Song Review – Garth Brooks’ “People Loving People”
So here it is; Garth’s first single since 2007’s “More Than A Memory.” But more importantly, it is the first real single since he retired in 2001—representing a new album, and a new era for one of the biggest music stars the world has ever seen. And with this new song, the world is who Garth courts as his audience.
Initially Garth’s debut single after retirement was slated to be a song called “Tacoma.” RCA even took out full page ads in country radio trade periodicals and at one point scheduled a release date for the song as July 28th. Then for wherever reason, all of those plans got scrapped in just one example of how Garth’s triumphant return has been beset with stops and starts.
One of the reasons Garth may have decided a switcheroo was in order for his new single is because of the topical nature of the subject matter in “People Loving People.” With the globe, and many communities in the United States in such disarray—with beheadings, sectarian violence, civil war, and civil rights issues dominating headlines—the song is certainly current. And it sees Garth slide into the role many upper-echelon superstars have championed during times of turmoil over the years by attempting to show some leadership from the entertainment world when a leadership vacuum seems to exist from our elected leaders and in the world stage at large.
This isn’t the first time Garth Brooks has tried his hand at settling world tensions with his music. Garth once used his “We Shall Be Free” song in the wake of the Rodney King beating and other world events to upstage the entire Super Bowl. But in releasing “People Loving People,” Garth doesn’t do himself any favors with his many detractors, or the people who were hoping Garth’s return would also herald the return of country music that actually sounded something like country. It is unlikely that “People Loving People” fairly represents what folks can expect from Garth’s new album. If the song “Tacoma” was selected as the first single, as it almost was, it probably would have represented a much more country-sounding offering. But Garth decided piggy backing off of current events, and releasing a song that would have a greater impact on country radio and the world stage at large was a more ambitious and pragmatic move, and he’s probably right.
Garth’s altruistic desires with this song will resonate deeply with some, and come across as dubious to others who will accuse him of opportunistic mawkish grandstanding covered in sappy icing. Here is Garth once again demanding to be the center of attention. But taking a sincere look at the lyrics and message, and without lacing the assessment with any personal slants about Garth’s previous motives, “People Loving People” is not badly written, or wrong in its message or its ambition. This song is inspiring, and says something a lot of people should probably hear. At the same time, as an exercise in intellectualism, it is a little innocent and short-sighted. Of course all people should love each other, but that’s a little hard to hear when someone has just slaughtered your family, or beheaded one of your countrymen. As much as love is inherent in the human design, so is justice.
Beyond weighing this song against much heavier subjects usually not appropriate for the realm of music entertainment, “People Loving People” doesn’t really capture Garth in his ideal element. Nor did “We Shall Be Free.” The key of the song is higher than where Garth’s voice settles into its sweet spot—where he can dip into those low bass notes, and quickly drawl back into the higher register to squeeze the emotion out of a lyric. Think of “The Dance,” or really any of Garth’s bigger hits. The lead guitar answering Garth during the chorus’s “Wow oh oh” portion feels a little dated. Garth is a passionate performer, and though in the mind’s eye you can see him singing the hell out of this song live, that emotion and energy is not really endowed on this recording. Sometimes you can’t even really understand the words, and this is on a song that is built upon them.
Though I don’t question the sincerity of Garth’s approach with this song, many will. But releasing “People Loving People” right now is quite savvy, and with production that leans heavily towards pop rock, it will be a good way for Garth to warm up to the new environment in country radio that is very much focused on the non-country here-and-now.
“People Loving People” will do moderately well on radio, while consumers hungry for new Garth music will make it rocket up Billboard’s Hot Country Songs chart. That is, if it is released digitally. Detractors will seize upon the opportunities the song affords them, while many others across genre lines and international borders will find a message that they are thirsting for. Ultimately, “People Loving People” presents a mixed bag, and leaves the notions of exactly what we might get out of Garth 2.0 fairly ambiguous.
In the end, “People Loving People” is very, very Garth.
