Saving Country Music’s 2018 Ameripolitan Awards LIVE Blog
Welcome ladies and gentlemen to the 2018 Ameripolitan Awards LIVE blog from the Guest House at Graceland in Memphis, Tennessee. For the first time the awards will transpire outside of Austin to celebrate its 5th year. Also for the first time, the plan is for the awards to be streamed as long as the stream holds up. That means that folks can finally watch from home, and instead of being a simple play by play, I can offer more commentary and insight.
You can watch live on SCM LIVE .
Scheduled to perform are James Hand, Reverend Horton Heat, Unknown Hinson, Nikki Lane and Asleep at the Wheel, Lloyd Green, Dickey Lee, Jesse Dayton, Motel Mirrors and a Sun Records tribute featuring W.S. Holland, J.M. Van Eaton, Matthew Nelson and Gunnar Nelson, Sleepy LaBeef, The Blackwood Brothers, Big Sandy, Jason D. Williams, John Paul Keith and Jerry Phillips. Ameripolitan will honor Brian Setzer with the Ameripolitan Master award.
It will be hosted by Dale Watson, American Pickers’ Danielle Colby, and announced by Doc Robb Walker of Sirius XM’s Elvis Radio. To see the nominees for the awards, CLICK HERE.
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WINNERS:
- Honky Tonk Female – Brennen Leigh
- Honky Tonk Male – Luke Bell
- Honky Tonk Group – The Reeves Brothers
- Outlaw Female – Nikki Lane
- Outlaw Male – Cody Jinks
- Outlaw Group – Whitey Morgan and the 78’s
- Chris Scruggs – Musician on the Year
- Venue of the Year – Sportsmen’s Tavern, Buffalo NY
- Festival of the Year – New England Shake Up, Sturbridge MA
- DJ of the Year – W.B. Walker, Old Soul Radio Show Podcast
- Western Swing Female – Sophia Johnson
- Western Swing Male – Billy Matta
- Western Swing Group – The Carolyn Sills Combo
12:29 – Despite a shaky and late start, some technical and logistical snafus, and a Sun Studios tribute in the middle of the show that was supposed to last 15-25 minutes and went for nearly 1 1/2 hours, there is more positive to remark on for the 2018 Ameripolitan Awards than negative. The polished presentation of previous years wasn’t there, but the performances were mostly excellent, and for the first time they set a theme to the presentation, and one that honored the surroundings of Memphis, Tennessee. There were multiple memorable performances to take away from the event, and it’s hard to argue with any of the winners. Some artists who otherwise may never be recognized with an award or a nomination were able to feel new level of recognition, and can brag about it in years to come.
For the first time, the Ameripolitan Awards were televised via Facebook live, but I’m not sure if it represented the type of quality presentation of previous years. But hopefully next year it can tighten back up again, some new people step up to help polish the presentation, and Ameripolitan continues to grow. Everyone you speak to, including people who have been in Memphis all weekend, had mostly positive things to say about the experience.
12:28 – Well that’s it folks! I’m going to write a quick recap, run down the winners, and then we’ll be out of here. Thanks so much for following along!
12:26 – Excellent ending number.
12:22 – Chris Scruggs and others have made it to the stage. A lot of the people left in the ballroom are now in front of the stage. Not sure if the live stream is still working for everyone out there.
12:19 – Dale comes out to sing one last number, “Memphis Tennessee” by Johnny Rivers. Folks inside the ballroom are getting out of their seats and crowding in front of the stage to dance.
12:14 – The house band and guests play “Stray Cat Strut.”
12:13 – Brian Setzer is not here since he’s touring in Japan, but he did send a video that plays.
12:09 – What I think a lot of country fans don’t appreciate enough is how the rockabilly guys like Brian Setzer and Jim Heath made it cool to like old music.
12:05 – A video presentation is playing for Brian Setzer to present him The Master Award.
12:01 – The 2018 Ameripolitan Award for Rockabilly Group is The Go Getters.
12:00 – The 2018 Ameripolitan Award for Rockabilly Male is Al Dual.
11:58 – Bailey Dee is on the premises, but so sick with the flu she’s sequestered in her room.
11:57 – The 2018 Ameripolitan Award for Rockabilly Female is Bailey Dee.
11:54 – This is positively excellent. Goosebumps here behind the laptop. Maybe the best performance of the night, right up there with Jason D. Williams.
