And then there were two. This is the assessment most country music power brokers were forced to swallow when Taylor Swift made it clear she’d be moving on in her career without country, leaving only Miranda Lambert and Carrie Underwood as proven country music females who could actually release singles and have them be heard on the radio. And then Carrie Underwood recently announced that she’s with child. Though this isn’t a guaranteed nail in the coffin of a high flying country career by any stretch, it certainly bisects any plans she might have with a maternity leave, and many times this is proceeded by successful women in entertainment with a re-assessment of priorities more towards family, which is natural and healthy. It’s not up to Carrie Underwood or Miranda Lambert to carry the female torch in country music forever, it’s up to the industry to solve this riddle of why they can’t develop female talent to help them.
On Friday (9-26), Carrie Underwood made an appearance on the TODAY Show to make a big announcement. You had to be pretty dim to not know that a new album would be involved in the appearance in some capacity, but it was somewhat surprising to hear that it would be a Greatest Hits package instead of an album of completely new music. Carrie has only released four records since 2005, and her last album Blown Away was released well over two years ago. And with a little bundle of joy on the way and Greatest Hits: Decade #1 not hitting shelves until December 9th, this stretches out the calendar even more before a new original album from Underwood may arrive.
However Carrie also said as part of the announcement that some new music would be part of the Greatest Hits album, and on Monday (9-29) she released a brand new single called “Something In The Water.”
A wide, sweeping undertaking, “Something In The Water” sees Carrie Underwood carve out the sweet spot for her voice and make an inspiring and faith-based composition the vessel to illustrate the mighty ferocity of her God-given vocal prowess, along with instilling the moments with an elegance and grace that in unison swell to achieve one awe-inspiring performance height.
“Something In The Water” is purely pop country from a stylistic standpoint, but draws heavily from country’s Gospel roots and the ritual of river baptisms to create the compelling narrative at the song’s heart. Though the “something in the water” colloquialism is not wholly unique in this context, the content is nonetheless refreshing in the way it disregards all concern for trends or tropes and instead shows confidence in Carrie’s voice to carry a tune to the top levels of widespread appeal. Resolving with the verses of “Amazing Grace” intermixed with the song’s melody, “Something In The Water” traces a lineage directly back to the very primitive beginnings of country music, intertwining old roots among the song’s otherwise pristine and nouveau passages.
Carrie’s voice is so soaring and strong in this moment, it will comes across as polarizing to some ears, especially to those not used to such bold expressions as this in country music. That is one of the problems for country in 2014: with such a lack of raw talent and the vehicles to express it, when somebody does do something bold, it comes across as an oddity, as too much to take in, almost like it is a pompous attempt to overtly impress instead of sincere expression. In the pop world, this type of exhibition of talent isn’t just common, it is necessary. Pop and R&B can field an army of sensational singers, whereas country commonly leans on the services of Auto-Tune and talk-style phrasing to make up for a lack of natural aptitude. Carrie Underwood once again proves she’s one of the strongest singers of this generation.
“Something In The Water” will also be jeered as pure pop by many, but even with this assessment it still puts it in front of the garbled, directionless multi-genre hodgepodge presented by many of the genre’s top male stars. This is the true “anti Bro-Country” salvo country music has been lacking—one that doesn’t write its plan as the exact opposite of the scribblings in Bro-Country’s playbook, but one that blows the entire argument out of the water. Call it pop if you want, but the delineation the song truly strives for is “timeless.”
It is fair though to to assess that “Something In The Water” may be a little too perfect, a little too esoteric. It’s too much Celine Dion and not enough Oklahoma, while others will question if this rather unapologetic foray into non-secular material should, or can be valued with high regard in the commercial world. But true, openhearted fans of music will find the sway of “Something In The Water” hard to resist, and it should fare positively on country radio which is thirsty for female voices, and Carrie Underwood’s specifically.
Very, very powerful.
1 3/4 of 2 Guns Up.