1 Gun Up for an ambitious song with a good message.
1 Gun Down for fairly unimaginative and non-country production, a lackluster vocal performance, and potential commercial opportunism off of current events.
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September 3, 2014 @ 12:23 pm
You said everything I was thinking, but could not have elaborated so well.
Nailed it with this one!
September 3, 2014 @ 12:26 pm
I was waiting for this review, and the song had on me kinda the same effect. The production is not great, but the song carries a strong message. I wonder if it will do well on charts
September 3, 2014 @ 12:29 pm
Hey I think you accidentally linked the Blake Shelton song instead of the Garth one.
September 3, 2014 @ 1:18 pm
Lyrically, this is deeper than anything Blake ever put out.
September 3, 2014 @ 2:01 pm
I didn’t mean that as a joke. When I first hit the link blake shelton’s new song is what started playing.
September 3, 2014 @ 4:49 pm
Disagree with this one. I’d take Blake’s “Austin” over this.
September 3, 2014 @ 12:39 pm
I’m very disappointed.
It doesn’t even sound like Garth.
Definitely not country.
The most vanilla can’t-we-all-get-along song I’ve ever heard.
Are we sure this isn’t by Chris Gaines?
September 3, 2014 @ 12:44 pm
It sounds to me like “We Shall Be Free” with a touch of “Right Now” by Van Halen. Love Garth but capable of much better. Hope this is not a reflection of the rest of his new material.
September 3, 2014 @ 1:44 pm
It sounds to me like “We Shall Be Free” with a touch of “Right Now” by Van Halen.
I haven’t even heard the song yet and that makes me want to run away screaming.
September 3, 2014 @ 12:47 pm
It certainly sounds like Garth and is very much in the vein of “We Shall Be Free.” I was expecting and hoping for better.
This isn’t my cup of tea. So far, the return of Garth has been very underwhelming. The piecemeal tour announcements and now this song…very very meh…
September 3, 2014 @ 12:51 pm
I initially thought it sounded like a Chris Gaines song. The production SUCKS.
Lyrically, it stands out from the garbage on mainstream country radio.
Sonically, it sounds like all the other garbage on mainstream country radio.
Very disappointed.
September 3, 2014 @ 1:02 pm
As a self-proclaimed lover of all things Garth … I’m sad. To be fair, I’m listening to the song on my MacBook, not known for the most amazing of speakers…but this song is definitely not doing it for me. In the past year, I saw Garth three times in Vegas – once at 7/4 for a special engagement, once in November for his CBS special, and once in January for his Farewell to the Wynn show with his entire band. The guy still “has it” 100% – which makes me wonder why this song was recorded and released in this manner. It doesn’t sound like his band. The opening of the song would fit in more with a Luke Bryan single or maybe even Rascal Flatts than the Cowboy style that made Garth the superstar he is. I get the idea of trying to make an impact on the world at large, but there some things even the power of a shining star can’t do, and one of those is illuminate a lackluster song. It’s not “pop” enough to get the younger set really behind it, and it’s not reminiscent of Garth enough to catch the ears of those who fell in love with him on his first Go-Round.
Trigger – I believe this is Garth’s first record without Allen Reynolds, is it not?
Maybe the influence of Reynolds is something we’ll truly miss in the next stage of Garth’s career. I don’t know. It’s not that I want Garth to be “the same old Garth” – because in the shows I saw this past year, he wasn’t. He was bigger than that same old Garth, and he had lived more, and had more to say. His storytelling was rich, and his performances heart-felt. I just feel like that’s not what we get out of this song.
I certainly hope there’s more in the tank on this album … because I’d hate to think there will be a Garth album that I have no desire to own.
September 3, 2014 @ 1:10 pm
It is Garth’s first album without Allen Reynolds who’s retired. But apparently the engineer on all of those records has taken the reigns as producer, so in theory it is the same regime.
The release of this song smacks of Garth Brooks thinking he has a bead on the zeitgeist, and making an executive decision about a song that probably should have remained an album cut. With all the attention on this first single, it needed to be something either groundbreaking, or something to assure people of what they could expect on the album. “Tacoma” would have probably been much better for that.