11:52 – The Gospel quartet The Blackwood Brothers take the stage to sing with Dale Watson. The song is “Elvis Was a Love Affair.”
11:47 – The 2018 Ameripolitan Award for Western Swing Group goes to The Carolyn Sills Combo.
11:44 – The 2018 Ameripolitan Award for Western Swing Male goes to Billy Mata.
11:44 – Sophia Johnson gets choked up receiving her award. When you see certain people receive their Ameripolitan awards, you understand why all of this is worth it.
11:42 – The 2018 Ameripolitan Award for Western Swing Female goes to Sophia Johnson.
11:40 – Great performance by Heath and the house band.
11:38 – The Reverend Horton Heat never get enough credit for inspiring the independent/underground scene like he did in the 90’s. Only the Stray Cats predate him for making old music cool again.
11:35 – Jim Heath is playing “Lonesome Train Whistle.”
11:34 – Jim Heath is being presented the 2018 Keeper of the Key award. A video presentation plays, and now Dale Watson is saying some words.
11:24 – The 2018 Ameripolitan Award for DJ of the Year goes to W.B. Walker, Old Soul Radio Show Podcast.
11:23 – Dale Watson: “These are the people who fall through the cracks.”
11:20 – The 2018 Ameripolitan Award for Festival of the Year is the New England Shake Up, Sturbridge MA. The promoters are truly freaking out about 2/3’rds way back in the ballroom.
11:16 – The 2018 Ameripolitan Award for Venue of the Year goes to Sportsmen’s Tavern, Buffalo NY.
11:15 – Chris Scruggs accepting his Musician on the Year Award. Brennen Leigh in the background, who handed out the award, and won for Honky Tonk Female.
11:11 – SO deserved for Chris Scruggs. The traditional country sideman of our generation. He thanks Rosie Flores for taking him out at the age of 17.
11:09 – The 2018 Ameripolitan Ralph Mooney Musician of the Year is Chris Scruggs!
11:08 – lol, Brennen Leigh with some magician vs. musician humor.
11:08 – Finally an award! Musician of the Year award coming up.
11:04 – The Phillips Family comes to the stage to receive the 2018 The Legend Award for Sam Phillips.
11:03 – I’m supposed to be in Kansas City for Folk Alliance tomorrow. I may never make it at this pace.
11:02 – Just got stuck in the lobby with Sarah Gayle Meech, Tommy Ash, and Kristina Murray. It was hard to leave and come back inside.
10:51 – Nelson just showed up on stage. Yes, that Nelson. With the hair.
10:50 – These performances are excellent. It’s everything in between that is stultifying things. This whole Sun Studios segment was supposed to take 15:00. We’re now at an hour, and there is still one more performer.
10:47 – Big Sandy is singing “Matchbox” by Carl Perkins.
10:46 – Big Sandy takes the stage, and has some needed energy, and great stuff to say about growing up admiring Sun Records, and now he gets to play in front of so many legends.
10:39 – Dickey Lee, who is one of the last original Sun Studio recording artists, takes the stage to play “Good Lovin'”.
10:30 – James Intfeld takes the stage, probably 30-45 minutes after he should have. He’s singing Elvis Presley’s “Let’s Play House.”
10:24 – Well Jason D. Williams just stole the show. He also probably put the hotel event staff into overtime pay.
10:21 – Well this is certainly entertaining. But at this pace, we’ll be here till midnight. “They said I only had one song, but they didn’t say how short it needed to be,” Jason D. Williams says.
10:17 – He actually broke the keyboard. Oh… there it’s fixed.
10:16 – Jason D. Williams pulling out all the bits! This show needed this. This guy’s great.
10:12 – Wow! Piano player Jason D. Williams is killing it.
10:11 – Haha! Jason D. Williams on the Ameripolitan Awards to Dale Watson, “This is the greatest thing that has every happened to you.”
10:09 – Danielle Colby making cleavage jokes.
10:08 – Good job, Jesse.
10:06 – As great of a guitar player is, Jesse Dayton might be the best guy at mimicking the tone and singing style of all the old greats, not just Johnny. That comes from having a good voice, knowing what to do with it, and knowing your influences and the little inflections that made them unique.
10:04 – Jesse Dayton takes the stage. He tells the story of Waylon Jennings giving him a call after seeing Jesse on Crook & Chase, and about going to the studio to meet Waylon, and Johnny Cash opening the door.
