’ve got an album dangerous enough to require a prescription. Painkillers, the new cover album due out 6/26/12 on Alive Natural Sound Records.
It’s pretty simple,” explains CMT spokesperson Harold Frankenfurter. “You can’t have a ‘Male Video of the Year’ winner who is in fact of the opposite gender. We want to be very respectful of Luke Bryan’s sexual persuasion and life choices, but we do feel it is unfair to the other nominees to give him the award with ‘Male’ in the title when he is in fact a woman.”
This is what Saving Country Music is all about. This is the reason I put my pants on every morning. Everything else is just fluff, filibustering, treading water until I come across that one artist, that one album that embodies everything true country fans are looking for but have yet to find. That is what you have with Eric Strickland and his band The B Sides, and their album Honky Tonk Till I Die.
Neil Young’s Americana, his first album with backing band Crazy Horse in 9 years, embodies the full range of feelings I have about Neil Young in general. You see, I hate Neil Young. Positively can’t stand the dude. At the same time I think he is a mad musical genius that deserves all the rights and privileges the moniker “Music Treasure” can bestow.
This week NBC’s reality TV show “America’s Got Talent” showcased a country singer named Tim Poe. Poe claimed to be an 14-year military veteran who had been injured by a rocket propelled grenade in Afghanistan that gave him stuttering disorder. The problem is, according to numerous reports, Tim Poe’s story is a sham.
There’s never been a question in anyone’s mind if Johnny Cash actually shot a man in Reno just to watch him die. But that lyric, and Johnny’s song “Folsom Prison Blues” have gone on to become an iconic piece of country music history. This language was nothing new in 1955. Murder ballads and gunslinger tales trace back to the very roots of country music and America’s Gothic, violent identity.
If 90% of the stuff they play on country radio these days is crap, then Alan represents the 10%. He’s the one respite when the Mrs. or kiddos flip over to 98.1 you don’t want to reach for a 9mm and point it at either your audio interface or your own pie hole. And unlike George Strait, Alan has the skins on the wall of writing a lot of his own material and other memorable achievements for real country fans.
Quick to discount the young songstress, this is the first accusation you will see to why Taylor Swift’s success is a sham. Does Taylor Swift’s dad own Swift Trucking? Did he buy a bunch of albums and park them in a warehouse to artificially bloat sales numbers? Did her dad along with Scott Borchetta con Taylor’s first manager? Or is this all a side show to Taylor’s simple success and appeal?
2012 so far has been a remarkable year for top flight albums throughout the country world. That compelled me to tweak my regular mid-year format to not just include any album that has received a positive review (though these are all listed at the bottom), but instead highlight the ones that I think have a serious chance to be considered for Album of the Year.