September 4, 2014 @ 5:28 am
I’m a huge Garth fan but completely underwhelmed. We needed a song either sentimental like “The Dance” or fun like “Friends in Low Places”. Something REALLY Garth, to let us know he wasn’t selling out to the suits. Trisha’s new song has enough meaning—I wasn’t ready for Garth to wax philosophical or go so far country rock. I was hoping he’d lean Chris LeDoux. I think we may miss Allen more than we realize, and I hope Garth’s next release is ALL GARTH. I get why he picked it with everything going on in the world–but some things going on are too awful to be trivialized. Not his intent, but it comes across that way.
September 3, 2014 @ 1:03 pm
What a huge disappointment this is. I really can’t put into words how surprised I am at how uninteresting and uninspiring this song is.
September 3, 2014 @ 1:12 pm
I’m a huge GB fan, but I think this is the weakest song Garth has ever released to radio.
Doesn’t sound like him… doesn’t sound country… doesn’t sound like it’s the correct key for him… doesn’t sound like he has any power behind the vox… doesn’t even sound remotely in the style of old Garth. But that doesn’t mean it will be a failure either, I guess. I find the production to be weak, his harmony vocals weak and the ultimate message sorta, well… weak. The only thing I will give kudos for is that it sounds like they left the auto-tune turned OFF. You can hear moments of pitchy-ness which stand out, but are actually kind of refreshing, in a way.
I just don’t think this song is strong enough to change any lives, which I guess is the goal (en route to selling records, of course). I actually lost interest halfway through. Can’t tell you what verse 2 even said. I’ll keep fingers crossed for better tracks to come, but IMO, this is NOT a good sign.
He needs to coerce Allan Reynolds out of retirement, quick!
September 3, 2014 @ 1:14 pm
chris gaines sounds great
September 3, 2014 @ 1:21 pm
Did they wake Garth up from a codeine-induced nap to record these vocals?
September 3, 2014 @ 1:25 pm
Just discovered this nugget regarding 1/3 of the songwriters:
Songwriter busbee has had a wide variety of stars cut his songs, including Kelly Clarkson, the Backstreet Boys, Gavin DeGraw and Hunter Hayes.
Gag.
September 3, 2014 @ 1:39 pm
Lazy production- U2 meets Daft Punk ( but Garth’s stuff always was lazy and poorly realized sonically compared to almost everyone else’s production ) . Not a bad lyric , as you pointed out , Trigger – for me it sounds like someone doing a Garth impersonation . But again …Garth was NEVER a great singer in a ‘character’ or uniquely distinct way .He’s no Ray Price , or Willie or Vince ..much less a Josh Turner, Lyle Lovett or Marty Raybon . His vocals are unremarkable . His biggest talent was his ability to market himself as something more than he is which he seems to be doing quite successfully still . Now can you imagine Trisha Yearwood delivering this lyric with a steel guitar and a couple of strategically placed fiddles to support one of the BEST voices the biz has ever heard ? Or how ’bout Martina or Sara Evans ?
If you are trying to convince the world you are the BEST , you’d better deliver the BEST ..or at least deliver something better than everyone else .Three thumbs down from my little corner of the world on this one .
September 3, 2014 @ 2:26 pm
I disagree that Garth’s vocals are unremarkable. His bottoming out cadence is what built his career, and the lack of that element here is why they sound so thin.
September 3, 2014 @ 2:48 pm
I always found Garth’s register limited and heard no depth in his voice compared to so many others-some I’ve mentioned above . I also thought that the country ‘cry’ in his vocal was overdone to the point of being comical . I totally appreciate that I am in the minority in my observations of Garth’s vocal delivery . I don’t , however , deny his passion for a song . I’d just rather here so many others ,given a choice These are just MY views , of course .
September 4, 2014 @ 1:56 am
I think the only reason we’re in the minority, is because of the marketing. The marketing, along with some good songs, prevents sheeplike fans from paying attention to how little actual talent he has.