Then he launches into “Big River.”
9:58 – I believe we are entering a time in the presentation when artists will be playing songs from the Sun Studios legacy. It stars with Sleepy LeBeef singing “Flaying Saucer.” Kind of rough at the beginning, but it’s finding its groove now!
9:52 – W.S. Holland is now saying some words about Sam Phillips. Sun Studios is the theme of the presentation tonight since we’re in Memphis.
9:50 – The presentation has (kind of) started back up, but W.S. Holland, who was supposed to be on stage already, was late getting there.
9:44 – Just passed by Charley Crockett and Zephaniah OHora in the lobby. This place is packed with true country music talent.
9:40 – So here’s my assessment of the first half, just shooting everyone straight:
If this was the first time you had every seen the awards, you may thing, “What’s the big deal?” This is by far the most scaled back and “loose” production and presentation in the five-year history of the awards, including the first year, when everyone was pretty blown away with the amount of effort that had gone into the presentation. The stage is really dark and kind of hard to see what’s going on, the flow is almost non existent, where the previous years it was really well done with jokes they’d written beforehand and rehearsed.
That said, really great set of winners so far, and the performances have been excellent once they started (except for Hinson, who didn’t seem to be in it). I wouldn’t say I am disappointed, but this is definitely a different year, and if this is the first time you’re watching, you should probably take that into consideration.
We’ll see what the 2nd half has in store.
9:32 – Whitey Morgan accepting the Ameripolitan award for Outlaw Group.
9:31 – Nikki Lane accepting her Ameripolitan award for Outlaw Female
9:28 – And now we’re in intermission. This presentation will definitely be sorter than it was in previous years.
9:26 – Lloyd Green really is excellent. If you look at his list of credits, it really is pretty much everything that stands out during the Nashville Sound era.
9:24 – Lloyd Green is playing “Jukebox Charlie” first made famous by Johnny Paycheck, and “Between You and Me” by Charley Pride.
9:21 – Lloyd explained how as a musician during the Nashville Sound era, he did his best to add something to “lifeless” recordings, which is what the Nashville Sound era is known for.
9:17 – “He’s not my favorite steel player, he’s my favorite musician of all time.” Junior Brown on Lloyd Green.
Lloyd Green played on 115 #1 singles.
9:15 – Junior Brown comes out to present the Lloyd Green Founder of the Sound Award.
9:14 – Luke Bell winning his Honky Tonk Male Ameripolitan Award
9:13 – Usually these video presentations have some narration.
9:11 – Here’s a presentation on the screen. They’re introducing Lloyd Green for his “Founder of the Sound” award.
9:10 – Whitey’s going casual tonight since he doesn’t have to perform.
9:06 – The Ameripolitan Award for Outlaw Group goes to Whitey Morgan and the 78’s! – a favorite of Ameripolitan.
9:05 – Rosie Flores is such a badass.
9:00 – The Ameripolitan Award for Outlaw Male goes to Cody Jinks!
Cody Jinks is not present to accept the award. And then Rosie Flores is not here to perform when she should. Here she comes…
8:58 – “I think being an Outlaw is pretty much about living in a van.” –Nikki Lane
8:56 – The Ameripolitan Award for Outlaw Female goes to Nikki Lane!
8:54 – That was a pretty uninspired rendition of “Foggy Windows.”
8:52 – Unknown Hinson comes out to sing “Foggy Windows.” His guitar doesn’t work when he tries to start playing. “Damn electric mess.”
8:50 – It’s so dark on the stage, folks can’t really see or read anything. Danielle’s mic doesn’t work when she goes to talk. “I just want you to know this thing is not going to run smoothly tonight,” says Dale.
8:49 – The Ameripolitan Honky Tonk Group of the Year is The Reeves Brothers.
“I had to get up here before somebody changed their mind about this.”
8:44 – This is Motel Mirrors singing “Meet Me on the Corner.” They are local to Memphis.
8:43– Honky Tonk Male nominee Tilford Sellers was recently killed in an accident, Dale informs the crowd.
8:42 – Lol, Luke Bell, authentic as always.
8:41 – The Ameripolitan for Best Honky Tonk Male goes to Luke Bell!
8:40 – Nikki Lane and Jake Penrod come out to present Honky Tonk Male.
8:39 – Everyone picking up the live stream out there?