September 4, 2014 @ 1:50 am
“Garth was NEVER a great singer in a ”˜character”™ or uniquely distinct way .He”™s no Ray Price , or Willie or Vince ..much less a Josh Turner, Lyle Lovett or Marty Raybon . His vocals are unremarkable . His biggest talent was his ability to market himself as something more than he is which he seems to be doing quite successfully still.”
You are absolutely right Albert. Garth was the least gifted vocalist of his era. Unremarkable sums up his voice perfectly. I was going to say mediocre, but he’s probably slightly better than that.
Dang Albert, you ever thought about starting your own site?
September 3, 2014 @ 1:52 pm
I really quite like the song. I too am reminded of “We Shall Be Free,” but certain parts also remind me of “The Change.”
I do agree that some of the words can be difficult to understand at parts, but a close listen will allow you to get the majority. I’ll look forward to hearing him perform this live next week and seeing if he shares any other new material.
I gave the song 4.5 out of 5 stars.
September 3, 2014 @ 1:54 pm
I’m in the same boat as others. I’m a Garth fan and this is definitely the worst song of his career. Should’ve remained an album cut. Hopefully, the rest of the album can balance out this trainwreck of a single.
I do agree with Trigger that the message of the song is good, especially in today’s world. But the song overall is a pop-rock mess.
September 3, 2014 @ 2:05 pm
Agreed; everything about it feels like a play-it-safe move for what’s supposed to be a major comeback.
September 3, 2014 @ 2:06 pm
After all the hype and hoopla attending the triumphant return of the great Garth Brooks, he comes out and fumbles the ball on the opening drive.
Admittedly, I’m not a Garth fan: I’m one of the people who used to blame him for ruining country music, what with his marketing degree and his doggone wireless headset mic. But recently my opinion has mellowed to the point where I have actually been looking forward to Garth’s return as an opportunity to inject more substance into mainstream country. I listened to this song with an open mind, honestly wanting to enjoy it, but I found little to appreciate: the lyrical message is pollyanish, the vocals are weak, the production is demo-quality, and the country content is nil. Yes, this sounds like an album cut, and I sincerely hope it’s of the weakest tracks on the new album.
It’s always hard to accurately gauge fan reaction, but poking around social media I get the sense that a lot of people, including hardcore Garth fans are seriously disappointed with this song. Of course, Carrie and Miranda fans scorned “Something Bad” and that was still a successful single. Go figure.
By the way, I noticed that the new Garth song and the CMA nomination announcement were both released this morning at about the same time, and yet at this time there is already a thorough article about each one written and posted on this site. Well done, Trigger.
September 3, 2014 @ 2:19 pm
If I were a betting man, I would bet this song is the most un-country selection from the entire album. But since he released it first, perception is going to be what it is.
“Burinin’ It Down” by Jason Aldean was also heavily criticized all over the internet, and quickly rose to #1.
September 3, 2014 @ 3:10 pm
“Burnin”™ It Down” by Jason Aldean was also heavily criticized all over the internet, and quickly rose to #1.”
THIS is the kind of fact that convinces me the end is surely nigh , Trigger . Just when I think my faith in the listener’s ability to distinguish crap from WORSE crap has finally reached a new low , THIS proves me wrong. Even with SCM and similar sites/reviewers trying their damnedest to educate folks and guide them gently to options , the listeners cannot free themselves from the labels’ tractor beams and the marketing of an image over ANY lyrical or musical substance .
September 3, 2014 @ 3:45 pm
As much as I hate Jason Aldean, I’d much prefer hearing Burnin It Down over this song. This reminds me of when U2 and Dave Matthews started sucking.
September 3, 2014 @ 4:15 pm
1976 and 1989 – respectively?
September 3, 2014 @ 3:55 pm
Isn’t a song moving to #1 a 90% reflection of the $$$ behind the song? I mean, If everyone thinks that songs get to #1 because Ma and Pa Kent are sitting at home requesting it, they must be nuts. You market the hell out of it, you get it to your “Friends” in radio (See also, a company makes records and owns a company that plays them) and just for good measure, you slide a little side money to people who GET PAID to request spins.
So, yeah, quality is out the window. Just like at the box office, most often, the biggest pocketbook wins.
September 3, 2014 @ 11:44 pm
“Even with SCM and similar sites/reviewers trying their damnedest to educate folks and guide them gently to options , the listeners cannot free themselves from the labels”™ tractor beams and the marketing of an image over ANY lyrical or musical substance.”
Well said, Albert. I love the image of “tractor beams” to represent the major label’s marketing power. Yes, as best as I can figure, guys like Aldean are popular partly because they fit a certain popular “country boy” image, regardless of the actual content of their music. Of course, you could say that many beloved musical artists are marketed with a certain image, such as Willie and Waylon as “outlaws” or George Strait as a cowboy. But with the modern class of bro-country performers, there is just such little substance beneath all the hype.
September 4, 2014 @ 8:47 am
Of course, you could say that many beloved musical artists are marketed with a certain image, such as Willie and Waylon as “outlaws” or George Strait as a cowboy.
Well, the outlaw thing has been dissected to death already, so we’ll leave that one alone.
But if I remember correctly, George Strait was actually a cowboy, or at least as close to one as anyone can get anymore. His family had a ranch in South Texas that he worked right up until the time he got a record deal. And from what I understand he actually competes in the team roping event that bears his name down in South Texas every spring. The cowboy thing might have been used as a marketing image, but it had the unfathomably huge advantage of having the substance behind it.
September 4, 2014 @ 10:19 am
Understood, the pistolero.
I would even grant that Jason Aldean’s “country boy” musical persona is a genuine reflection of his upbringing and even his current lifestyle to some extent. (He lives on a 1,300 acre farm outside of Nashville.) Though obviously the “chillin’-in-a-pasture” fantasy portrayed in songs like “Dirt Road Anthem” is reductive.
All I’m saying is that it’s natural to be attracted to entertainers who convey an image one finds appealing, but the problem with bro-country is that it’s based *entirely* on image, as the music itself is putrid.
Also, as far as I’m concerned, Waylon and Willie genuinely were country music outlaws in the true sense of the term.
September 4, 2014 @ 11:47 pm
““Burinin”™ It Down” by Jason Aldean was also heavily criticized all over the internet, and quickly rose to #1.”
Only because generic pop and sex have always sold, plus the big names attached to and marketing behind it. It got many 1 star reviews on itunes and an average of what 2 or 3 stars. I guess they were erased when the album preorder came out.
September 3, 2014 @ 2:26 pm
Not what I was hoping for at all.
September 3, 2014 @ 3:19 pm
If I heard this on the radio I would never guess it was Garth Brooks. The voice singing sounds nothing like him to my ears and the music sounds like a generic rock song.
September 3, 2014 @ 4:19 pm
holy crap this is a bad recording. Shouldn’t Garth’s voice be upfront? It sounds like it was a demo recorded in someones church basement studio.
September 3, 2014 @ 4:22 pm
Once I got past the disappointment that he went for the pop/rock sound over the country sound of his earlier material, I found myself enjoying the song and the message. I can’t really complain about a positive, feel-good message that ISN’T about beer or trucks, nor am I surprised he went the pop/rock route on some of his new material. He’s always done some of that.
I can see why he’d release this as his first single. The message is memorable and the song is accessible to a wide array of fans. Yeah, that makes it a little blah to the non-average music listener, but I still admire its anthemic ambition. I feel like this is Garth is re-establishing himself as a real artist with something to say, in the wake of all the Dallas Davidson, etc. crap.
This one song doesn’t make me say “Garth is back in his prime!” but I’m looking forward to the album. With all the material, I’m expecting a wide scope of music from ballads to traditional country to uptempo rockers. Garth has always been good at incorporating different styles; if anyone has really “evolved” country music instead of just dumbing it down, it’s him. He keeps it classy.