8:37 – “Feelin’ Haggard” first appeared on Dale Watson and Ray Benson’s duet album “Dale and Ray.”
8:34 – Now Dale Watson comes out to sing a Merle Haggard tune with Ray Benson. Have seen Luke Bell, Pat Reedy, Zephaniah Ohora, Dallas Moore, and many more in the audience.
8:32 – Had a good conversation with Dale Watson before the awards. He said he wanted to scale it back again this year to make it feel more intimate, where the fans are closer to the performers, and it feels more like family compared to the last 3 years at the Paramount.
8:30 – Asleep at the Wheel plays “Route 66.”
8:29 – Ray Benson (who hosted last year) and Asleep at the Wheel take the stage. The production this year in regards to the stage lighting and overall presentation is definitely scaled back. They didn’t show a video introduction at the beginning of the awards like they have done every year previous.
8:27 – Brennen Leigh, “I think it’s the women of country music that can take it and get it turned in the right direction.”
Brennen has been at it a long time, and deserves this recognition. She’s the type of artist Ameripolitan is made for.
8:25 – The Ameripolitan Award for Honky Tonk Female goes to Brennen Leigh!
8:22 – Sorry folks, stuff is a little wonky starting off here, but it looks like things are beginning to fall in a groove. James Hand led off playing, “In The Corner, At The Table, By The Jukebox.” Then Nikki Lane came out and performed “Jackpot.”
8:19 – You can watch live on SCM LIVE
8:14 – Hosts Dale Watson and Danielle Colby come out and make some preliminary announcements/
8:11 – Unlike every other year, there is no program, so nobody really knows what’s going to happen, or when.
8:10 – Here we go. Someone has come out and started playing “America The Beautiful” solo, old Rockabilly style. Still trying to find a good link to the live stream. As soon as I find something I will clue everyone in.
8:07 – Looks like we’re starting a bit late.
8:06 – A few pictures from the Red Carpet. Will try to add more when I get a chance.
8:04 – The 5th Annual Ameripolitan Awards are being held in a hotel ballroom once again, just like they were the first year. Year 2-4 was held at the Paramount Theater in downtown Austin.
Amanda
February 13, 2018 @ 7:44 pm
Live stream via facebook fine, although the audio level is a bit all over the place.
Trigger
February 13, 2018 @ 7:55 pm
It is in the room as well. The wheels are a bit wobbly this year.
Janice Brooks
February 13, 2018 @ 7:45 pm
Greetings from table 45
Trigger
February 13, 2018 @ 7:56 pm
Hey Janice!
Biscuit
February 13, 2018 @ 8:30 pm
Trig, what is your opinion on the awards moving to Memphis and a hotel conference room helped or hurt the situation with Ameripolitan? Any insight as to why Dale moved himself and the awards there? No offense to anyone in Memphis, but I don’t recall much of a honky tonk or traditional country scene there in recent times.
Trigger
February 13, 2018 @ 8:49 pm
Dale is living here part-time, though he still has his place in Austin. He told me he wanted it to be more intimate this year. This is a pretty big conference room though, I’m not sure it is much smaller than the Paramount. It’s a little smaller, but it’s not really set up for a show. I liked the idea of doing it in Memphis, even though it made it more difficult for me to cover it in person. I think the ultimate story will be the scaled-back production, and how this interfaced with the first year they stream it.
Lil Dale savin country music hall of fame membre class of 2015
February 13, 2018 @ 9:40 pm
memphis? hope you took your pistol with ya trigg be careful boy we need ya
RD
February 13, 2018 @ 8:44 pm
Nelson? What are they doing there? Did they put away the makeup and start making decent music?
Jackie Treehorn
February 13, 2018 @ 9:32 pm
Daniell from pickers eh? Pics please? 🙂
James
February 13, 2018 @ 9:36 pm
Yeeehaw
Janice Brooks
February 13, 2018 @ 11:13 pm
Awards show still going. People could move around or leave the room easily. Worst part of the week was the Monday showcase which went beyond venue capacity. Anxus to see where we head next.
The Reeves Brothers
February 14, 2018 @ 2:05 am
We Were So Very Honored To Be Named The Honky-Tonk Band Of The Year!
Benny Lee
February 14, 2018 @ 1:19 pm
Love what you guys are doing! Keep at it!