Ha, that was longer than I meant to go on. I’ve been a Garth fan since the early 90s so I’m pretty giddy to hear his voice on new material. 😀 Not his best song ever, but a good statement. And I think better is to come.
September 3, 2014 @ 8:58 pm
Agree with everything you say Melissa, Im enjoying the song. There was always going to be a message song on his new album and this is it.
Cant wait for the new album.
September 3, 2014 @ 4:45 pm
Well… let’s hope Trisha Yearwood’s new album is better than this. I liked “We Shall Be Free” by this is just over produced and I can’t really make out the lyrics. I like th chorus I just wish it had gone more country gospel instead of pop. It feels like they had to TRY REAL HARD to leave out any EDM.
But it Garth Brooks and large amount o the populous disgusted with radio right now will eat this up! I agree with the rating, spot on.
September 3, 2014 @ 4:45 pm
At the very beginning, I was instantly disappointed that it sounded like Wave on Wave by Pat Green. By the end, I was actually more disappointed that it wasn’t even as good as Wave on Wave. Not a good song at all.
September 3, 2014 @ 5:52 pm
I’ve waited so long for new music from garth and this junk is what he brings to the table.
September 3, 2014 @ 6:05 pm
We loved Garth because “I didn’t mean to cause a big scene
Just wait ’til I finish this glass
Then sweet little lady
I’ll head back to the bar
And you can kiss my ass”
And.. “he never hit the brakes and he was shiftin’ gears”
NOT …. people love people. wtf? Complete 180. People love people!
Thank god for Sturgill Simpson, Jamey Johnson, Jackson Taylor, Jason Eady.
September 4, 2014 @ 9:17 am
Dont forget ‘Whitey Morgan and the 78s’, best band out right now along with Sturgill.
September 4, 2014 @ 6:05 pm
Completely forgot. Yes, Whitey Morgan added to the list. (Honorable mention: Jarrod Birmingham…”where did you go, country music?)
September 3, 2014 @ 6:20 pm
I was wondering of we were going to hear the steel,fiddle and banjos we heard so much of in his music..I guess this answers that.Garth fans waited how many years again for THIS shit?? LOL
Sounds like a bonus track off of one of Martina Mcbride’s cancer/kids dying albums
September 3, 2014 @ 6:46 pm
I said this on another topic and I wanted to repeat it here . . .
Garth Brooks is supposed to save country music and his new single “People Loving People” is god-awful arena rock with lyrics that preach about how we should be living. What a disappointment this single is, a complete, abject disappointment. Here I built up hope that this guy would save country music and he”™s out playing Bon Jovi Jr. again, as if he”™s back in high school in the 1980”²s. If this “We Shall Be Free” arena rock crap is what we”™re getting from Garth on his next album then he can stay retired and never come back as far as I am concerned.
To think, I had real, legitimate hope that we”™d get the “Two of a Kind”, “Much Too Young” or “Wild Horses Garth! Ha! I should have known we”™d get the haughty, preachy, sappy, Bono wanabe, butt-rock Garth. Hey Garth, country radio doesn’t need another butt-rock song, it needs a country song. Release one or stay the Effffff home with Trisha and the kids.
September 3, 2014 @ 6:56 pm
The link didn’t work for me, and I couldn’t find it yet on youtube. But, I did find a guy named Jim singing a cover of the song from his living room, and he did a very nice job : )
September 3, 2014 @ 7:18 pm
Garth Brooks sings “Kumbaya”! Horrible. Should have stuck with the lounge shows.
September 3, 2014 @ 7:33 pm
A little surprised he released a song that does have similarities to “we shall be free”, because he always talked how people tried to talk him out of releasing that song as the first single, but he insisted on it. It ended up being one of his weaker singles and he even stated how he should have listened to them on that one. I think he is a very sincere person and often feels almost a need to releAse songs with this type of message.
September 3, 2014 @ 7:56 pm
My girlfriend heard me play this and thought it was Tom Petty. Country music?
September 3, 2014 @ 10:41 pm
Not country! Garth, good luck and welcome back! If this is what he wants to put out as his music… no thanks, I’ll stick with what made him all that money in the 90’s!
September 4, 2014 @ 4:37 am
Are you sure this isn’t an out-take from a U2 album?
September 4, 2014 @ 5:54 am
My first impression was that this is the kind of music I hear when I’m put on hold.
September 4, 2014 @ 6:10 am
This has to be a live performance, or the unfinished product. You can’t even understand him in the verses.
Also, Garth is a fine vocalist with a unique voice. You don’t have to have other-wordly technical prowess to be a phenomenal singer. You simply have to have a distinct voice and an established style.
September 4, 2014 @ 6:25 am
C’mon, Lil Dale, weigh in on this. I wanna see what you think of the new Garth single.
October 21, 2014 @ 12:20 pm
scott ole buddy. ill tell u wut I thank of peeple lovin peeple. its lil dale lovin garth. this song will shurly be rankedd with his others clasics like the dance n frends n lo playses. this song restores my fayth in humanety. this song makes me want to live evry day like its the last. this song makes me want to be a beter man. garth is such a insperashun to so meny.
thank u scott for kepin me n yrr thawts. stay tewned to the coments for sum up n cumin lil dale nnews.
September 4, 2014 @ 6:34 am
Sounds like a lady A sounding song just with an actual purpose…. still… This isn’t close to what garth can do.
And yea vocals sound… rusty which is weird bc he has been in vegas so its not like he has spent years off.
September 4, 2014 @ 8:24 am
Garth lost his voice. He’s relying on backup singers.
September 4, 2014 @ 8:53 am
Sounds like it came off the Lady Antebellum reject pile.
September 4, 2014 @ 9:58 am
Goddammit Garth. This is how you spearhead your triumphant return to country? Hell, his cover of “Amos Moses” wasn’t this bad.
September 4, 2014 @ 10:06 am
I’m on the same page with this review and I definitely agree with comments that this is not my favorite kind of stuff Garth does. I do wish he went with a more traditional song out of the gate. However, I know Garth personally, and he has a huge heart for a better world. This is absolutely a sincere sentiment on his part, and I think the message is a good one. I am a little thrown off by the mix though as some have pointed out, the vocals are not on top like they’ve always been. Even though this isn’t a “Much Too Young” or a “What She’s Doing Now”, let’s try and appreciate the fact that at least it has something to say. We don’t hear that much anymore on “country radio”…if you can even call it country radio anymore.
September 4, 2014 @ 10:09 am
I like the lyrical theme. Garth was one of the few mainstream artists who spoke his mind and wasn’t afraid to stir up a little controversy. (just a little though…)
The song sounds like Chris Gaines though. Disappointing to say the least. But like Trig says, it’s likely the least country song on the album. I’ve never been a fan of his wife’s music and this sounds like something she’d sing, boring adult listening music, more in line with James Taylor than Jamey Johnson.
September 4, 2014 @ 10:42 am
You are correct – the key is too high. If I hadn’t known it was him, I never would have guessed. And the song seems almost clichéd – overly simplistic to say the least. It’s just bad.
September 4, 2014 @ 1:30 pm
Welp…does this mean he’s still the best man for the job?
September 4, 2014 @ 5:00 pm
Not a fan, I was hoping for stuff more like Much Too Young, He Rides Wild Horses, Etc.
September 4, 2014 @ 5:01 pm
I meant Wild Horses. oops
September 4, 2014 @ 6:24 pm
All I can say is thankfully terre haute indiana just got a classic country station and saved me from going online for real actual country music.
September 4, 2014 @ 8:37 pm
Boring and overhyped song from an overhyped and overrated artist.
September 4, 2014 @ 9:26 pm
I had to listen to a cover of this on youtube to understand all the lyrics. The only other song I’ve heard of Garth’s is The Dance, so I’m disappointed. But I still would rather listen to this than all the auto-tuned garbage on radio.