Kev
February 14, 2018 @ 2:11 am
Thanks for this report Trigger! It was nice to see that Sophia Johnson got the Western Swing Female Award. The only irony of this is that while Sophia is being justly awarded by the Ameripolitans, her sister Hannah (the other half of The Toy Hearts) is being unjustly lambasted by the BCMA (British Country Music Association – yes, such a thing exists!!) for appearing with an act they don’t support. Mad!
Congratulations to all the winners!
Lars Pluto
February 20, 2018 @ 1:29 am
I’m proud to be that very act that the BsCMA don’t approve of. Essentially one of their board members called Hannah’s father (and Steel Player) the day he arrived home from open heart surgery and told them that if they continued to work with “that American Outlaw” then “doors would be slammed in their faces”. It all stems from the fact that I turned down their nomination for Horizon Act of the Year because they are such a joke of an organization with no real clue as to what Country Music actually even is, and have a habit of giving awards to board members’ own children as well as various pop acts that they are currently managing… hello, conflict of interest!
Here is the post that started the Revolution..
https://www.instagram.com/p/BX2DcJsnlbh/
Lord Honky Of Crackersley
February 14, 2018 @ 8:24 am
Trigger,
Do the Ameripolitan awards intentionally exclude mainstream acts, even if those mainstream acts are real Country?
This whole thing just seems cheesy to me, and the name “Ameripolitan” is just ridiculous. “politan” actually means citified.
Trigger
February 14, 2018 @ 8:52 am
The Ameripolitan awards are voted on by the fans, both in the nominations process, and for the winners. Since it’s specifically meant to be an alternative to the mainstream awards, it would be strange to see Midland for example nominated, but I’m not sure there’s anything not allowing that to happen.
Kevin Smith
February 14, 2018 @ 12:12 pm
Yeah mainstream folks are eligible if their music fits the categories. Many of the bigger names though don’t see Ameripolitan as a career making move. Western Swing and Rockabilly folks are getting a lot of love in ameripolitan as no other organization is gonna recognize them. Dale loves traditional country of course and is reaching out to many but it’s been slow going thus far. I’m a fan of it because I happen to enjoy the genres it encompasses. I would like to see the Mo Pitney types included , but that would be up to the voters.
It’s a well intentioned organization and hopefully it takes off. ( silly name aside)
Convict charlie
February 14, 2018 @ 11:49 am
I went to the sportsmens tavern in Buffalo a few weeks ago for the second time. It was great to see ray Scott. I’ve talked to the owners a few years ago when I knew they were nominated then. Super nice guys and it’s a great place. They do an excellently job of bringing in shows.
Little different as they only accept cash. Fortunate somebody warned me.
Mark
February 14, 2018 @ 12:10 pm
Sorry I missed this.
Bill from Wisconsin
February 14, 2018 @ 5:10 pm
Any chance this shows up on YouTube?
Bill from Wisconsin
February 14, 2018 @ 5:39 pm
To answer my own question….yes. Show doesn’t start until about 14 minutes in.
Beck
February 19, 2018 @ 4:39 pm
The musician who thumbpicked America the Beautiful at the start of the show was Sean Mencher, of legendary rockabilly group High Noon.
Ags Connolly
February 21, 2018 @ 5:20 am
As usual I agree with your assessment, Trig. This was my fourth consecutive year at Ameripolitan and, as great as the music was, I was disappointed in the overall production.
Over the last three years the organisers have worked hard to iron out the issues, but nearly all of those problems reared their heads at this show. I guess there was a reason, but I have no idea why proper lighting and sound rigs weren’t used. At the start of the show I was seated near the back and could barely hear, let alone see, a thing. Luckily a friend shifted seats near the front so I moved down there. The lighting was still appalling though, even close up. It was a far cry from the the high standard presentation of the Paramount in Austin.
The musical performances saved the show, but the timing and stage management issues were reminiscent of the error-strewn second year. I don’t think this is the impression of Ameripolitan that Dale and co. would’ve wanted to give to Memphis or the live stream viewers. On a more general note though, the nomination/voting system has been sorted out in the last couple of years which means, in my humble opinion, the nominees and winners are now far harder to argue with.
I’ve travelled from the UK for the show every year except the first one and I will continue to do so if time and money allows. Ameripolitan is a great, positive movement for shining a light on lesser-known artists and long may it continue. I’m sure lessons will be learned from this and the show will come back stronger next year, wherever it may be held.