September 4, 2014 @ 9:31 pm
And this song landed at #30 on Mediabase today. Getting the once an hour airplay treatment, so it will be interesting to see if that continues at some level over the next few days.
Here is an article from the Tennesean that talks about tonight’s show in Chicago. No mention of Trisha. wtf? http://www.tennessean.com/story/entertainment/music/2014/09/04/garth-brooks-connects-live-old-hits-new-favorites/15111655/
September 4, 2014 @ 9:50 pm
I’ve been following The Tennessean on Twitter all night and they mentioned Trisha a couple of times. We may be seeing the short version of the recap. The concert just ended. They may have more on Trisha by the morning.
September 4, 2014 @ 10:05 pm
The show started at 7:30 and it’s midnight in Chicago – it can’t have lasted 4.5 hours.
September 4, 2014 @ 11:08 pm
Usually if I’m writing a live review, it doesn’t get posted until the morning after. I’m basing that there may be more coming off of this tweet:
https://twitter.com/TNMusicNews/status/507738265987080192
September 4, 2014 @ 11:01 pm
This is too pop and is it really Garth singing because it doesn’t sound like him but maybe it’s because he’s trying to sing pop. Where’s the fiddle and steel? I hope Sony or radio isn’t turning him pop. He might need a new, more country producer like Luke Wooten or Frank Liddell.
September 5, 2014 @ 10:53 am
Frankly, that guitar sounds a lot like U2.
September 5, 2014 @ 12:28 pm
I bought the cd and the second song is more in line with expectations, I think.
September 5, 2014 @ 2:20 pm
Not impressed. Come on Garth, you can do lots better than this.
I have always felt like Garth was over dramatic and a little bit on the phony side but he did have some good music. This isn’t going to make the cut.
September 6, 2014 @ 9:43 am
Ho-hum. I never cared for Garth’s arena country/rock anyway. I never expected his return to lead country back to a more traditional sound as I still think he was one of the key points in country being in the state it is today.
I don’t expect in the long run his return is going to mean much. His long-time fans will buy his stuff but otherwise he will find that he is too old and his time has past.
September 7, 2014 @ 5:12 pm
” I never expected his return to lead country back to a more traditional sound as I still think he was one of the key points in country being in the state it is today.”
Agreed.
September 7, 2014 @ 2:14 pm
Liza is right- the second song available from the album is very much an old fashioned Garth album cut. Looking forward to Tacoma from what everyone here says.
I love Garth and appreciate his selling his music his way, but I must now have 4-5 copies of most of the albums what with the digital downloads, Wal-Mart box sets (with one friggin’ bonus track on each CD) and the original releases. Enough!
September 7, 2014 @ 6:20 pm
‘I have always felt like Garth was over dramatic and a little bit on the phony side but he did have some good music…”
” I never expected his return to lead country back to a more traditional sound as I still think he was one of the key points in country being in the state it is today.”
Couldnt’ agree more with both of the above comments
September 8, 2014 @ 6:40 pm
I’d say this pretty much hit the nail on the head. I do quite like the message, but can’t get past the cheap production and weak vocals.
September 14, 2014 @ 8:12 am
Trigger, great review. And one of your comments nailed exactly my thoughts: this should have been an album cut, not a single release. I can sense the passion for the song, but I was hoping for some true Garth Brooks work.
October 6, 2014 @ 9:44 am
Holy hell… disappointment is the only word that comes to mind. I still can’t wrap my mind around how terrible the vocals and production are when I first heard this on the radio… thought no way this is Garth’s new single.. :/
October 27, 2014 @ 12:20 pm
I’m a little late to the party on this, but I’m disappointed as well. It grows on you a bit, but it is far far cry from what Garth can do. We know Garth doesn’t need to be successful, he has all that. So maybe this was just a stab at a song he likes the message on and thought it was relevant for the times.
The direction they went with the song…the upbeat “we shall be free” style, is awful. Drop the key a bit, slow it down and sing it like a country tune. Would be much better.